#documentary

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Infra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destrInfra, by Richard Mosse.Richard Mosse’s photography captures the beauty and tragedy in war and destr

Infra, by Richard Mosse.


Richard Mosse’s photography captures the beauty and tragedy in war and destruction. Mosse has shot abandoned plane wrecks in the furthest reaches of the planet and the former palaces of Uday and Saddam Hussein now occupied by US military forces. His most recent series, Infra captures the ongoing war between rebel factions and the Congolese national army in the Democratic Republic of Congo.
The Infra series is marked by Mosse’s use of Kodak Aerochrome, a discontinued reconnaissance infrared film. The film registers chlorophyll in live vegetation. The result is the lush Congolese rainforest rendered into a beautifully surreal landscape of pinks and reds. Mosse said in an interview with The British Journal of Photography “I wanted to export this technology to a harder situation, to up-end the generic conventions of calcified mass-media narratives and challenge the way we’re allowed to represent this forgotten conflict… I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is constructed.”

Mosse is the winner of the 2014 Deutsche Börse Photography Prize. In 2013, Mosse represented Ireland in the Venice Biennale with the The Enclave an immersive six-channel video installation that utilized 16mm infrared film. The piece is an attempt, as Mosse explained on CNN.com, to bring “two counter-worlds into collision: art’s potential to represent narratives so painful that they exist beyond language, and photography’s capacity to document specific tragedies and communicate them to the world.” 


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andreii-tarkovsky: 2017 - Film Journal La Libertad Del Diablo | Everardo González | Mexico | 2017 |

andreii-tarkovsky:

2017 - Film Journal

La Libertad Del Diablo | Everardo González | Mexico | 2017 | 10.0


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And then they weren’t …..Remember to follow us for more#humor #meme #funny #lol #lmao #nerd #gee

And then they weren’t …..
Remember to follow us for more

#humor #meme #funny #lol #lmao #nerd #geek #FunFact #Marvel #disney #disneyplus #avengers #loki #mischief #apocalypse #mcu #covid_19 #covid #variants #blackwidow #mickeymouse #muder #crime #documentary
https://www.instagram.com/p/CSNBiWzlGlV/?utm_medium=tumblr


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afrosoulsista:

Color Outside the Lines: A Tattoo Documentary (2012)

Directed by: Artemus Jenkins
Conceived and Produced by: #MiyaBailey
Music by: Go Dreamer and Brian Sterling of Operation A.D.D./ The Flush

Struggle, Joy, Failure, Success; words like these could serve as the backdrop for the next big hollywood blockbuster, or as a description of a tattoo artists life. Color Outside the Lines is the first film that provides a deep look into the history, culture and lives of the world’s top black tattoo artists. Creating a film that would accurately tell the stories of these amazing artists, was initially a dream that manifested into a reality when world renowned tattoo artist, Miya Bailey linked with burgeoning filmmaker Artemus Jenkins. After three years of filming and tattooing everywhere from #Atlanta to #Amsterdam, this film is here to make sure the story and legacies of these artists will live on forever.

http://youtu.be/WsmmjfI6cpM

*I purchased this #documentary back when it first came out and It was very eye opening. I try to get people to check it out when the conversation of #tattoos come into play. Share & Enjoy!!*

I’ve been friends with the man pictured above for more than half a decade. It all started with a Craigslist search for my first motorcycle. 

I ran across an ad titled, “Faster than a raped ape, faster than a cheetah on cocaine.” I called him up and it spiraled from there…

Todd Kiergen is a rare man. He’s got a beard down to the middle of his chest that’s raggedy at the bottom because he keeps catching it in his drill press. He measures time in cigarettes. He’s got a stereo that hits stadium rock volume levels and I’ve seen some of his bikes fire three-foot flames out of their tail pipes. He can talk about compression ratios, valve clearance and various bike models until I’m totally lost, and then follow it up with a joke about racing an ugly woman to the light switch. I’ve never met anyone like him before. 

This originally appeared in Accent Magazine along with an essay that I wrote and some photographs. 

Sweatpants & Pop Culture |”Midsummer in Newtown” – Movie Review

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  In the documentary “Midsummer in Newtown”, Director and filmmaker, Lloyd Kramer follows three families affected by the shooting at Sandy Hook Elementary that occurred in December 2012. It is set around the community’s production of “A Midsummer Night’s Dream”, starring the children of Newtown, Connecticut. The cameras follow Tain and Sammy from auditions, to the days after curtain call. We also…

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Erin Mowinckel - From the Before series, 2012.

Erin Mowinckel - From the Before series, 2012.


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American South, 2017 - Peyton Fulford

American South, 2017 - Peyton Fulford


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Grandfather and grandson reunited, 2017 - Peyton Fulford

Grandfather and grandson reunited, 2017 - Peyton Fulford


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