#documentary photography
A Japanese woman uses an iphone to take a photo of Mount Fuji during the last sunset of 2016. Muira, Kanagawa, Japan Saturday December 31st 2016
Photo © Damon Coulter
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Reflection, shot on a Canon rebel t6
Hummingbird moths feeding, shot on a Canon rebel t6
Snowy egrets in the Popham beach wildlife reservation, shot on a Canon rebel t6
Revisiting that day on the Caribbean Coast of Costa Rica.
December, 2015.
(James Sanders)
Photo by @hermespittakos.tumblr.com
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Photo: Untitled
Photographer caption: "I can cry in front of them, I can tell them my secrets. I buy them things and they calm me down. I just feel comfortable around them,” says twenty-six year old Lisa Schalm as she poses for a portrait inside of her bedroom in Brockport, N.Y., on Oct. 11, 2017. Lisa suffers from depression, anxiety and borderline personality disorder and said that these reborn dolls are the only solution to help calm her symptoms. A reborn doll is a manufactured skin doll that has been transformed by an artist to resemble a human infant with as much realism as possible.”
Photo by Brittainy Newman (New York, New York, USA); Brockport, New York, USA
The deadline to enter to our 15th Annual Photo Contest is fast approaching! Submit your best shots by November 30 at 5:00 PM EST.
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‘The last day of painting’, Valentin Zakharchenko with his painting 'The blind ones’ (1978), before it had to be cut into two pieces to be removed from his house, photo by Yuri Litwinienko, 2012
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John Divola, Intervention C, 2007, Archival digital pigment print on rag paper, 44 x 54 inches © Gallery Luisotti
JOHN DIVOLA: DENTS AND ABRASIONS
Exhibition from Mar 26 to May 14, 2016 at Gallery Luisotti, Paris Fair Exhibitor
2525 Michigan Ave., a2, 90404 Santa Monica
[email protected]
T +1 310 453 0043
galleryluisotti.com
Gallery Luisotti is pleased to announce the upcoming exhibition John Divola: Dents and Abrasions. Featuring eight works from his series Intervention, March Base, and Discarded Painting, the exhibition finds Divola revisiting the subject matter and concepts of his early Vandalism series in the contemporary context of evolving technology and personal perspective. Dents and Abrasions shows Divola’s sophisticated understanding of the photographic camera’s documentary limits and demonstrates his interest in process and observation in the context of lived environments and entropy.
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＃１５７４
These recent months have been tough for many people around the world. I myself, have gone through some troubling times and unfortunately have had to sell my beloved cameras (pictured above) to make rent this month. To the anonymous buyer somewhere in Malaysia, please take care of my babies.
去年まで使い込んでたGXRとGRD4オークションで売ってしまいました。マレイシアの誰かさん、大切にしてくれるかな？
Photos taken with these cameras / このカメラで撮った写真:
GXR/GRD4
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From a recent walk along the Coquitlam River. This small river runs through the towns of Coquitlam and Burnaby before joining the Fraser River. Parts of it run through dense industrial and residential neighbourhoods. This project addresses the difficulty of keeping these waterways not only open, but healthy. This section of the river runs under a small local roadway.
Turn around at the top of the mountain.
Southern California. On top of the mountain.
Southern California. On top of the mountain.
Along the Fraser River, British Columbia.
le house and yard, Vancouver, BC.pmSi
In the field along the river.
