#dvorak

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allthingslinguistic:

stanzicapparatireplayers:

anemotionallyunstablecreature:

a6:

u kno when u keysmash but the jumble of letters dont convery the right Feeling so u gotta backspace and re-keysmash to turn ur HKELSXPXA to a JKFSDKAS

Vaguely wondering how future anthropologists will explain this…

*raises hand* Hi. So - the use of a keysmash is emotive. You use it to indicate that you’re so overwhelmed with emotion that you can’t even type, you’re just flailing at the keyboard.

So why is there a difference between a “hkelsxpxa” and a “jkfsdkas” or an “asdfs”?

Because language evolves! It’s actually really exciting to think about, but there’s a reason why slang is continually changing and why Old People are usually characterized by not knowing the slang variants that are being used by The Youth - it’s because the way we use words changes over time, especially in response to technological or environmental changes.

And text-based communication - texting someone on your phone, or chatting with friends on Skype or Discord - is actually really new, this is something which started in my lifetime. And grammatical rules have been evolving and settling into place around that form of communication.

For instance, linguistic researchers have noticed that anyone who’s grown up with texting being a normal thing will usually not end their texts or IMs with a period unless they’re angry or annoyed. This is because it’s a lot harder to do a run-on sentence in those mediums; you can just hit ‘enter’ and go to a new line. A period, then, becomes an indicator of emphasis, instead of an indicator of “there is nothing missing from this sentence” - and it’s an indicator of negative emphasis (rather than the positive emphasis that an exclaimation mark can give).

So, the keysmash has its own grammatical rule. And it’s one that makes sense, considering that it’s entirely possible for a keysmash to be caused accidentally - by something falling onto the keyboard, or a cat walking across it. The rule, then, is that a deliberate keysmash and an accidental one need to be distinguishable.

So a deliberate keysmash will nearly always use keys only in the home row, and usually in a particular order that isn’t likely to have happened purely accidentally.

So, future anthropologists will likely explain it as a marker of language evolving to work with a text-based medium where expressions and body language are difficult-to-impossible to convey. Much like emojis, crytyping, and whether or not you put punctuation at the end of a sentence (and in what context you do so), keysmashing is used to convey how you feel - in a way that body language and facial expressions would usually be expected to fill in the gap.

I did a survey once of people who use keysmash and over half of people reported that they’d adjust a few letters or delete and re-smash when it didn’t look “right” (except for the poor Dvorak users, who had kind of given up on keysmash entirely because their vowely home row made theirs emotionally illegible to other people).

Title Unknown. Franz Dvorak

Title Unknown. Franz Dvorak


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Rusalka - Antonín Dvořák - 1901Robert Carsen (Stage director) - Michael Levine (Sets and costumes) -Rusalka - Antonín Dvořák - 1901Robert Carsen (Stage director) - Michael Levine (Sets and costumes) -Rusalka - Antonín Dvořák - 1901Robert Carsen (Stage director) - Michael Levine (Sets and costumes) -Rusalka - Antonín Dvořák - 1901Robert Carsen (Stage director) - Michael Levine (Sets and costumes) -Rusalka - Antonín Dvořák - 1901Robert Carsen (Stage director) - Michael Levine (Sets and costumes) -

Rusalka - Antonín Dvořák - 1901

Robert Carsen (Stage director) - Michael Levine (Sets and costumes) - Robert Carsen / Peter Van Praet (Lighting)                
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這場音樂會將會出動三把 #長笛、兩把 #雙簧管 和三把 #弦樂 喔!趕快私訊我們預定票券吧! 5/22(日)14:30 台江文化中心台江劇場 #時間的斷面 室內樂音樂會 #YorkLu #flute

這場音樂會將會出動三把 #長笛、兩把 #雙簧管 和三把 #弦樂 喔!趕快私訊我們預定票券吧!

5/22(日)14:30 台江文化中心台江劇場 #時間的斷面 室內樂音樂會

#YorkLu #flute #鍾筱萱 #黃奐瑋 #許慈娪 #黃品潔 #四重奏 #五重奏 #Mozart #britten #dvorak #bliss #來看我們
https://www.instagram.com/p/Cb93wgVPN2G/?utm_medium=tumblr


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謝謝各位音樂家們犧牲假期來一起排練! #時間的斷面 #室內樂音樂會 5/22 14:30 #台江文化中心 #台江劇場 歡迎私訊預定票券喔! #YorkLu #chambereecital #mozar

謝謝各位音樂家們犧牲假期來一起排練!
#時間的斷面 #室內樂音樂會 5/22 14:30 #台江文化中心 #台江劇場
歡迎私訊預定票券喔!

#YorkLu #chambereecital #mozart #britten #dvorak #bliss
https://www.instagram.com/p/Cb7fpvPJHhG/?utm_medium=tumblr


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去年的這時後 #鳴想 2021 #呂承祐長笛獨奏會 已經開完第一場囉~今年5/22 14:30 #時間的斷面 室內樂音樂會即將於 4/8 中午啟售,除了老搭檔 #鍾筱萱 老師之外,還有#小提琴 #黃奐

去年的這時後 #鳴想 2021 #呂承祐長笛獨奏會 已經開完第一場囉~今年5/22 14:30 #時間的斷面 室內樂音樂會即將於 4/8 中午啟售,除了老搭檔 #鍾筱萱 老師之外,還有#小提琴 #黃奐瑋 老師、#中提琴 #許慈娪 老師和 #大提琴 #黃品潔 老師一起演出,趕快留下時間,也可以私訊預定票券喔~

#YorkLu #flute #chamberecital #mozart #britten #dvorak #bliss #quartet #quintet
https://www.instagram.com/p/Cb482KypynZ/?utm_medium=tumblr


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Simon Bolivar Senfoni Orkestrası

Christan Vasquez & Poyraz Baltacıgil

  • Dvorak | Çello Konçertosu
  • Prokofyev | 5. Senfoni
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