#ervina kupferova
František Drtikol :: Dancing Girl, most probably Erwina Kupferová, artist’s wife, ca. 1919. Pigment print on textured paper. | src Vintage WorksonArtsy
František Drtikol :: The dancer Ervína Kupferová in The Fire Drum, 1922. “The Fire Drum” has an extravagant subtitle “African drama full of fire, color, rumble, fragrance.” Its author was the no less extravagant Italian writer Filippo Tommaso Marinetti. For its time it was an ultra modern production, the sets were designed by Italian artist Enrico Prampolini. Although the photographer is not identified, its author was most likely František Drtikol (Kupferová’s husband). | src Prague National Theatre
František Drtikol (1883 - 1961) :: Salome (Ervina Kupferová), 1920. Salome’s studio photographs carry a charge of tense poses, movement and dynamic play with light. The role of Salome is played here by his wife Ervína Kupferová. The photo shows Drtikol’s interest in Art Nouveau, symbolism, historical and mythical themes. (quoted from source Arthouse Hejtmánek)
František Drtikol (1883 - 1961) :: Salome (Ervina Kupferová), 1920. Bromografia. Signed: “Drtikol 1920” at the bottom right below the blind-stamp: “Drtikol & spol. Praha 1922”. | src Art-house Hejtmánek
František Drtikol(1883-1961)::Nude, 1925-1930. Vintage gelatin silver print on semi-matte paper. | src Aukční dům Zezula
this image has been mutilated (cropped bottom) due to tumblr nudity policy