Carolle Bénitah :: From: “Jamais je ne t’oublierai” (series). 2018 Virginia Award | src L’œil de la photographie
“I will never forget you is a work on family memory, happy and fantasized, confronted with negative memories. […] I rebuild the memory of my family that I did not have, invented a tailor made one where I resurrect all the people who have disappeared, the territories that I did not know and were praised.” (quoted from source)
Carolle Bénitah :: From: “Jamais je ne t’oublierai” (series). 2018 Virginia Award | src L’œil de la photographie
“I will never forget you is a work on family memory, happy and fantasized, confronted with negative memories. […] I rebuild the memory of my family that I did not have, invented a tailor made one where I resurrect all the people who have disappeared, the territories that I did not know and were praised.” (quoted from source)
Karl Andreyevich Fischer**:: Russian stage actress Maria Germanova as The Witch, in Konstantin Stanislavski’s production of Maurice Maeterlinck’s play ‘The Blue Bird’ [Maeterlinck, Maurice, 1862-1949. Oiseau bleu. RussianMoskovskiĭ khudozhestvennyĭ akademicheskiĭ teatr], at the Moscow Arts Theatre, 1908. | src The New York Public Library
František Drtikol :: The dancer Ervína Kupferová in The Fire Drum, 1922. “The Fire Drum” has an extravagant subtitle “African drama full of fire, color, rumble, fragrance.” Its author was the no less extravagant Italian writer Filippo Tommaso Marinetti. For its time it was an ultra modern production, the sets were designed by Italian artist Enrico Prampolini. Although the photographer is not identified, its author was most likely František Drtikol (Kupferová’s husband). | src Prague National Theatre
František Drtikol (1883 - 1961) :: Salome (Ervina Kupferová), 1920. Salome’s studio photographs carry a charge of tense poses, movement and dynamic play with light. The role of Salome is played here by his wife Ervína Kupferová. The photo shows Drtikol’s interest in Art Nouveau, symbolism, historical and mythical themes. (quoted from source Arthouse Hejtmánek)
František Drtikol (1883 - 1961) :: Salome (Ervina Kupferová), 1920. Bromografia. Signed: “Drtikol 1920” at the bottom right below the blind-stamp: “Drtikol & spol. Praha 1922”. | src Art-house Hejtmánek
Baron Adolph de Meyer :: Flower Study, 1908. Autochrome. (Royal Photographic Society Collection) | src The Dawn of ColouratScience and Media Museum via Flickr
