#pictorialism

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Pierre Dubreuil :: Das Goldfisch-Glas [The Goldfish Bowl], ca. 1905. Photogravure. From: Photographische Mitteilungen 1905. | src Photoseed.com

Pierre Dubreuil :: Das Goldfisch-Glas, ca. 1905. Photogravure. From: Photographische Mitteilungen 1905. | src Photogravure.com

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Johan Hagemeyer :: [Plants. Unidentified interior] [negative] | src OAC · Calispher

Johan Hagemeyer :: [Plants. Unidentified interior] [negative] | src OAC · Calisphere

Johan Hagemeyer (1884-1962) :: [Plant.] [negative], n.d. | src OAC · Calisphere

Johan Hagemeyer (1884-1962) :: [Plant.] [negative], n.d. | src OAC · Calisphere

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Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer] [glass negative, retouched] undated but the item belongs to Early Works folder (circa 1908-1915). | src OAC · Calisphere

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Lilac Buds by Edward Steichen 1906

Lilac Buds by Edward Steichen 1906


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Florence Peterson nue, de trois-quarts, between 1909/ 1910 by Paul Burty Haviland

Florence Peterson nue, de trois-quarts, between 1909/ 1910 by Paul Burty Haviland


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Julia Margaret Cameron, Annie, January 1864 In December 1863, Cameron, then aged forty-eight, receiv

Julia Margaret Cameron, Annie, January 1864

In December 1863, Cameron, then aged forty-eight, received the gift of a camera from her daughter Julia. One month later, she took this portrait of Annie Philpot, describing it as “My very first success in photography, January 1864”. For me, this is one of her most moving images.

“I was in a transport of delight. I ran all over the house to search for gifts for the child. I felt as if she entirely had made the picture. I printed, toned, fixed and framed it, and presented it to her father that same day: size 11 by 9 inches. Sweet, sunny haired Annie! No later prize has effaced the memory of this joy.”

 Julia Margaret Cameron, Annals of my Glass House(1874)


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Franz Fiedler, Nude study c. 1910 [ see also ] from Erotische Fotografie 1890-1920 

Franz Fiedler, Nude study c. 1910

[ see also ]

from Erotische Fotografie 1890-1920 


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Julia Margaret Cameron (1815-1879), “So like a shatter’d Column lay the King”, 187Julia Margaret Cameron (1815-1879), “So like a shatter’d Column lay the King”, 187Julia Margaret Cameron (1815-1879), “So like a shatter’d Column lay the King”, 187

Julia Margaret Cameron (1815-1879), “So like a shatter’d Column lay the King”, 1875, albumen silver print, The J. Paul Getty Museum


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Lady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the VictoLady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the Victo

Lady Clementina Hawarden (1822-1865), was a noted British amateur portrait photographer of the Victorian Era. She produced over 800 photographs mostly of her adolescent daughters. Read more


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Apologie de Socrate #normandie #lh #lehavre #socrates #plato #interior #interiorphotography #poison

Apologie de Socrate
#normandie #lh #lehavre #socrates #plato #interior #interiorphotography #poison #apology #livefreeordie #philosophy #courage #apology #ancientgreece #myfeatureshoot #eyeshotmag #pictorialism #scenography #illustration #reponsesphoto #revueepic #eyeshotmag #somewheremagazine #fisheyelemag #photography #stilllife (à Le Havre, France)
https://www.instagram.com/p/CRUFUkHhIkU/?utm_medium=tumblr


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Abbaye de Graville #normandie #lh #lehavre #church #pictorialism #woofermagazine #reponsesphoto #lon

Abbaye de Graville
#normandie #lh #lehavre #church #pictorialism #woofermagazine #reponsesphoto #longexposure #tryptich #therawsociety #myfeatureshoot #somewheremagazine #light #shadowhunters #shadow #darkphotography #dark #eyeshotmag #eyephotomagazine #thisaintartschool (à Le Havre, France)
https://www.instagram.com/p/CRSKVrRBUGV/?utm_medium=tumblr


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Une mare dans la forêt #normandie #lh #lehavre #pictorialism #romanticism #forest #trees #pond #natu

Une mare dans la forêt
#normandie #lh #lehavre #pictorialism #romanticism #forest #trees #pond #naturephotography #reponsesphoto #bcncollective #woofermagazine #somewheremagazine #somewhere #fisheyelemag #revueepic #nature #landscapephotography #landscape #shadowhunters (à Forêt de Brotonne)
https://www.instagram.com/p/CRM3uathlYa/?utm_medium=tumblr


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 Louis Fleckenstein (1866-1943)Dancing Master, 1930 Apache Dance, 1930 The Contortionist, 1930 Bogey Louis Fleckenstein (1866-1943)Dancing Master, 1930 Apache Dance, 1930 The Contortionist, 1930 Bogey Louis Fleckenstein (1866-1943)Dancing Master, 1930 Apache Dance, 1930 The Contortionist, 1930 Bogey Louis Fleckenstein (1866-1943)Dancing Master, 1930 Apache Dance, 1930 The Contortionist, 1930 Bogey

Louis Fleckenstein (1866-1943)

Dancing Master, 1930 

Apache Dance, 1930

The Contortionist, 1930 

Bogey Man of the Desert, 1930


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Frantisek Drtikol, “Cactus”, 1925

Frantisek Drtikol, “Cactus”, 1925


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Frank Eugene, “Adam and Eve”, circa 1900

Frank Eugene, “Adam and Eve”, circa 1900


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