#ex marinereader

LIVE

Words: 1063
Warnings: Arguing? 
A/N: About the requests I have in, (they’re 17 if I’m not mistaken?) I’m writing them, guys! I haven’t forgotten!  It’s just going slowly, because I work full-time in front of a screen and sitting down in front of another one after clocking out isn’t quite appealing. Nonetheless, I’m writing them! I’ll try to go on a writing spree this weekend, hopefully things will smooth down then! :) 

Part 1|Part 2|Part 3|Part 4 |  Part 5|Part 6|Part 7|Part 8|Part 9 |Part 10

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You stop by the kitchen window on your way back, watching the road and prompting Jay to get up and do the same. He stands right behind you, shirt still on his hand as you both watch the black SUV parked behind Jay’s truck. You move quickly, slipping on some shoes and grabbing your gun from under the kitchen island, noticing how Jay’s eyebrows rise in surprise.

“Whoa, (Y/N), wait up.” He says, scrambling to put his shirt back on as you walk out the door with purpose on your step. He runs after you, his hand on his own gun as you cross the street.

The SUV’s doors open and Jay sighs as he sees Adam and Kim get out with their hands raised.

“Sorry, sorry!” Adam says, pointing at his badge as Jay reaches you, your gun lowering slowly. “We just didn’t want to interrupt something since Jay wasn’t answering his phone and his truck is here… and we saw him shirtless through the window.”

Jay shoots him a look as you tuck your gun into the waist of your pajama pants, looking at them sternly.

“They work with me, Adam Ruzek and Kim Burgess.” He introduces, watching as you nod in understanding, recognizing the woman from the anthrax call.

“Why are you here, then?” You ask, turning on your heel and walking back towards the apartment building. “We can have this conversation inside, it’s cold out.”

The four of you make your way back into your house, gathering around the kitchen island as you put the gun back in its’ hiding spot.

“We got an unsettling package after Jay left the precinct.” Adam says as Kim sets a folder down on the table and opens it gingerly, spreading the contents on top of the marble.

Your hand shoots out and grabs a large wad of paper, your hands shaking as you skim through the pages and recognize it as the report from your last mission in Afghanistan. You turn it away from everyone, knowing its’ contents and not wanting them to see, but the look on Kim’s eyes lets you know she already did. You slam the wad back on the island, looking intently at Adam and Kim.

“How do you have this?” You say, looking at the pictures Jay is spreading across the table and seeing some from your last shift along with one taken minutes ago, when Jay knocked on your door. “What the hell?”

“Eric.” Jay mutters, making you turn to him. “It’s my fault, I should have just gone home.”

“Who’s Eric?” You ask, running your hands through your hair.

“The guy from the anthrax. I’m really sorry (Y/N), I shouldn’t have come here, I put you on the line.”

“That’s not true, Jay.” Adam clears up, waving a piece of paper. “He left this note in the package, detailing how he was entranced by (Y/N) when he saw her yesterday, and how he felt angry and betrayed that the two of you know each other.”

“That bastard winked at me yesterday, when he ran away.” You mutter pressing the heels of your palms to your eyes. “Do you have anything substantial about him?”

“Not quite.” Kim admits, looking between you and Jay. “He hides his tracks very well; we’re having trouble with pinning him down to make a bust.”

“What if you lure him out?” You suggest, earning shocked looks from the three cops on your kitchen. “I’ve done it before in much worse circumstances, and it worked. And I’m not about to stop my life just because some bug-eyed psycho decided he wanted to mess with me.”

“Absolutely not.” Jay interjects before anyone has a chance to speak, making you raise a brow at him. “He’s incredibly suspicious, and he knows you hang out with cops. He won’t fall for it.”

“He also knows I’m ex-military, and yet he’s still pulling this.” You counter, watching as Jay shakes his head again.

“No, you’re not going into the line of danger like that.” He says stubbornly, and you feel your blood begin to boil.

“I’m a grown-ass woman with a military past to make many pale in comparison, I think I can handle being in the line of danger.” You snap, watching as Jay’s face hardens.

“Yeah, last time I saw you do that it didn’t go over too well.”

“It went well enough, clearly, since I’m still alive.”

“Voight would never approve it, and I’m not about to watch you do that when it can be prevented. Last time I couldn’t do anything, but now I can.” He growls, his knuckles becoming white as he grips the marble top of the kitchen island. “It’s not happening.”

“Look, (Y/N), we know what you’re capable of, we had to read the folder.” Kim intervenes, noticing how angry the two of you are getting. “But we also know what Eric can do, and we don’t want to put anyone in that position.”

“He tied me to a pole in a room full of anthrax, fully intending to expose me to it once he was done interrogating me.” Jay says, crossing his arms. “I’m not risking losing you again, (Y/N).”

Your scowl softens with his confession, being replaced with a look of confusion. Adam and Kim retrieve the contents of the package, placing them back on the evidence box as you stare at Jay.

“We’ll be in touch, but we have to return to the precinct now.” Kim says, nearly dragging Adam out the door with her.

The door closes and you lean against the counter, watching the man in front of you as you wait for him to elaborate his previous statement.

“What?” He asks, shifting as he feels uncomfortable under your stare.

“You don’t know half of what we lost, Jay. Both as individuals and collectively.” You mutter, shaking your head as you turn back around, rinsing the mugs on your sink.

“Care to enlighten me?”

“What for? It’s lost to the time, stuck in the past. It’s no use musing about what was or could have been, because it’ll never be. It’s irrelevant now.” You dry your hands, turning to find him looking at you with pleading eyes. You run your hands through your face, feeling your eyes heavy. “I think it’s better if you go now, I’m tired and want to sleep some more.”

-

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