#fiberglass

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What a awesome weekend for a long leg cast!What a awesome weekend for a long leg cast!

What a awesome weekend for a long leg cast!


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Full leg cast for the night, just a warm up for tomorrow nights 1.5 spica cast with rectal catheter

Full leg cast for the night, just a warm up for tomorrow nights 1.5 spica cast with rectal catheter and Foley catheter


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ezusterem:

Hello. Don’t feel like staying with me for the night? I’m so bored !!☺️

Behind The Scenes! Working on making a mold for a doll! Its a messy business! Behind The Scenes! Working on making a mold for a doll! Its a messy business! 

Behind The Scenes! Working on making a mold for a doll! Its a messy business! 


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abysscreations:Behind The Scenes! Working on making a mold for a doll! Its a messy business! abysscreations:Behind The Scenes! Working on making a mold for a doll! Its a messy business! 

abysscreations:

Behind The Scenes! Working on making a mold for a doll! Its a messy business! 


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PJ Wahl. A legend in my book. Through the last 15 years and the transition of having computers shape

PJ Wahl. 

A legend in my book. Through the last 15 years and the transition of having computers shape boards, this man stayed true to where the craft started. Nothing but knowledge and his own two hands and he does a dam good job. 


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THE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture practTHE FADING PAST / Deve BuildWithin the dense modern metropolis of Shenzhen, local architecture pract

THE FADING PAST / Deve Build


Within the dense modern metropolis of Shenzhen, local architecture practice Deve Build, have installed an artistic space to retreat from the hectic hurry of everyday life. ‘The fading past’ has been realized within a residential courtyard area, offering a place for visitors and passersby to naturally meander through. Long sheets of fiberglass netting are suspended on tall metal frames, forming a labyrinth of corridors and paths to wander between. Appearing like a dense fog, one that often hovers above chinese cityscapes, the installation immerses pedestrians in a maze of woven mesh material that both reveals and conceals the surrounding landscape. The sheets of semi-opaque material are organized to create an effect that uncovers small traditional objects placed within random apertures, reminding viewers of the sometimes overlooked simplicities of daily life. 


Dentro de la densa metrópolis moderna de Shenzhen, los arquitectos locales Deve Build, han instalado un espacio artístico para retirarse de la prisa de la agitada vida cotidiana. “The fading past”  se ha realizado dentro de un patio residencial, ofreciendo un lugar serpenteante para los visitantes y transeuntes. Láminas de malla de fibra de vidrio están suspendidas en los marcos metálicos, formando un laberinto de pasillos y senderos para pasear. Apareciendo como una densa niebla que a menudo se cierne sobre el paisaje urbano, la instalación sumerge a los peatones en un laberinto que revela y oculta el paisaje circundante. Las hojas de material semi- opaco se organizan para crear un efecto que descubre pequeños objetos tradicionales colocados dentro de aberturas al azar, recordando a los espectadores que a veces se pasan por alto algunas simplicidades de la vida cotidiana.


Máster en Instalaciones y Arquitecturas Interactivas y Efímeras

más información en www.masterefimeras.com


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John McCracken, Untitled, 1981, resin and fiberglass, 51.5 x  248.8 x 6.2 cm

John McCracken, Untitled, 1981,
resin and fiberglass, 51.5 x  248.8 x 6.2 cm


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Gormley, Antony. A Case for an Angel III. 1990. Tate, London.Lead, fiberglass, plaster, and steel

Gormley, Antony. A Case for an Angel III. 1990. Tate, London.
Lead, fiberglass, plaster, and steel


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