#grimshaw

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 John Atkinson Grimshaw - A Yorkshire Lane in November (1873)

John Atkinson Grimshaw - A Yorkshire Lane in November(1873)


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John Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, p

John Atkinson Grimshaw (1836–1893, England)

Landscapes

Grimshaw was an EnglishVictorian-era artist, popular both during his time and in the present for his night-time depictions of British cities.

Grimshaw’s earliest influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he created landscapes of accurate colour and lighting, vivid detail and realism, often typifying seasons or a type of weather. Moonlit viewsofcity and suburban streets and of the docks in London, Leeds, Liverpool and Glasgow also figured largely in his art. The focus on atmosphere, and lack of moral message or historical reference allies his work to some extent with the Aesthetic Movement.

His careful painting and his skill in lighting effects meant that he captured both the appearance and the mood of a scene in minute detail. His “paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene.” Later in life his colour palette shifted from dark blues to golden yellows, and towards the end of his life were hints of a change in artistic direction, with looser brushwork influenced by his friend James Abbott McNeill Whistler, who was quoted saying “I considered myself the inventor of Nocturnes until I saw Grimmy’s moonlit pictures.”


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Salthouse Dock, Liverpool, John Atkinson GrimshawMedium: oil,canvas

Salthouse Dock, Liverpool,John Atkinson Grimshaw


Medium: oil,canvas
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Wimbledon Park, Autumn After Glow, 1866, John Atkinson GrimshawMedium: oil,canvas

Wimbledon Park, Autumn After Glow, 1866,John Atkinson Grimshaw


Medium: oil,canvas
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Still Life of Birds Nest with Primulas and Blossom, 1869, John Atkinson GrimshawMedium: oil,panel

Still Life of Birds Nest with Primulas and Blossom, 1869,John Atkinson Grimshaw


Medium: oil,panel
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In the Golden Gloaming, 1881, John Atkinson GrimshawMedium: oil,canvas

In the Golden Gloaming, 1881,John Atkinson Grimshaw


Medium: oil,canvas
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Liverpool Quay by Moonlight, 1887, John Atkinson GrimshawMedium: oil,panel

Liverpool Quay by Moonlight, 1887,John Atkinson Grimshaw


Medium: oil,panel
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artist-grimshaw: Tree Shadows on the Park Wall, Roundhay Park, Leeds, John Atkinson Grimshaw

artist-grimshaw:

Tree Shadows on the Park Wall, Roundhay Park, Leeds,John Atkinson Grimshaw


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