#john atkinson grimshaw

LIVE
Thro’ the Wood [Date Unknown]Artist: John Atkinson Grimshaw (1836-1893) 

Thro’ the Wood [Date Unknown]

Artist: John Atkinson Grimshaw (1836-1893) 


Post link
 John Atkinson Grimshaw - A Yorkshire Lane in November (1873)

John Atkinson Grimshaw - A Yorkshire Lane in November(1873)


Post link
John Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, pJohn Atkinson Grimshaw (1836–1893, England)LandscapesGrimshaw was an English Victorian-era artist, p

John Atkinson Grimshaw (1836–1893, England)

Landscapes

Grimshaw was an EnglishVictorian-era artist, popular both during his time and in the present for his night-time depictions of British cities.

Grimshaw’s earliest influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he created landscapes of accurate colour and lighting, vivid detail and realism, often typifying seasons or a type of weather. Moonlit viewsofcity and suburban streets and of the docks in London, Leeds, Liverpool and Glasgow also figured largely in his art. The focus on atmosphere, and lack of moral message or historical reference allies his work to some extent with the Aesthetic Movement.

His careful painting and his skill in lighting effects meant that he captured both the appearance and the mood of a scene in minute detail. His “paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene.” Later in life his colour palette shifted from dark blues to golden yellows, and towards the end of his life were hints of a change in artistic direction, with looser brushwork influenced by his friend James Abbott McNeill Whistler, who was quoted saying “I considered myself the inventor of Nocturnes until I saw Grimmy’s moonlit pictures.”


Post link
Sun-dip, the Home of the Heron by John Atkinson Grimshaw (ca. 1893).

Sun-dip, the Home of the Heron by John Atkinson Grimshaw (ca. 1893).


Post link
laclefdescoeurs:Twilight, 1871, John Atkinson Grimshaw

laclefdescoeurs:

Twilight, 1871, John Atkinson Grimshaw


Post link

John Atkinson Grimshaw, Under the harvest moon, 1872

Shipping on the Clyde by John Atkinson Grimshaw, 1881.

Shipping on the Clyde by John Atkinson Grimshaw, 1881.


Post link
Lovers in a Wood, John Atkinson Grimshaw

Lovers in a Wood, John Atkinson Grimshaw


Post link

Late October (1882)

John Atkinson Grimshaw (1836–1893)

Paintings by John Atkinson Grimshaw (1836-1893)

loading