#japanese cinema

1964 Russian poster for THE BAD SLEEP WELL (Akira Kurosawa, Japan, 1960)

Artist: unknown

Poster source: Heritage Auctions

‘炎上’ (Conflagration),  Kon Ichikawa (1958)

It’s Buddha’s judgment.

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‘万引き家族’ (Shoplifters),  Hirokazu Kore-eda (2018)

Sometimes it’s better to choose your own family.

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cinema-enigmatic:

THE BLUE SKY MAIDEN (Yasuzô Masumura, 1957)

filmedinether:

Pretending there’s something there when there isn’t… it’s petty. I don’t like that. Pretending there’s nothing there, when there is something… that’s called ‘style’. 

Sakuran/ さくらん (2007), Mika Ninagawa

Tenki No Ko (2019), Makoto Shinkai

Tenki No Ko (2019), Makoto Shinkai

Late Spring (1949), Yasujiro Ozu

Late Spring (1949), Yasujiro Ozu

Late Spring (1949), Yasujiro Ozu

Good Morning (1959), Dir. Yasujiro Ozu

Can movement tell a story? Sure, if you’re as gifted as Akira Kurosawa. More than any other filmmaker, he had an innate understanding of movement and how to capture it onscreen. Join me today in studying the master, possibly the greatest composer of motion in film history.

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