#john everett millais

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hidden details in millais’ ophelia: a robin perched on a branch in the upper right hand corner.a mishidden details in millais’ ophelia: a robin perched on a branch in the upper right hand corner.a mishidden details in millais’ ophelia: a robin perched on a branch in the upper right hand corner.a mishidden details in millais’ ophelia: a robin perched on a branch in the upper right hand corner.a mis

hidden details in millais’ ophelia

  • a robin perched on a branch in the upper right hand corner.
  • a mist of cobweb above the sitter’s feet ominously remminiscent of a skull.
  • dead reeds rotting in the water. the backdrop was in 1851 from june until november, in ewell, surrey.
  • a garland of violets around the neck of ophelia, modelled by elizabeth siddal.

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It’s getting all autumnal here. Millais’s Autumn Leaves.

It’s getting all autumnal here. Millais’s Autumn Leaves.


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A Huguenot on St. Bartholomew’s Day by John Everett Millais; circa 1852

A Huguenot on St. Bartholomew’s Day by John Everett Millais; circa 1852


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The Knight Errant by John Everett Millais; circa 1870

The Knight Errant by John Everett Millais; circa 1870


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The Vale of Rest, John Everett-Millais, 1858-59, oil on canvas

The Vale of Rest, John Everett-Millais, 1858-59, oil on canvas


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What they didn’t tell you in Hamlet was that Ophelia died because she was basically hooking up with

What they didn’t tell you in Hamlet was that Ophelia died because she was basically hooking up with half of Denmark, and then everyone forgot about her.


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John Everett Millais, The Blind Girl, 1854, oil on canvas. Millais was one of the founders of the pr

John Everett Millais, The Blind Girl, 1854, oil on canvas.
Millais was one of the founders of the pre-raphaelite movement, which sought to imbue British art with the same detail and vitality seen in Italian renaissance painting. Although this piece does possess a sentimental theme it is still alluding to a deeper meaning. The blind girl and the child mirror the image of the virgin and christ, and the butterfly which sits on her shawl is symbolic of the soul, the fact the butterfly and the double rainbow go unnoticed is also indicative of the girls blindness to the beauty around her, due to her affliction. Despite this through the religious imagery we can assume that Christ will endow her with a new and better vision as in the biblical miracle.


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“They took out their precious book.”  Wood engraving by Joseph Swain, based on the artwork of John E

“They took out their precious book.”  Wood engraving by Joseph Swain, based on the artwork of John Everett Millais, for the periodical Once A Week, volume 6, December 1861 - June 1862.


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 ‘Tannhauser’ by John Everett Millais,1861

‘Tannhauser’ by John Everett Millais,
1861


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Top: Karen Elson photographed by Luis Sanchis, The Face 1997 Bottom: Ophelia by John Everett Millais

Top: Karen Elson photographed by Luis Sanchis, The Face 1997

Bottom:Ophelia by John Everett Millais, 1851

Taken from Fashion at the Edge by Caroline Evans (2003)


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John Everett Millais, Ophelia, 1852. Oil on canvas, 2′ 6″ × 3′ 8″.

John Everett Millais, Ophelia, 1852. Oil on canvas, 2′ 6″ × 3′ 8″.


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John Everett Millais Ophelia (1852)

John Everett Millais Ophelia(1852)


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Bright Eyes (1877) - Sir John Everett Millais - Aberdeen Art Gallery and Museums, Aberdeen, UKBright Eyes (1877) - Sir John Everett Millais - Aberdeen Art Gallery and Museums, Aberdeen, UK

Bright Eyes (1877) - Sir John Everett Millais - Aberdeen Art Gallery and Museums, Aberdeen, UK


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Since exhumations are all the rage right now, I thought I’d share my favorite: Elizabeth Sidda

Since exhumations are all the rage right now, I thought I’d share my favorite: Elizabeth Siddal, artist and model to the Pre-Raphaelites.

Siddal died of a laudanum overdose at the age of 32 in 1862 in London. Her husband, Dante Gabriel Rossetti, left a journal containing the only copies of many of his poems in her coffin, tucking it away in her famous red hair.

Rossetti, drug- and alcohol-addled by the end of the 1860s, became obsessed with retrieving those poems so that he could publish them. Or, it seems, Rossetti’s agent, the slightly (or totally) shady Charles Augustus Howell, became obsessed with this. In any case, Howell exhumed her coffin in the middle of the night at Highgate Cemetery. 

Howell reported back to Rossetti that she was remarkably well preserved and still beautiful. Whether this was actually true or not, the manuscript didn’t make it out so well preserved. A worm had burrowed through the entire book, leaving behind a big old wormhole.

Morehereandhere.

Image: Siddal as “Ophelia,” by John Everett Millais, 1852, via Wikipedia/Google Art Project.


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life-imitates-art-far-more:

John Everett Millais (1829-1896)
“The Crown of Love” (1875)
Pre-Raphaelite

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