Mark has shared with me, with your permission I gather, the contents of your last letter to him as they regard Round Tom and the manor house. I have investigated what you ask, and it unfortunately falls to me to agree with yon Thomas: Blackthorn Hall is suffering under a curse.
I am sure that from your perspective, the bad news is less the fact of the house’s curse, and more the additional charges that Round Tom has added for the repairs and updates that his team is performing. It must especially vex you that these new prices do not include the breakingof the curse, but are only meant to cover the increased risks for the workers and the extra protections they will need to take.
I have already taken steps to seek a solution, but pray let me explain the situation, perhaps somewhat more cogently than R. Tom was able.
First, please know that Tom’s unwillingness to break the curse in fact is a prime example of his virtue (or, Mark has suggested, his fear of the office I hold; I choose to think it the former). The company working on Blackthorn Hall is not at all qualified to address such a complex thing as a curse. In this situation, many of the fey (though I am loath to admit it) would claim they could solve the problem, and would charge you enormously for a task they could not, in truth, accomplish. That Tom has not done so is a credit to him.
I appreciated your suggestion that the curse and the specter haunting the house could be one and the same. Unfortunately, when I communicated with Round Tom through my sources—
(Mark has interfered to admonish me for not simply saying General Winter; my apologies. Speaking plainly in written correspondence can be remarkably difficult for one used to the politics of Faerie.)
Unfortunately, after communicating with Round Tom viaGeneral Winter, I have been assured beyond a doubt that the ghost and the curse are different articles. Round Tom’s words, I believe, were to the effect that,
“Old houses always have ghosts. We don’t mind ghosts, and they do not interfere with our work. A curse, however, does, and Blackthorn Hall is cursed.”
He also made clear that it had been his impression that you already knew—that when the house’s owner shares the same name as the house, they likely already know enough of the history to be aware of a curse. Of course, he doesn’t know anything about the history of the Blackthorn family, and he should not have made such an assumption.
I pressed him to lower the price anyway, as a personal favor, and explained that the circumstances of your taking ownership were quite unexpected. I am sorry to say that he could not be moved. He produced a veritable library’s worth of treaties, bylaws, and charters to support his contention that these protections for his men were guaranteed by the Courts of Faerie, and in fact, he is correct.
I am therefore in the regretful position of suggesting that you focus your efforts on discovering and lifting the curse. While it is true that Round Tom and his crew will be unable to assist you, I know you to be a well-connected member of the Nephilim, and among your friends and companions many warlocks, Silent Brothers, and so on are to be found. I have every confidence in you and Emma; surely no curse can go long unlifted once the two of you have committed yourselves to its end. I have enclosed a brochure that might be helpful, as it is intended for those who have just discovered their dwelling-place is cursed. (Mark tells me one should never utter the words “I have enclosed a brochure” in personal correspondence, but I am not sure how else to word what I am doing. Perhaps “Lo, a pamphlet” would have been more appropriate.)
Thank you also for the delicious cake that you sent. While it does not stir the wild blood of my heart as faerie food does, it was a delicious accompaniment to a pot of strong tea, and we enjoyed it here muchly. Mark has informed me that this cake was created by a mundane, Victoria Sponge. All credit to Lady Sponge, and to you for sharing her artistry with us!
Mark and Cristina send their love. To that I attach my own, and remain etc. etc. Hail Kraig.
Tried a front view photomanipulation as well. They’re not perfect, but it’s probably as close as I’ll ever get to ‘hyperrealistic’ for my OC. So it’s nice to have tried. XD
(Cobbled together 2 different actors and a variety of other assets while abusing photoshop’s liquify, repainted some lighting here and there, almost entirely painted hair from scratch.)
I dont know if this qualifies as my ‘art’ but it is 50% photo manipulation 50% painting. I wanted to try to get a “realistic” visual of my OC Kieran. I cobbled together 2 different actors, changed some facial features around with liquify, painted on the hair, and made a collage of different objects for his clothes. Kinda like how it came out, I think this is pretty much what he looks like in my head when I picture a real human person and not a cartoon man
