#kym barrett

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Lupita Nyong’o and Winston Duke in Us (2019)Direction: Jordan PeeleCostumes: Kym Barrett

Lupita Nyong’o and Winston Duke in Us (2019)

Direction: Jordan Peele

Costumes: Kym Barrett


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 “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What sh

“[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What she chooses is really generic, and anyone can project onto it whatever they want to see… I wanted her to be the lantern that led her family… Along the way, that light is continually flickering … She’s getting more and more and more covered in blood. The idea was that [by the film’s end], she’s almost as red as Red.” —Kym Barrett, costume designer for Us (2019) dir. Jordan Peele


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Monica Bellucci / Persephone The Matrix Revolutions / 2003 Costume design: Kym Barrett

Monica Bellucci / Persephone

The Matrix Revolutions / 2003

Costume design: Kym Barrett


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edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. Whatedithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What

edithhead:

“[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What she chooses is really generic, and anyone can project onto it whatever they want to see… I wanted her to be the lantern that led her family… Along the way, that light is continually flickering … She’s getting more and more and more covered in blood. The idea was that [by the film’s end], she’s almost as red as Red.” —Kym Barrett, costume designer for Us (2019) dir. Jordan Peele


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