#las vegas

Rope and Photo by me modeled by Kristina

Rope, beer, and laughs… welcome to my casting couch.

My Saturday night…. it was a good night.

Reflections in a Pool, Las Vegas by Liza Charlesworth

[Author’s Note: A year ago, when waiting for the DC Metro, I came up with an idea for a short story involving two realtors and the infamous Las Vegas Underground House, typed up an outline, and shoved it away in my documents where it sat neglected until this month. The house recently resurfaced on Twitter, and combined with almost a year of quarantine, the story quickly materialized. Though I rarely write fiction, I decided I’d give it a shot as a kind of novelty McMansion Hell post. I’ve peppered the story with photos from the house to break up the walls of text. Hopefully you find it entertaining. I look forward to returning next month with the second installment of this as well as our regularly scheduled McMansion content. Happy New Year!

Warning: there’s lots of swearing in this.]

Underground

Back in 1997, Mathieu Rino, the son of two Finnish mechanical engineers who may or may not have worked intimately with the US State Department, changed his name to Jay Renault in order to sell more houses. It worked wonders.

He gets out of the car, shuts the door harder than he should. Renault wrinkles his nose. It’s a miserable Las Vegas afternoon - a sizzling, dry heat pools in ripples above the asphalt. The desert is a place that is full of interesting and diverse forms of life, but Jay’s the kind of American who sees it all as empty square-footage. He frowns at the dirt dusting up his alligator-skin loafers but then remembers that every lot, after all, has potential. Renault wipes the sweat from his leathery face, slicks back his stringy blond hair and adjusts the aviators on the bridge of his nose. The Breitling diving watch crowding his wrist looks especially big in the afternoon glare. He glances at it.

“Shit,” he says. The door on the other side of the car closes, as though in response. 

If Jay Renault is the consummate rich, out-of-touch Gen-Xer trying to sell houses to other rich, out-of-touch Gen-Xers, then Robert Little is his millennial counterpart. Both are very good at their jobs. Robert adjusts his tie in the reflection of the Porsche window, purses his lips. He’s Vegas-showman attractive, with dark hair, a decent tan, and a too-bright smile - the kind of attractive that ruins marriages but makes for an excellent divorcee. Mildly sleazy.

“Help me with these platters, will you?” Renault gestures, popping the trunk. Robert does not want to sweat too much before an open house, but he obliges anyway. They’re both wearing suits. The heat is unbearable. A spread of charcuterie in one hand, Jay double-checks his pockets for the house keys, presses the button that locks his car. 

Both men sigh, and their eyes slowly trail up to the little stucco house sitting smack dab in the center of an enormous lot, a sea of gravel punctuated by a few sickly palms. The house has the distinct appearance of being made of cardboard, ticky-tacky, a show prop. Burnt orange awnings don its narrow windows, which somehow makes it look even more fake. 

“Here we go again,” Jay mutters, fishing the keys out of his pocket. He jiggles them until the splintered plywood door opens with a croak, revealing a dark and drab interior – dusty, even though the cleaners were here yesterday. Robert kicks the door shut with his foot behind him.

 “Christ,” he swears, eyes trailing over the terrible ecru sponge paint adorning the walls. “This shit is so bleak.”

The surface-level house is mostly empty. There’s nothing for them to see or attend to there, and so the men step through a narrow hallway at the end of which is an elevator. They could take the stairs, but don’t want to risk it with the platters. After all, they were quite expensive. Renault elbows the button and the doors part. 

“Let’s just get this over with,” he says as they step inside. The fluorescent lights above them buzz something awful. A cheery metal sign welcomes them to “Tex’s Hideaway.” Beneath it is an eldritch image of a cave, foreboding. Robert’s stomach’s in knots. Ever since the company assigned him to this property, he’s been terrified of it. He tells himself that the house is, in fact, creepy, that it is completely normal for him to be ill at ease. The elevator’s ding is harsh and mechanical. They step out. Jay flips a switch and the basement is flooded with eerie light. 

It’s famous, this house - The Las Vegas Underground House. The two realtors refer to it simply as “the bunker.” Built by an eccentric millionaire at the height of Cold War hysteria, it’s six-thousand square feet of paranoid, aspirational fantasy. The first thing anyone notices is the carpet – too-green, meant to resemble grass, sprawling out lawn-like, bookmarked by fake trees, each a front for a steel beam. Nothing can grow here. It imitates life, unable to sustain it. The leaves of the ficuses seem particularly plastic.

Bistro sets scatter the ‘yard’ (if one can call it that), and there’s plenty of outdoor activities – a parquet dance floor complete with pole and disco ball, a putt putt course, an outdoor grill made to look like it’s nestled in a rock, but in reality better resembles a baked potato. The pool and hot tub, both sculpted in concrete and fiberglass mimicking a natural rock formation, are less Playboy grotto and more Fred Flintstone. It’s a very seventies idea of fun.

Then, of course, there’s the house. That fucking house. 

A house built underground in 1978 was always meant to be a mansard – the mansard roof was a historical inevitability. The only other option was International Style modernism, but the millionaire and his wife were red-blooded anti-Communists. Hence, the mansard. Robert thinks the house looks like a fast-food restaurant. Jay thinks it looks like a lawn and tennis club he once attended as a child where he took badminton lessons from a swarthy Czech man named Jan. It’s drab and squat, made more open by big floor-to-ceiling windows nestled under fresh-looking cedar shingles. There’s no weather down here to shrivel them up.

“Shall we?” Jay drawls. The two make their way into the kitchen and set the platters down on the white tile countertop. Robert leans up against the island, careful of the oversized hood looming over the electric stovetop. He eyes the white cabinets, accented with Barbie pink trim. The matching linoleum floor squeaks under his Italian loafers. 

“I don’t understand why we bother doing this,” Robert complains. “Nobody’s seriously going to buy this shit, and the company’s out a hundred bucks for party platters.”

“It’s the same every time,” Renault agrees. “The only people who show up are Instagram kids and the crazies - you know, the same kind of freaks who’d pay money to see Chernobyl.” 

“Dark tourism, they call it.”

Jay checks his watch again. Being in here makes him nervous.

“Still an hour until open house,” he mutters. “I wish we could get drunk.”

Robert exhales deeply. He also wishes he could get drunk, but still, a job’s a job.

“I guess we should check to see if everything’s good to go.”

The men head into the living room. The beamed, slanted ceiling gives it a mid-century vibe, but the staging muddles the aura. Jay remembers making the call to the staging company. “Give us your spares,” he told them, “Whatever it is you’re not gonna miss. Nobody’ll ever buy this house anyway.” 

The result is eclectic – a mix of office furniture, neo-Tuscan McMansion garb, and stuffy waiting-room lamps, all scattered atop popcorn-butter shag carpeting. Hideous, Robert thinks. Then there’s the ‘entertaining’ room, which is a particular pain in the ass to them, because the carpet was so disgusting, they had to replace it with that fake wood floor just to be able to stand being in there for more than five minutes. There’s a heady stone fireplace on one wall, the kind they don’t make anymore, a hearth. Next to it, equally hedonistic, a full bar. Through some doors, a red-painted room with a pool table and paintings of girls in fedoras on the wall. It’s all so cheap, really. Jay pulls out a folded piece of paper out of his jacket pocket along with a pen. He ticks some boxes and moves on.

The dining room’s the worst to Robert. Somehow the ugly floral pattern on the curtains stretches up in bloomer-like into a frilly cornice, carried through to the wallpaper and the ceiling, inescapable, suffocating. It smells like mothballs and old fabric. The whole house smells like that. 

The master bedroom’s the most normal – if anything in this house could be called normal. Mismatched art and staging furniture crowd blank walls. When someone comes into a house, Jay told Robert all those years ago, they should be able to picture themselves living in it.That’s the goal of staging. 

There’s two more bedrooms. The men go through them quickly. The first isn’t so bad – claustrophobic, but acceptable – but the saccharine pink tuille wallpaper of the second gives Renault a sympathetic toothache. The pair return to the kitchen to wait.

Both men are itching to check their phones, but there’s no point – there’s no signal in here, none whatsoever. Renault, cynical to the core, thinks about marketing the house to the anti-5G people. It’s unsettlingly quiet. The two men have no choice but to entertain themselves the old-fashioned way, through small talk.

“It’s really fucked up, when you think about it,” Renault muses.

“What is?”

“The house, Bob.”

Robert hates being called Bob. He’s told Jay that hundreds of times, and yet…

“Yeah,” Robert mutters, annoyed.

“No, really. Like, imagine. You’re rich, you founded a major multinational company marketing hairbrushes to stay-at-home moms, and what do you decide to do with your money? Move to Vegas and build a fucking bunker. Like, imagine thinking the end of the world is just around the corner, forcing your poor wife to live there for ten, fifteen years, and then dying, a paranoid old man.” Renault finds the whole thing rather poetic. 

“The Russkies really got to poor ol’ Henderson, didn’t they?” Robert snickers.

“The wife’s more tragic if you ask me,” Renault drawls. “The second that batshit old coot died, she called a guy to build a front house on top of this one, since she already owned the lot. Poor woman probably hadn’t seen sunlight in God knows how long.”

“Surely they had to get groceries.”

Jay frowns. Robert has no sense of drama, he thinks. Bad trait for a realtor.

“Still,” he murmurs. “It’s sad.”

“I would have gotten a divorce, if I were her,” the younger man says, as though it were obvious. It’s Jay’s turn to laugh.

“I’ve had three of those, and trust me, it’s not as easy as you think.”

“You’re seeing some new girl now, aren’t you?” Robert doesn’t really care, he just knows Jay likes to talk about himself, and talking fills the time.  

“Yeah. Casino girl. Twenty-six.”

“And how old are you again?”

“None of your business.”

“Did you see the renderings I emailed to you?” Robert asks briskly, not wanting to discuss Jay’s sex life any further.

“What renderings?”

“Of this house, what it could look like.”

“Oh. Yeah.” Jay has not seen the renderings.

“If it were rezoned,” Robert continues, feeling very smart, “It could be a tourist attraction - put a nice visitor’s center on the lot, make it sleek and modern. Sell trinkets. It’s a nice parcel, close to the Strip - some clever investor could make it into a Museum of Ice Cream-type thing, you know?”

“Museum of Ice Cream?”

“In New York. It’s, not, like, educational or anything. Really, it’s just a bunch of colorful rooms where kids come to take pictures of themselves.”

“Instagram,” Jay mutters. “You know, I just sold a penthouse the other week to an Instagram influencer. Takes pictures of herself on the beach to sell face cream or some shit. Eight-point-two million dollars.”

“Jesus,” Robert whistles. “Fat commission.”

“You’re telling me. My oldest daughter turns sixteen this year. She’s getting a Mazda for Christmas.”

“You ever see that show, My Super Sweet Sixteen? On MTV? Where rich kids got, like, rappers to perform at their birthday parties? Every time at the end, some guy would pull up in, like, an Escalade with a big pink bow on it and all the kids would scream.”

“Sounds stupid,” Jay says.

“Itwasstupid.”

It’s Robert’s turn to check his watch, a dainty gold Rolex.

“Fuck, still thirty minutes.”

“Time really does stand still in here, doesn’t it?” Jay remarks.

“We should have left the office a little later,” Robert complains. “The charcuterie is going to get –“

A deafening sound roars through the house and a violent, explosive tremor throws both men on the ground, shakes the walls and everything between them. The power’s out for a few seconds before there’s a flicker, and light fills the room again. Two backup generators, reads Jay’s description in the listing - an appeal to the prepper demographic, which trends higher in income than non-preppers. For a moment, the only things either are conscious of are the harsh flourescent lighting and the ringing in their ears. Time slows, everything seems muted and too bright. Robert rubs the side of his face, pulls back his hand and sees blood.

“Christ,” he chokes out. “What the hell wasthat?”

“I don’t know,” Jay breathes, looking at his hands, trying to determine if he’s got a concussion. The results are inconclusive – everything’s slow and fuzzy, but after a moment, he thinks it might just be shock.

“It sounded like a fucking 747 just nosedived on top of us.” 

“Yeah, Jesus.” Jay’s still staring at his fingers in a daze. “You okay?”

“I think so,” Robert grumbles. Jay gives him a cursory examination.

“Nothing that needs stitches,” he reports bluntly. Robert’s relieved. His face sells a lot of houses to a lot of lonely women and a few lonely men. There’s a muffled whine, which the two men soon recognize as a throng of sirens. Both of them try to calm the panic rising in their chests, to no avail.

“Whatever the fuck happened,” Jay says, trying to make light of the situation, “At least we’re in here. The bunker.”

Fear forms in the whites of Robert’s eyes.

“What if we’re stuck in here,” he whispers, afraid to speak such a thing into the world. The fear spreads to his companion.

“Try the elevator,” Jay urges, and Robert gets up, wobbles a little as his head sorts itself out, and leaves. A moment later, Jay hears him swear a blue streak, and from the kitchen window, sees him standing before the closed metal doors, staring at his feet. His pulse racing, Renault jogs out to see for himself.

“It’s dead,” Robert murmurs. 

“Whatever happened,” Jay says cautiously, rubbing the back of his still-sore neck, “It must have been pretty bad. Like, I don’t think we should go up yet. Besides, surely the office knows we’re still down here.”

“Right, right,” the younger man breathes, trying to reassure himself.

“Let’s just wait it out. I’m sure everything’s fine.” The way Jay says it does not make Robert feel any better. 

“Okay,” the younger man grumbles. “I’m getting a fucking drink, though.”

“Yeah, Jesus. That’s the best idea you’ve had all day.” Renault shoves his hands in his suit pocket to keep them from trembling.  

If you like this post, and want to see more like it, consider supporting me on Patreon!

There is a whole new slate of Patreon rewards, including: good house of the month, an exclusive Discord server, weekly drawings, monthly livestreams, a reading group, free merch at certain tiers and more!

Not into recurring donations but still want to show support? Consider the tip jar! 

Or, Check out the McMansion Hell Store! Proceeds from the store help protect great buildings from the wrecking ball.