#lighting keys

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 Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a

Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a pleasure to work with amazing art director Colin Stimpson. I started with Color Set and Props then also had the opportunity to make my very first key lights on this film. It was 2 years and half of production and it was great to see the progression of the film from the beginning to the end, the background and the sequences I painted taking life on 3D.

Here’s my Key Lights work :


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 Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a  Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a

Back in 2013, I was enough lucky to join the art departement team of Secret Life of Pets. It was a pleasure to work with amazing art director Colin Stimpson. I started with Color Set and Props then also had the opportunity to make my very first key lights on this film. It was 2 years and half of production and it was great to see the progression of the film from the beginning to the end, the background and the sequences I painted taking life on 3D.
Here’s my Key Lights work :


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Leaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do tooLeaving the warmth of home and entering the cruel cold world that is middle school. .I didn’t do too

Leaving the warmth of home and entering the cruel cold world that is middle school. .

I didn’t do too many lighting keys for this film but wanted to post the first ones I did. Lighting keys are painted over rough layout/anim as a sort of road map for the lighters on how the light/color should work. So much work goes into making a film I’ll post more of what else I had to do for this sequence.


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