#mario bava

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Daria Nicolodi | Shock (1977), dir. Mario Bava.Daria Nicolodi | Shock (1977), dir. Mario Bava.Daria Nicolodi | Shock (1977), dir. Mario Bava.Daria Nicolodi | Shock (1977), dir. Mario Bava.Daria Nicolodi | Shock (1977), dir. Mario Bava.Daria Nicolodi | Shock (1977), dir. Mario Bava.

Daria Nicolodi | Shock (1977), dir. Mario Bava.


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Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.Shock (1977), dir. Mario Bava.

Shock (1977), dir. Mario Bava.


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Lisa and the Devil (1973) directed by Mario BavaLisa and the Devil (1973) directed by Mario BavaLisa and the Devil (1973) directed by Mario BavaLisa and the Devil (1973) directed by Mario BavaLisa and the Devil (1973) directed by Mario BavaLisa and the Devil (1973) directed by Mario Bava

Lisa and the Devil (1973) directed by Mario Bava


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ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)ladamarossa:SHOCK (1977)
italianhorrors: Original trailer for Black Sunday (1960) dir. Mario Bavaitalianhorrors: Original trailer for Black Sunday (1960) dir. Mario Bavaitalianhorrors: Original trailer for Black Sunday (1960) dir. Mario Bavaitalianhorrors: Original trailer for Black Sunday (1960) dir. Mario Bavaitalianhorrors: Original trailer for Black Sunday (1960) dir. Mario Bava

italianhorrors:

Original trailer for Black Sunday (1960) dir. Mario Bava


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70s-pop-80s:Barbara Steele / Black Sunday

70s-pop-80s:

Barbara Steele / Black Sunday


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Danger: Diabolik (1968)

Director - Mario Bava, Cinematography - Antonio Rinaldi

“The whole underworld worries me less than a single man, Diabolik.”

.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava

.”Danger: Diabolik” (Italian: Diabolik) co-written and directed by Mario Bava


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“The clouds are swirling. There will be tears shed over the bay.”A Bay of Blood (1971) dir. Mario Ba“The clouds are swirling. There will be tears shed over the bay.”A Bay of Blood (1971) dir. Mario Ba“The clouds are swirling. There will be tears shed over the bay.”A Bay of Blood (1971) dir. Mario Ba“The clouds are swirling. There will be tears shed over the bay.”A Bay of Blood (1971) dir. Mario Ba“The clouds are swirling. There will be tears shed over the bay.”A Bay of Blood (1971) dir. Mario Ba“The clouds are swirling. There will be tears shed over the bay.”A Bay of Blood (1971) dir. Mario Ba

“The clouds are swirling. There will be tears shed over the bay.”

A Bay of Blood (1971) dir. Mario Bava


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The Evil Eye 1963The Evil Eye 1963

The Evil Eye 1963


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5 Dolls for an August Moon 19705 Dolls for an August Moon 1970

5 Dolls for an August Moon 1970


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5 Dolls for an August Moon 1970

5 Dolls for an August Moon 1970


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5 Dolls for an August Moon 1970

5 Dolls for an August Moon 1970


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zulawskis: brigitte skay in a bay of blood (1971) directed by mario bavazulawskis: brigitte skay in a bay of blood (1971) directed by mario bava

zulawskis:

brigitte skay in a bay of blood (1971) directed by mario bava


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Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence Day 26Reflections on: Blood and Black Lace (1964)This may have the greatest opening credit sequence

Day 26

Reflections on: Blood and Black Lace(1964)

  • This may have the greatest opening credit sequence of all time! The colours! The shapes! Molto bello!
  • Everyone is dramatically lit and acts over-the-top.
  • The cast consists of so many beautiful women that it’s hard to keep them all straight.
  • As with many gialli, the dubbing is ridiculous. The diction is bizarre. One of the male characters sounded like a computer speech synthesizer. 
  • This was the first giallo! I can see why it was so widely imitated. It’s a beautiful melodrama!
  • Whenever a woman is attacked by the killer she makes absolutely no attempt to fight back. They’re so helpless they practically go limp :/
  • Excellent clothes and decor. 
  • Don’t ask me to explain the plot to you. Murder…. fashion. That’s about it.

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Five Dolls for an August Moon (Mario Bava, 1970)

Five Dolls for an August Moon (Mario Bava, 1970)


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