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Welcome to Ravens Keep!

We are a 18+ UK based yet open to all inclusive community, dedicated to the exploration of all things Witchy, Pagan, Spiritual or Occult.

Whether you are curious, sceptical, or already walking your path, The Keep is open to you.

We offer:

An 18+ only space UK based time zone (but open to all!)

  • Relaxed and welcoming community
  • Open to all paths, practices, and skill levels
  • Self-Assignable and Opt-in events roles
  • Practice oriented topic channels
  • Regular events, prompts, & challenges

So, why not take a peek inside and see what we’re about? And then, who knows?

Perhaps you’ll find that you would like to stay a while!

Join us at: https://discord.gg/pC8NMZdVhW

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Fandom is a giant online space place made up of thousands of tiny online places, and in this article, we’re going to talk about why it’s important for each author to find a tiny place of their own. Fandom corners are internet places where people connect in small numbers over highly niche interests. In our analysis of 29 hour-long interviews with authors, three central themes around fandom corners emerged: connection, encouragement and feedback. A fandom corner could take the form of a Discord server, a chat group on Facebook or Skype, a board on a less-traveled forum, or the right intersection of tags on AO3. Finding your corner means connecting with relatable people who make you feel comfortable, encourage you, and can give you feedback on your ideas and writing.

Connection and Comfort

Authors feel more connected in fandom corners because of the niche intersections of interests and identity that bring people together. For example, one author spoke with us about a set of Discord servers around a ship and fandom that brought together queer women:

“I particularly like that there’s sort of these little communities of queer women or mostly queer women or queer aligned groups… It’s just nice to talk to people who get it, who get why you’re so excited” (P4).

People in this group had common ground because they shared a traditionally underrepresented identity and they were into the same fandom. The term affinity has been used by internet researchers to describe shared interests and identities. In P4’s experience, affinity in the fandom corner created a safe environment to talk about writing queer sexuality in fanfiction.

“I’ve seen how friendly and nonjudgmental everyone is in responding [to others]. That makes me feel quite safe to go and ask them, ‘how do I write this thing?’ And it’s something that’s quite sort of deeply personal and intimate” (P4).

The community Discord provided authors with a safe place where they can connect to each other in a carefully moderated and curated group. But the feeling of small community extended into public spaces as well, where P4 noticed the same usernames coming up repeatedly in AO3 comments and on Tumblr. Although the overall community is large, the group of people interested in a few specific tags can be very small. P4 began connecting with others over private message.

“When I get the same people commenting on things that I’ve written, that makes me feel like I’m part of a little group… I’m part of the gang that does this. And privately talking to people who’s stuff I read who are other fans, it’s a quite nice feeling of belonging” (P4).

Finding a space where a small group of people connect over niche interests can help authors to feel like they belong, give them a comfortable place to talk about sensitive topics, and help them find people to connect to over private chat. As we discuss next, these connections and comfortable places are also support writing as authors receive encouragement and feedback from their communities.

Overcoming Writer’s Block

Fandom corners are helpful spaces for authors experiencing writer’s block. Almost everybody we interviewed mentioned a time where they felt stuck, unable to make forward progress, or that a scene was just not working. A common strategy was to take a short break from writing and come back to it, but sooner or later authors would turn to others to vent their frustrations or get help. A small community provides the perfect setting for authors to feel comfortable talking about their frustrations and supported by people who are close to them.

“There was a chat that I used to visit a lot… We will be very encouraging toward one another and to encourage others to just continue writing even though we were complaining” (P3).

Small groups provide a space where authors can commiserate about the sheer difficulty of writing, letting them vent out frustrations to an audience that really understands. The encouragement they receive helps them keep going. In addition, authors might send a snippet of their writing and receive fresh ideas that help them to get unstuck.

“I’d copy out a section and paste it into discord… they read the part where I was stuck and said just keep doing this, I think what you’ve done here is cool and maybe try doing this as well” (P12).

“Sometimes just, even though I’m very introverted, turning to my trusted group of friends and having them help me troubleshoot is very, um, it turns a problem into something that’s really fun and silly” (P10).

Because they were comfortable enough to share rough writing when they’re stuck, authors could get encouragement and new ideas to help them move forward. Communities also organized ‘sprint’ events, where writers held each other accountable for writing as much as they could for a short period of time.

“We will set time and be like “in the next 30 minutes, we are going to write as much as you can and when we come back, share the sentences”. So kinds of being forced to write. Some people come back be like “I wrote a thousand words” and I will be like “I got 10”. I will be like I didn’t come up with anything but they will be like “well those 10 words you didn’t have them before. So overall it’s a positive thing” (P3).

The closeness people feel in fandom corners creates an environment where they can commiserate, give each other encouragement, and be accountable for writing. This does a great deal to help authors break through and make progress when they’re feeling frustrated or stuck.

Feedback

A fandom corner is the perfect place for authors to get feedback on their writing. Since these small communities are places where people share interests and build relationships, authors felt that there was a high likelihood that others would be interested and respond to requests for feedback.

“There’s a couple of different communities where there’s people that I trust, and I might post a general message saying ‘Anyone willing to give a look at this, and tell me what you think?’ And then usually then somebody will reply” (P1).

Authors preferred to get feedback from people they already knew and trusted, especially when seeking feedback on unfinished work. So an online space frequented by those folks was a great place to ask for help. Authors would often get immediate responses when they posted to group chats, allowing them to ask for help as they were in-process with their writing.

“I’ll post a snippet of a scene and it will be hey how do you guys think about this part I am working on it right now. With the discord group they are very immediate. They’re really good for in the moment help…We have a very close friendly relationship” (P15).

Having an ongoing relationship with feedback providers also helped authors to get deeper, more thoughtful feedback. They felt understood by their in-group because of their shared context. If someone has read all of your prior fic, they start with a lot of common ground for giving feedback.

“They’ve all read my fic pretty in depth. So I can be like remember when this happened, or where should I go for this part of, you know, my next venture into this universe or whatever. They know what’s up there so I don’t have to reexplain everything or force them to watch the show or something, so they can understand what I’m thinking all the time” (P17).

The benefit of fandom corners boils down to being understood by others. Authors in these tight-knit communities mutually understand each others’ interests, their writing contexts, and the experience of writing fanfiction. That’s why others in the fandom corner will offer encouragement and comments to each other in public spaces like Tumblr and AO3.

“I feel like there’s a sort of comment exchanging between writers in fanfic, you know, I’ll comment on yours and you’ll comment on mine, cause we all know how much we love it.” (P4).

People maintain the same connection whether they’re in a small group chat or a public internet space. This begs the question: is the fandom corner the small group chat, or is it the tightly-connected people who are there? We’d love to hear your thoughts on this in the comments.

Conclusion

For every combination of tags, there is an opportunity for people to connect and form a small, close community around their shared interests. Wherever fandom corners emerge, people feel comfortable, build relationships and find support. These little groups are great places for authors to connect with each other, get encouragement when they’re stuck, and get helpful feedback on their in-progress writing. So go find your corner!

About This Series

This series is a breakdown of findings from an interview study run by a fanfiction research group within the department of Human Centered Design & Engineering at the University of Washington. In January and February 2019, we interviewed 29 fanfiction authors to understand how they connect with each other, build relationships, and seek out writing feedback. We learned profound lessons about the importance of building connections, the reciprocality of relationships and feedback, and the intersection of fandom with real life identity.

Authored by Regina Cheng and John Frens. 

This work was first posted to tumblr in August & September 2019.

Online connection changes lives. Authors we interviewed found support, feedback, friendship and even lifelong partnership from people they met online through fandom. People online can help authors develop their writing by providing feedback both in public spaces like AO3 and in private chat. But getting connected is not always easy. Several authors encountered difficulties with making new connections, turned away from their communities, or never connected much with others online at all. Feelings of social anxiety stopped people from reaching out, communities that didn’t feel like safe spaces turned people away, and a culture of fear towards internet strangers made others difficult to trust. In this post, we’ll describe the barriers that can make it difficult to connect in the fanfiction community. 

Social Anxiety

Talking to people is hard, and talking to people you can’t see on the other side of the computer screen can be even harder. An experience shared by many of our interviewees was a feeling of social anxiety. Social anxiety is a fear of judgment from others  that manifests in many ways, for instance, the perception (without any particular evidence) that the person you are considering reaching out to is not interested or welcoming towards being contacted.

“I’m a shy person, so usually I may not [reach out]. I just say I feel embarrassed in speaking to people that seem cooler than me, more experienced… maybe I’m bothering them. Maybe they don’t see me as a friend, they have just been polite, this kind of thing” (P11).

Contacting someone with a higher profile, such as a prolific author or fan celebrity, amplified social anxiety. Interviewees held the perception that these folks are likely overwhelmed with contact already and therefore would be unwelcoming.

“I wouldn’t want to reach out to them because they’re on a different level than me in terms of popularity and probably get hundreds of messages all the time” (P18).

Authors who were reluctant to reach out oftentimes waited for others to contact them first. Or, instead of reaching out online, they relied on irl friends outside of the fandom for writing feedback. As a result of social anxiety, people don’t take that first step of reaching out to an online stranger, and therefore they don’t receive the benefits of a potential connection.

Unsafe Spaces

Writing and posting fanfiction in a public space is, in a way, baring your soul to complete strangers, and one sure way to stifle the soul-baring process was the institution of discriminatory rules that disproportionately affected a subset of the fan community. Restrictions on free expression created the feeling of an unsafe space, and it is this feeling that drove authors away from the community. During our interviews, authors discussed situations where they left communities because they felt the space was unsafe. The ban of NSFW content from Tumblr after its acquisition by Verizon, widely viewed as an attack on sexual expression that disproportionately affected queer people, was a recent example.

“When Tumblr banned not safe for work, it was really distressing for a bunch of us who don’t really fit on the very heteronormative sexual scale. So there was a lot of trying to figure out where we were going to go now, where we were, how would we stay connected, how would we continue to figure out and find stuff that we enjoyed” (P25).

Long-time fandom authors told us of similar exoduses from LiveJournal and Fanfiction.net after similar content bans and mass content deletions. These actions by platform owners divided fan communities and forced authors to find connections elsewhere.

In addition to institutional actions, individuals who made personal attacks or used hate speech also made authors feel unsafe. These antisocial actions happened in prominent fandom spaces.

“P27: There are people who write things that a fandom may consider controversial. This could cause them to get unhelpful criticism, rude and discouraging comments, so they will be constantly discouraged from writing.

Interviewer: That would happen on AO3?

P27: Both AO3 and tumblr, that’s where I know it happens.

Interviewer: And you’ve seen other people treated like that?

P27: Yes.” (P27).

One author spoke of an experience where she was berated for years by a reader because she wrote about drug addiction.

“Because [my fic is] about drug addiction, that brought a reaction that I really didn’t expect… sometimes [readers] impose their views. I got bullied for a couple of years, and even when I went on hiatus that person came back… they were imposing what they thought on me” (P7).

A single bully discouraged and pushed away this writer, even as they received an outpouring of messages from readers who connected with the story.

Another author discussed how controversy over a gay character sent them elsewhere:

“At the time I was writing about neon genesis evangelion. And it turns out at the end of the show, the main character Shinji Ikari is gay. Well, it’s revealed he has a thing for this guy. And I was writing this kind of thing too, and people got super angry. So they’d leave because, oh my God, he’s gay and that was terrible at the time. So, uh, yeah, I quickly left” (P8).

Fanfiction authors tackle difficult, important and controversial topics, and they need a space where they can find others to relate to without fear of harassment. If personal attacks, hate speech, or discriminatory rules are present, they may feel they can’t stay connected and will be forced to go elsewhere.

Personal Disclosure

Navigating personal disclosure can be difficult for authors when they’re interacting with internet strangers. Although authors disclosed deeply personal facts about themselves through fanfiction writing itself, some preferred to avoid connecting their fanfiction identity to their offline identity. Others wanted to protect themselves and their families from potential exposure on the internet. Identity and safety concerns associated with online personal disclosure slowed relationship building between authors and online friends.

Is this faceless individual actually a murderer, merely feigning deep interest in Star Trek and waiting for an opportunity to strike at unsuspecting fans?

Being raised to fear internet strangers was a shared experience among several participants in our interviews. Authors chose different degrees of disclosure they were comfortable with, and made nuanced decisions about who to reveal information about themselves to, where and when.

“There’s not any set guidelines. I think it really depends on who you talk to… how long have you been with the person? What type of things do you talk about? Do you feel like it’s safe to give that information?” (P21).

Oftentimes, the decision of whether to reveal a piece of identifying information had to be on-the-spot. P21 had to decide whether this person who wanted to be co-author was someone who could be trusted.

“… You kind of have to sometimes make a snap judgment and ultimately it worked out fine in this one case… it really does have to come down to instinct, gut, sometimes, there’s no kind of set formula to be sure” (P21).

Personal disclosure and relationship-building go hand-in-hand. But In an environment where personal disclosure requires caution and nuance, building connection and relationships becomes much more difficult.

To Be Continued…

There are powerful isolating elements like social anxiety, unsafe spaces and stranger danger keeping fanfiction authors apart. How do authors overcome these barriers to make connections, build relationships, exchange feedback and change lives? Stay tuned for the next part of our series on connection and feedback in fanfiction communities.

About This Series

This series is a breakdown of findings from an interview study run by a fanfiction research group within the department of Human Centered Design & Engineering at University of Washington. In January and February 2019, we interviewed 29 fanfiction authors to understand how they connect with each other, build relationships, and seek out writing feedback. We learned profound lessons about the importance of building connections, the reciprocality of relationships and feedback, and the intersection of fandom with real life identity.

In January and February 2019, our research group did an interview study on how fanfiction authors seek feedback for their fiction. We interviewed 29 fanfiction authors and learned about their insights on feedback and relationship with feedback providers. In this blog post, we are going to talk about our findings on the impact of public comments, and the particular positive outcomes of comments that contain specific thoughts and insights.

Comments Are Generally Valued

Fanfiction authors appreciated public comments on their works. “All I want for Christmas is comments, if you liked it please let me know,” (P2) one of the authors we interviewed once wrote in her author’s note. All kinds of comments are welcomed as long as they are conveyed in a friendly and respectful tone.

Concise positive comments, such as “wow”, “amazing”, “awwww this is so cute”, though simple and maybe not that informative, are still valuable to authors. Those comments “tell you that you’re hitting the right emotional chords, that you’ve been on the right track” (P21). “That’s really helpful.” One author said:

“If there’s a session where you’re getting absolutely none of that, that might prompt you. Like okay, I meant that to be really eliciting a certain emotional response and it wasn’t getting it, so that might also be a sign to go in and kind of work on that” (P21).

Comments Help New Authors Enter the Community

Comments were especially valuable to new writers in the fandom. They made authors feel welcomed in the community, and helped authors learn about community norms and writing styles. One author told us that when they posted their first work in a new fandom, comments helped them get connected in the new community:

“You enter into new fandoms, you’re writing for a new audience and you don’t really know anyone… I don’t really know the rules of this particular fandom and I don’t really know what people are going to think of my stories is going to fit. And that initial bit of support and positive feedback to get that on early works, and to feel, okay, I’ve just sort of arrived in this in this fandom, and in this community, but people are making me feel welcome, and making me feel like what I’m writing is valued and appreciated by people” (P1).

Specific Comments Are Particularly Appreciated

While in general all kinds of comments were welcomed, almost all of the authors we talked to expressed particular appreciation for comments in which the reader expressed opinions and thoughts about particular aspects of the story. One author talked about how she formed a personal practice to write substantive comments when reading others’ fictions:

“I try to copy certain lines while I’m reading and try to leave a substantial comment… and say I really liked your story because of ZYX…I do both because I’ve been writing fanfiction for a long time and I know it’s fun to have substantial comments. I do it because that’s what I like and I know it can make someone’s day” (P29).

Authors recognized the effort that readers put into substantial comments, so they regarded receiving those long specific comments as an honor:

“You don’t write a big long comment like that, if you’re not affected by something. Because it’s hard enough to get readers to click the Kudos button and just give me a little heart, let alone write a comment, let alone write a long detailed comment whenever that happens” (P14).

Specific Comments Recognize Authors’ Effort

Many authors mentioned that receiving long and specific comments made them feel that their effort had been recognized. When they were proud of a part of their story in particular, they liked to hear about whether the emotion and thoughts that they tried to convey impacted readers in the way they expected.

“It just feels great when I spent so much time working on something and working on a particular detail, I absolutely love hearing someone’s reaction to it, like, what specifically they liked about it… It’s great getting those compliments but I want to know about their experience living in the story that I’ve created” (P2).

“The most interesting and in depth sort of feedback, people really seem to connect with the characters and the characterization of the story and the writing of the story, which I really, really like. It’s very satisfying when you put a lot of effort into something and they actually noticed and they’re like, and they comment on it like, oh my God, the way you wrote this, the flow of it, the thing… that’s my own kink, hearing people say that they understood what I was writing and that they understood what I was going for” (P14).

Specific Comments Teach Authors about Writing

Being able to hear what the audience thought about their fiction was not only a joyful experience to fanfiction authors, but also a valuable learning opportunity. Authors learned from specific comments about whether their writing style and the direction of the story worked for their readers. Some regarded specific comments as feedback for parts of their writing that they were not sure about. One author told us they endured writer’s block when writing a certain character in their story. When they received positive comments on that character, 

“they were commenting on my characterization for the character. And I was like ‘oh, thank you god,’ because I struggle with this particular character a lot” (P20). 

The author was able to validate their writing from comments that specifically pointed to a characterization.

Specific Comments Connect Readers and Authors

Another important benefit of specific comments was that it fueled connection with readers. Specific comments elicited discussion between authors and readers. As one author said in the interview:

“I like having comments that are thoughtful and trying to analyze what I wrote, and are picking up what I put down basically… I usually respond to the comment and say thank you, and if they left analysis I talk back and forth” (P29).

These back-and-forth discussions lead to further connections outside the specific story.“I’ve made friends with a lot of people who started out just commenting on my fics a lot. You end up commenting back, and start talking” (P13). In some cases,  these connections developed into later beta reading relationships and friendships. “Most of the people that I sent work to… they’ve made comments that are the right sort of comments I suppose…” one author said while telling us the story of meeting her beta readers,

“and so I sent work to them after that sort of built up a bit of a relationship by then so that I know what sort of person they are and what sort of comments they might make… I know that if I sent it to them, they will be looking for the sorts of things that I’m looking for them to look for. The comment that they’ve made tells me that they’re reading it the way I want a beta reader to read it”  (P26).

Summary

Our findings about public comments suggest that it is more than valuable for fanfiction authors to receive comments, especially comments that provide thoughts and insights on specific aspects of the story and writing. We suggest that encouraging exchange of specific public comments will be beneficial to fanfiction communities.   

We are actively posting blog posts about other findings from our interview study. Check out our blog later for more findings! 

Is there a virtual community for polyA? A group chat on tumblr or a discord server or something like that? Asking for a friend.

There is not one - there are dozens and dozens! Here is a list of discord servers focused on polyamory, and my FAQ page here links a number of online communities. There are polyamory-focused communities on reddit, FetLife, and just about everywhere else that people congregate.

As in real life, remember that every group of people is unique and has their own communication style, quirks, and challenges. Often, online communities amplify these issues. Be careful about taking any community’s rules or attitudes as gospel.

Some communities have declared certain words or topics off-limits or have very strong beliefs about specific ideas, and while it’s polite to abide by the rules of a specific space, that does not mean that you are inherently wrong or immoral if you disagree. If you feel unwelcome, you are free to leave!

Be aware of the way that different culture building and moderation practices have an outsized effect on online communities. Stay away from ones that seem to run on shame, us-vs-them, or endless cycles of conflict. Remember that disagreement and danger are not the same thing, and that an excessive emphasis on “felt safety” can backfire.

Do not mistake online communities for group therapy, and avoid groups where “venting” about very heavy mental health topics is a primary mode of communication. Go in with an intention (to ask questions, get advice, make friends, have fun) and if you’re not getting what you need, don’t get sucked in - just leave.

Everything Changed When The Fire Nation Attacked | Kimani OkearahMedia is a language we’ve developed

Everything Changed When The Fire Nation Attacked| Kimani Okearah

Media is a language we’ve developed to communicate on a wide scale. From hieroglyphics to books to television to this sentence you’re reading right now, it’s all a process based on combining our linguistic resources -patterns of movement, symbols, and sounds- to connect to each other. Sometimes this communication is direct, like a live viewing or a VoIP (voice-over internet protocol - think Facetime) conversation. Sometimes it’s passive, like reading an ancient text, swimming in the knowledge of our ancestors. We’re going to use this understanding of media as a language to explore how its misuse can maintain ideological divisions. We’re gonna get down with messaging techniques using the first season of Avatar: The Last Airbender. It gave me life. Maybe I can give it back.

Racism exists as an ideological system of power in Western society. We classify individuals and their communities based on impressions of a global minority - in our reality, it’s various groups of Europeans insisting on an imperial legacy based on their claim to the fabricated concept of “whiteness.” If this system is negative, then it must have a counter, a positive system in which these individuals are exempt from these racial classifications. Unfortunately, no such system exists. If you don’t fit the social perception ascribed to your visual appearance, you’re considered an anomaly. Many of us have lived this, and it doesn’t feel good. This ‘racism, or lack thereof’ approach that we in creative media embrace is a result of exceptionalism (also called Chauvinism for hilarious French reasons). Exceptionalism is the social agreement that the ideology of the dominant group is exceptional, and therefore anything that does not coincide with this ideology is an unwelcome departure.  The first season of Avatar: The Last Airbender uses exceptionalism in a reverse binary as a code to both enable and challenge the dominant social ideology. Flameo, hotman!

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Mwasi Collective: Afrofeminist Resistance in France | Clementine BurnleyThe confident prints and col

Mwasi Collective: Afrofeminist Resistance in France | Clementine Burnley

The confident prints and colours at the Afropunk Festival this weekend in Paris lifted my heart. For my generation, to wear anything “African” was to risk being identified with Africa and treated accordingly. Many of us shied away from that experience. The young people at Afropunk seem different from their parents and grandparents. Their homes are in Africa as well as in Europe, North America, Australia.  Their concerns and understanding of their Blackness is probably different from mine. But we share a common experience of discrimination. There are people who assume that as time goes by and hipsters grow facial hair, discrimination fades away.  Instead, the attitudes of the past find new expression with each generation and so Black consciousness is remade in each new generation. I caught up with the Mwasi Collective, a black feminist organization active in France.

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The Dictionary of African Family | Clementine BurnleyMay is IDAHOT* -  International Day Against Hom

The Dictionary of African Family | Clementine Burnley

May is IDAHOT* -  International Day Against Homo-, Trans*- und Biphobia. This year the organizers picked the lens of Family. That left me wondering, who’s looking out of the windows of this basic social unit. Mom, Dad and baby makes three or are there ladies* taking tea on the balcony? It’s common knowledge now: families of choice can be safer than many of the families we grow up in. But it didn’t always used to be that way.

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SLAD Liberia Art Collective: “A Dance Around War” | Freda Koomson“Please tell my people I’m gone”. T

SLAD Liberia Art Collective: “A Dance Around War” | Freda Koomson

“Please tell my people I’m gone”. Those were Emmanuel Lavelah’s last words to someone he recalls meeting at the port before his departure from Liberia to Sierra Leone in 1990. Liberia’s president Samuel Doe had recently been captured and the threads of the country’s precariously woven fabric were beginning to unravel. War was on the horizon.  Emmanuel had made up his mind to not be left behind by his older brothers who had been planning to leave their mother in his care. At the mere age of 18, Emmanuel arrived in a new land alone.  “Sometimes when anything is part of you, and you reach to a new area, you want to remember where you come from”.

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Pepsi Meant It | Kimani OkearahAn advertisement for Pepsi (featuring the sub-Kardashian Kendall Jenn

Pepsi Meant It | Kimani Okearah

An advertisement for Pepsi (featuring the sub-Kardashian Kendall Jenner) recently got a lot of buzz and for all the wrong reasons. It’s message was simple - join the conversation. The methodology was… ignorant. That’s if we’re being merciful. Various corners of the internet sparked a flame at Pepsi’s appropriation of protest imagery to sell flavored high fructose corn syrup. Pepsi has since pulled the ad. “Pepsi was trying to project a global message of unity, peace and understanding. Clearly, we missed the mark and apologize,” Pepsi released in a statement. “We did not intend to make light of any serious issue.” Actually, Pepsi, your brand absolutely intended to make light of a serious issue. Let’s get dirty and apply ‘dramaturgy,’ or the theory and practice of dramatic composition, to this ad.

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There is No One Way to Be | Benjamina DadzieWe are made to feel as though we can be only one thing,

There is No One Way to Be | Benjamina Dadzie

We are made to feel as though we can be only one thing, that we can inhabit one space and find fulfillment through one dimension of ourself. Therefore, if you define yourself as feminist, you’re often seen as someone who knows no intellectual fluidity beyond an elementary understanding of what being a feminist entails.

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AfroFutures - Art, and Staying Alive under Global Capitalism | Clementine BurnleyIf we think of art

AfroFutures - Art, and Staying Alive under Global Capitalism | Clementine Burnley

If we think of art as a game, maybe even “the beautiful game” then let’s take a look at who is  on the playing field?  These people range between independently wealthy and homeless.  People who  do not need to make a living at all or who cannot live without art.

How long  players are able to experiment, train, sharpen their vision, live long enough to mature, depends very much on the conditions of their existence.

What are the material conditions under which Afropeople make ART a fulltime or part-time thing they do?

There are also powerful inner voices that speak to afroartists at 3 am, insomniac and worried, of self-doubt and fear. Of criticism, failure, of being judged and found not to be sufficient.  Not inspired, trained enough, not being understood, being compared to a norm which isn’t calibrated by Africans.

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Art in Conversation | Benjamina DadzieArt is an essential part of life, whether we live it, consume

Art in Conversation | Benjamina Dadzie

Art is an essential part of life, whether we live it, consume it, or produce it. In the last decade or so, we have experienced the emergence of African and Afrodiasporic artists in different fields – music, visual arts, digital art, creative writing, performing arts, etc. And for most of us, the work of the artist is our gateway into their many different experiences, experiences we otherwise may have never been introduced to.

But what does it mean to be a creative or an artist?During the months of April, May, and June, we will explore what moves artists to create and express themselves in the ways that they do. We’ll use these conversations as an opportunity to grasp the challenges and/or benefits of being a creative in an age of digital media, and money driven businesses.

All posts dedicated to this quarter’s theme will be tagged “Art in Conversation"

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The Anointing | Freda KoomsonFor a time during my adolescence, I considered conversion to Islam. The

The Anointing | Freda Koomson

For a time during my adolescence, I considered conversion to Islam. The project of discovering myself almost mandated it.  When my first cousins arrived from war-torn Liberia in the Fall of 1997, I was starting a new school, in a new world and perhaps I was clinging desperately to some foundational aspects of my being and enthusiastically proclaimed to my cousin that I wanted to study the Koran like he had.  I recall peeling my eyes open sleepily at the crack of dawn, realizing my cousin had left the bottom bunk mattress we shared,  snoozing as I watched my eldest cousin bend in prostration, wipe her face with both palms and open and close  her hands repeatedly to the ceiling slowly catching the blessings showering her from above. Blessings that poured in through the dark morning air, penetrating our 20 floor housing building, and piercing the air molecules of our room.

My desire to convert to Islam was no doubt made more attractive by this intimate personal daily engagement I was privy to, which  beat the Christianity my stepfather had decided to force feed us every Sunday morning. “We’re going to Church!” he would exclaim and the dread crept up even faster if the car wasn’t working (it often wasn’t) and church meant a 20 minute bus ride to a 40 minute train ride. Church, at all costs.   In fact my mom’s excuses to not join us varied from wanting to have food ready for us when we returned from church (who could argue with that?), to declarations that she was “Muslim!” despite the folded up prayer mat that I had never seen her use.

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Religion or No Religion… That is the Question | Khaoula El OtmaniIn all the many aspects of m

Religion or No Religion… That is the Question| Khaoula El Otmani

In all the many aspects of my life I noticed a deep difference between the values and culture I find at home and the ones I find in school or work.

I was raised in a religious environment and most people I’ve known during my childhood have the same ideas and beliefs as my parents’, give or take. As I grew up, though, I started to realize that religion wasn’t a priority for many people and that most of them confuse religion with culture and think that they’re interchangeable.

Nowadays, most people I know are not religious. But, I noticed that they still swear by the Islamic beliefs and feel that it is necessary to follow certain aspects of the religion. Except when it contradicts their lifestyle.

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Diasporic Connections | Freda KoomsonAbout five months ago, I decided to take a leap of faith and re

Diasporic Connections | Freda Koomson

About five months ago, I decided to take a leap of faith and relocate to the sweet sweet land of liberty, Liberia, West Africa.  This opportunity and experience has been years in the making for me, and if it wasn’t one excuse it was another.  So, I decided to embark on this journey because for me, I’ve always been a Liberian far away from home.While I was born in Brooklyn, my heritage in the motherland has never been taken for granted in my upbringing.  At the age of four, the civil war in Liberia had begun and though far away, I remember being young enough to be perplexed but old enough to be afraid of what was ensuing in our homeland.  I remember visiting family friends and the kids being ceremoniously ushered into a cousin’s bedroom to play while the adults sat in awe watching the rawest video footage from back home. I recall vaguely trying to sneak in to the living room during what I now know was video of a president’s brutal torture. I remember tearful renderings of friends & family members who had somehow escaped, speaking of things in this wonderland I couldn’t imagine. These stories coupled with my mom’s recollection of King Burger “y’all think y’all the only one with Fast Food options?”, or shopping on Waterside before going to visit her mother in the “countryside”. I’ve even had dreams riddled with anecdotes of her time on LU campus in Monrovia, the “country girl” that made it to college in the city.

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Moonlight: A Review | Lambert AkwaI’d like to preface this review of the achievement, that is the fi

Moonlight: A Review | Lambert Akwa

I’d like to preface this review of the achievement, that is the film Moonlight, by briefly discussing Ghanaian photographer Eric Gyamfi’sSee Me, See You exhibition which I recently visited at the Nubuke Institute in Accra. It was an unforgettable experience with a power of transcendence which moved me, in a way that art never had before. Perhaps, the only other time I have felt such rapture was in reading Marie Howe’s The Gate; one of my favourite poems. The exhibition, which ended this week after an extended run, consisted of a collection of photographs which documented and projected queerness in Ghana by employing a muted and understated colour palette, enabling the characters to shine brightly. Their smiles are all the more visible, their intimacies more tender, their discomfort all too palpable, and their fates discomfortingly uncertain. This left the viewer to reflect on their own place in an unbalanced world. Moonlight strikes a note that is not dissimilar to what I have just described in relation to See Me, See You. I was just as drawn in – sitting cross legged a few inches from my TV – and again deeply moved.

Moonlight is the perfect film for our time. It consists of a very singular and tightly woven narrative split into three parts in which three actors, namely Alex Hibbert, Ashton Sanders and Trevante Rhodes each play the part of Chiron across various stages of his life, doing so with a strong sense of cohesiveness and seamless grace. This is especially curious when you find that the actors were not allowed to see each other’s performances. The structure allows for the film to track Chiron’s maturation as he grows up from a boy who is starkly made aware of his blackness and queerness from very early on in his life. This awareness doesn’t come to him as a result of a romanticised journey of self discovery, nor does it find him progressively. Whether it’s in relation to being black or queer, he is constantly told who he is by others, much in the same way a freight train might tell the stranger lost on its tracks to move out of the way. In fact, by the end of the film, it is still hard to tell if he knows who he truly is, or rather, if he knows what being the person he is means, since he has seemingly never had the opportunity to really reflect on this for himself.

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Mirrored: Culture and Religion | Benjamina DadzieI do believe in a higher power that guides me and e

Mirrored: Culture and Religion | Benjamina Dadzie

I do believe in a higher power that guides me and ensures my well-being; a power that, through trials and tribulations, gives me a picture of who I can be. I often pray to God, a power that instils in me the ability to manifest love and be a decent person to others and for others. I, however, often wonder if this God is the same one I read about in the Bible.

The Bible has prescriptions that condemn people who do not follow the law and the precepts set forth. I have questions and no answers. As a social being, and as a person who wants the fulfillment of everyone’s idea of self, how do I negotiate a faith that tells me to renounce people I care about because of who they are? As a woman, how do I go about knowing that God created me in his image and equal to man, yet by the law of God the manifestation of my periodic biological flow of blood makes me unclean?

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On Northern Nigeria: A Brief History On Religion and Culture | Asma’u ShaheedahWithout bias, it is s

On Northern Nigeria: A Brief History On Religion and Culture| Asma’u Shaheedah

Without bias, it is safe to say that Northern Nigeria is significantly behind (socio-economically and educationally) in comparison to Southern Nigeria. To analyze how this difference in development between the two regions came about, one must start at the beginning, before British colonial imperialism. Northern Nigeria, due to it’s proximity with North Africa where Islam had spread from the middle east, first encountered Islam in the early 11th century. By the 16th century, Islam had spread from the north, into the middle belt. Prior to this, the predominant culture in northern Nigeria was the Nok culture. According to Wikipedia,

The Nok culture appeared in Northern Nigeria around 1000 BC and vanished under unknown circumstances around 300 AD in the region of West Africa. Nok’s social system is thought to have been highly advanced. The Nok culture is considered to be the earliest sub-Saharan producer of life-sized Terracotta.

The refinement of this culture is attested to by the image of a Nok dignitaryat the Minneapolis Institute of Arts. The dignitary is portrayed wearing a “crooked baton”. The dignitary is also portrayed sitting with flared nostrils, and an open mouth suggesting performance.”

This goes to show that religion has always been a dominant factor within African cultures. Earlier cultures had also been shaped based on the faiths they held on to at the time. According to O.U Kalu, on the question of the core aspect of culture,

Religion dominates the roots of the culture areas of Nigeria… Little or no distinction existed between the profane and the sacred dimensions of life. Thus, all activities and instruments of governance and survival were clothed in religious ritual, language, and symbolism.”

North Nigerians are guided principally by religion. Marriage, sickness, morality, and social responsibilities are all enforced by religion. A person’s physical existence is strongly interwoven with religious doctrines, be it Islam, Christianity, or Traditional African religions.

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A Religion is a Traditional Belief with an Army | Clementine BurnleyThe difference between a religio

A Religion is a Traditional Belief with an Army | Clementine Burnley

The difference between a religion and a traditional belief may be an army. The Sawa are a group of coastal peoples in Cameroon. Across the border in Nigeria there are forty million Yoruba, many of who practice the Ifa religion. Ifa is definitely a big, ancient and well studied religion, that has spread across the world. It is almost unknown. Unlike the Yoruba Kingdoms, the Sawa are small groups organised into networks of clans and associations. Cameroon has no large or militarised pre-colonial religions. There are no large empires comparable to the ancient Yoruba in the area the Sawa occupy.  

Religions with armies have greatly altered the relationship of Sawa to indigenous divinity. First the Islamic, and then the European colonial projects violently removed Sawa religions from their central organizing position in society.  The attitude of religious colonists was that natives could not conceive of religion, a spiritual god, or moral laws. This belief by colonists and the colonised created a break in African cultural confidence and knowledge which has yet to be repaired. Everything related to the non-material world of Africans was destroyed or identified with evil. Sawa people are still trying to bring together their religious past and their current identity. While religion is one of the first narratives that cultures create, this article is hard to write because so little is known about pre-colonial Sawa religions. It’s not so clear that the Sawa would call their beliefs, religions.

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Culture, Religion, and Society | Benjamina DadzieIn his work, Jacob Olupona, professor of African Re

Culture, Religion, and Society | Benjamina Dadzie

In his work, Jacob Olupona, professor of African Religious Traditions and African and African American Studies, discusses the role of religion, culture, and society and how these structures permeate our every day lives. He argues in several publications that African indigenous religions have fallen out of favour to Christianity and Islam, with a fellowship of 40% against 10%.

Although it is difficult to gauge a definite number, presently, there are people moving from the religions of the Book - that is Christianity and Islam - toward indigenous religions. It appears that this movement and conversion of faith stems from a dissatisfaction and lacking of personal agency with religions like Christianity, and how it manifests itself within society.

This quarter we will discuss how culture informs our faith and how religion influences us on a personal level and as a larger society. More broadly, we’ll explore what our faiths mean to us and how can religion can be negotiated in a space where cultural and societal responsibilities intertwine.

All posts dedicated to this quarter’s theme will be tagged “Culture Religion Society.”

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