#paul klee

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Paul Klee - Traumlands haft mit konifers (Dream landscape with conifers), 1920

Sunday Smooch - Paul Klee, The Twittering Machine (Zwitschermaschine), 1922. - Vionnet, Ready to weaSunday Smooch - Paul Klee, The Twittering Machine (Zwitschermaschine), 1922. - Vionnet, Ready to wea

Sunday Smooch

- Paul Klee, The Twittering Machine (Zwitschermaschine), 1922.

- Vionnet, Ready to wear Spring 2014.

 


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afrouif:

Paul Klee

Nichtkomponiertes im Raum (Uncomposed in Space)

1929

cover of the Blackwell translation of Henri Lefebvre’s The Production of Space, 1991.

PAUL KLEE, Zeichen in Gelb (Sign in Yellow, 1937). Oil on canvas. Courtesy of the Beyeler Foundation

PAUL KLEE, Zeichen in Gelb(Sign in Yellow, 1937). Oil on canvas. Courtesy of the Beyeler Foundation. / Blogspot


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manybirdsfromthetreeoflife:Paul Klee (1879-1940), Mit dem Adler (With the Eagle), 1918 (85). Waterco

manybirdsfromthetreeoflife:

Paul Klee (1879-1940), Mit dem Adler (With the Eagle), 1918 (85). Watercolour on chalk ground on paper on gloss paper on cardboard. 17.3cm H x 25.6cm W. (Kuntsmuseum Bern)


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Three Flowers Artist: Paul KleeYear: 1920Type: Oil on canvas, paper and cardboard

Three Flowers

Artist: Paul Klee
Year: 1920
Type: Oil on canvas, paper and cardboard


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“The mere ability to choose between good and evil is the lowest limit of freedom, and the only thing

“The mere ability to choose between good and evil is the lowest limit of freedom, and the only thing that is free about it is the fact that we can still choose good.To the extent that you are free to choose evil, you are not free. An evil choice destroys freedom.We can never choose evil as evil: only as an apparent good. But when we decide to do something that seems to us to be good when it is not really so, we are doing something that we do not really want to do, and therefore we are not really free.Perfect spiritual freedom is a total inability to make any evil choice. When everything you desire is truly good and every choice not only aspires to that good but attains it, then you are free because you do everything that you want, every act of your will ends in perfect fulfillment.Freedom therefore does not consist in an equal balance between good and evil choices but in the perfect love and acceptance of what is really good and the perfect hatred and rejection of what is evil, so that everything you do is good and makes you happy, and you refuse and deny and ignore every possibility that might lead to unhappiness and self-deception and grief. Only the man who has rejected all evil so completely that he is unable to desire it at all, is truly free.God, in Whom there is absolutely no shadow or possibility of evil or of sin, is infinitely free. In fact, he is Freedom.”
— Thomas Merton, “What Is Liberty?”, New Seeds of Contemplation 
[Ad Parnassum - Paul Klee]

• Thomas Merton (1915-1968) is arguably the most influential American Catholic author of the twentieth century. His autobiography, The Seven Storey Mountain, has sold over one million copies and has been translated into over fifteen languages. More: http://merton.org/chrono.aspx  

• Ad Parnassum (1932) is considered to be  the best example of Paul Klee’s pointillist style; it is also one of his most finely worked paintings. Ad Parnassum was created in the Dusseldorfer period. More: https://www.paulklee.net/ad-parnassum.jsp 


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topcat77:Paul Klee Beach House.

topcat77:

Paul Klee

 Beach House.


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Paul Klee - Schlamm-Assel-Fisch (1940)

Paul Klee - Schlamm-Assel-Fisch (1940)


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Paul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.WaPaul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.Wa
Paul Klee [Switzerland + Germany] (1879—1940)
~ ‘Horizon, Zenith and Atmosphere’, 1925.
Watercolor and graphite on paper,
mounted on board (37.1 × 27 cm).

: iPhone Skin

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Paul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.WaPaul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.Wa
Paul Klee [Switzerland + Germany] (1879—1940)
~ ‘Horizon, Zenith and Atmosphere’, 1925.
Watercolor and graphite on paper,
mounted on board (37.1 × 27 cm).

: Floor Pillow

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Paul Klee [Switzerland + Germany] (1879—1940)~ ‘Alter Dampfer (Old Steamboat)’, 1922.OilPaul Klee [Switzerland + Germany] (1879—1940)~ ‘Alter Dampfer (Old Steamboat)’, 1922.Oil
Paul Klee [Switzerland + Germany] (1879—1940)
~ ‘Alter Dampfer (Old Steamboat)’, 1922.
Oil transfer drawing and watercolor on laid paper,
on artists original mount (15.8 x 16.8 cm).

: Tote Bag

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Paul Klee [Switzerland + Germany] (1879—1940)~ ‘Alter Dampfer (Old Steamboat)’, 1922.OilPaul Klee [Switzerland + Germany] (1879—1940)~ ‘Alter Dampfer (Old Steamboat)’, 1922.Oil
Paul Klee [Switzerland + Germany] (1879—1940)
~ ‘Alter Dampfer (Old Steamboat)’, 1922.
Oil transfer drawing and watercolor on laid paper,
on artists original mount (15.8 x 16.8 cm).

: Metal Print

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Paul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.WaPaul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.Wa
Paul Klee [Switzerland + Germany] (1879—1940)
~ ‘Horizon, Zenith and Atmosphere’, 1925.
Watercolor and graphite on paper,
mounted on board (37.1 × 27 cm).

: Zipper Pouch

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Please, consider modest purchase.


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Paul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.WaPaul Klee [Switzerland + Germany] (1879—1940)~ ‘Horizon, Zenith and Atmosphere’, 1925.Wa
Paul Klee [Switzerland + Germany] (1879—1940)
~ ‘Horizon, Zenith and Atmosphere’, 1925.
Watercolor and graphite on paper,
mounted on board (37.1 × 27 cm).

: Spiral Notebook

You can ensure the show running.
Please, consider modest purchase.


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Gee’s Bend Quiltmakers

About the Gee’s Bend Quiltmakers of Alabama.

I’ve only recently discovered the work of the wonderful Gee’s Bend Quiltmakers (also here and here). These quilts have been created by generations of women in the isolated African-American hamlet of Gee’s Bend, in rural South West Alabama. The earliest identified quilt maker was Dinah Miller in 1859. Throughout the post-civil war years and into the 20th century, the women of Gee’s Bend made their…


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