#raising arizona

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“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)“Now, y’all without sin can cast the first stone.”Raising Arizona (1987)

“Now, y’all without sin can cast the first stone.”

Raising Arizona(1987)


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Former heavyweight boxer, kickboxer and 80s/90s bit player Randall “Tex” Cobb in Raising Arizona (19Former heavyweight boxer, kickboxer and 80s/90s bit player Randall “Tex” Cobb in Raising Arizona (19Former heavyweight boxer, kickboxer and 80s/90s bit player Randall “Tex” Cobb in Raising Arizona (19Former heavyweight boxer, kickboxer and 80s/90s bit player Randall “Tex” Cobb in Raising Arizona (19Former heavyweight boxer, kickboxer and 80s/90s bit player Randall “Tex” Cobb in Raising Arizona (19

Former heavyweight boxer, kickboxer and 80s/90s bit player Randall “Tex” Cobb in Raising Arizona (1987)… one of those hairy, grizzled, muscular, hyper-butch Alphas who remind me that I’m just a big ol’ bottom!


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How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.

This video was co-written with Taylor Ramos. Follow her on:
Instagram:https://instagram.com/taylor.ramos/
Twitter:https://twitter.com/glassesattached

One of the great things about detailed production design is that it pays off in unexpected ways. So today I explore the weird possibilities of that most common of objects: the chair.

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Raising Arizona, 1987

Raising Arizona, 1987


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