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James Flavin, Robert Blake, and John Forsythe in Richard Brooks’ IN COLD BLOOD (1967)

We’ve met before, aren’t we?

In Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad HallIn Cold Blood, 1967Directed by Richard BrooksCinematography by Conrad Hall

In Cold Blood, 1967

Directed by Richard Brooks

Cinematography by Conrad Hall


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SUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stilSUBLIME CINEMA #594 - LOST HIGHWAYThis film was mesmerizing to me when it first came out and it stil

SUBLIME CINEMA #594 - LOST HIGHWAY

This film was mesmerizing to me when it first came out and it still is. I hadn’t seen anything really like it; the malevolence of the music and image combined into something both provocative and stirring. Individual scenes still stand out: the video cassettes, Robert Loggia’s joy ride and Robert Blake’s phantom phone call. 

Will David Lynch have a new film at Cannes this year? He said it was only a rumor - but the mill is still spinning.. Hoping.. 


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