#sculpting
Process for The Sage Mask of Silvonath.
When I mention to people that these masks are made of nothing but paper and glue with paint, they’re usually shocked. It takes hours of shaping, drying, and carving with various tools to get to a stage where I consider them ready to paint.
The process starts off with a plaster cast of my face to use as a sizing base, with a pattern drawn overtop before the strips of glue-soaked paper towel are gently laid overtop.
All of the masks I make are of course fully functional, made to fit, and inscribed with Sul'voth markings on the inside.
The Sage Mask is definitely among the most complex designs I’ve made thus far, with some special eye-shapes I have an adoration of.
The intention for this piece, beyond its representation of a crown and the presence of my Sacred Crest, was for a more austere and somber expression. Wise beyond the years, and a cold face of an ancient entity.
Mun Silvonath zol Sol'sai Goæs.
The Sage Mask of Silvonath.
2022.
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One of the key masks I wanted to make for myself. This one’s finally finished and sealed off, and will definitely be making an appearance in the future.
The current works in progress. Who would have expected that paper towel and glues would make such sturdy and solid pieces.
All unpainted, yet fully sculpted and realized. Very excited for the next steps on these. If you’re curious about where you’ll see a few of these in the future….. stay tuned.
m e n
wip of painting. considering doing my normal painting style later where i smatter all kinds of colors on top but im afraid of ruining it ;.;
Eua and Hanyuu mini figure are finished too!
I started them in September and I wish I knew how to sand better :’)
some of my old sculptures and charms (2019-20)