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Sho Baraka. Swoope. J.R. Natalie Lauren fka Suzy Rock… They were High Society Collective. Thr

Sho Baraka.Swoope.J.R.Natalie LaurenfkaSuzy Rock

They were High Society Collective. Three outta four have at least 1 classic solo album to their credit in addition to their seminal “Circa MMXI: The Collective” from 2011. So what was/is Natalie’s solo shortcoming? No official album to her credit, only mixtapes and EPs. As for the rest?

Sho Baraka’s now-classic Talented Xth (2013) follows his groundbreaking Lions and Liars fro 2010.

Swoope just dropped the acclaimed Sinema and 2011’s seminal Wake Up.

J.R. gave us Metamorphosis and Life In Stereo. As a producer he also won a Grammy in 2013 for his work on Lecrae’s Gravity.

I don’t know if there’ll be another crew like this in hiphop. Meanwhile, check out the links and peep the tunes. you’ll be amazed at what you’ve probably missed out on.


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What can possibly explain Manchin’s and Sinema’s votes against voting rights last Wednesday? Why did they create a false narrative that the legislation had to be “bipartisan” when everyone – themselves included – knew bipartisanship was impossible?

Why did they say they couldn’t support changing the filibuster rules when only last month they voted for an exception to the filibuster that allowed debt ceiling legislation to pass with only Democratic votes?

Why did they co-sponsor voting rights legislation and then vote to kill the very same legislation? Why did Manchin vote for the “talking filibuster” in 2011 yet vote against it now?

Part of the answer to all these questions can be found in the giant wads of corporate cash flowing into their campaign coffers. 

But if you want the whole answer, you need to look at the single biggest factor affecting almost all national politicians I’ve dealt with: Big egos. Manchin’s and Sinema’s are now among the biggest.

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Btw, if you’d like my daily analyses, commentary, and drawings, please subscribe to my free letter: robertreich.substack.com

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Before February of last year, almost no one outside West Virginia had ever heard of Joe Manchin, and almost no one outside of Arizona (and probably few within the state) had ever heard of Kyrsten Sinema. Now, they’re notorious. They’re Washington celebrities. Their photos grace every major news outlet in America.

This sort of attention is addictive. Once it seeps into the bloodstream, it becomes an all-consuming force. I’ve known politicians who have become permanently and irrevocably intoxicated by it.

I’m not talking simply about power, although that’s certainly part of it. I’m talking about narcissism – the primal force driving so much of modern America, but whose essence is concentrated in certain places such as Wall Street, Hollywood, and the United States Senate.

Once addicted, the pathologically narcissistic politician can become petty in the extreme, taking every slight as a deep personal insult. I’m told that Manchin asked Biden’s staff not to blame him for the delay of “Build Back Better,” and was then infuriated when Biden suggested Manchin bore some of the responsibility. I’m also told that if Biden wants to restart negotiations with Manchin on “Build Back Better,” he’s got to rename the package because Manchin is so angry he won’t vote for anything going by that name.

The Senate is not the world’s greatest deliberative body, but it isthe world’s greatest stew of egos battling for attention. Every senator believes he or she has what it takes to be president. Most believe they’re far more competent than whoever occupies the Oval Office.

Yet out of one hundred senators, only a handful are chosen for interviews on the Sunday talk shows, only one or two are lampooned on SNL, and very few get a realistic shot at the presidency. The result is intense competition for national attention.

Again and again, I’ve watched worthy legislation sink because particular senators didn’t feel they were getting enough credit, or enough personal attention from a president, or insufficient press attention, or unwanted press attention, or that another senator (sometimes from the same party) was getting too muchattention.

Several people on the Hill who have watched Sinema at close range since she became a senator tell me she relished all the attention she got when she gave her very theatrical thumbs down to increasing the minimum wage, and since then has thrilled at her national celebrity as a spoiler.

Biden prides himself on being a member of the senatorial “club” for many years before ascending to the presidency and argued during the 2020 campaign that this familiarity would give him an advantage in dealing with his former colleagues. But it may have worked against him. Senators don’t want clubby familiarity from a president. They want a president to shine the national spotlight on them.

Some senators get so whacky in the national limelight that they can’t function without it. Trump had that effect on Republicans. Before Trump, Lindsay Graham was almost a normal human being. Then Trump directed a huge amp of national attention Graham’s way — transmogrifying Graham into a bizarro creature who’d say anything Trump wanted in order to keep the attention coming.

Not all senators are egomaniacs, of course. Most lie on an ego spectrum ranging from mildly inflated to pathological.

Manchin and Sinema are near the extreme. Once they got a taste of the national spotlight, they couldn’t let go. They must have figured that the only way they could keep the spotlight focused on themselves was by threatening to do what they finally did this week — shafting American democracy.

From the book Sinema: American Pornographic Films and the People Who Make Them by Kenneth Turan and

From the book Sinema: American Pornographic Films and the People Who Make Them by Kenneth Turan and Stephen F. Zito, 1974

Read about other noteworthy books that feature Marilyn here.


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Demek istediğim ; Asalak bi sarmaşık olma sakın varsın boyun olmasın bir söğütün ki kadar, yaprakların bulutlara erişmezse bi zararın mı var ?

Bizim de bir gün çok paramız olacak o zaman seni öyle lüks yerlere götürecem ki, Sultan Ahmet kebapçısına, Lunapark'a Saz'a..

“… Kainattaki yerimi nasıl kaybettiğimi,bölge savcısının dediği gibi, bir suç dehası ol

“… Kainattaki yerimi nasıl kaybettiğimi,bölge savcısının dediği gibi, bir suç dehası olmak için fazla sıradan bir adam olduğumu…bu işin arkasında aslında ne dolaplar döndüğünü…ve Doris hakkında daha önce söyleyemediği bazı gerçekleri anlattı. Bana bakmalarını, bana iyice bakmalarını söyledi. Ne kadar yakından bakarlarsa, tüm bu suçlamaların ne kadar anlamsız geleceğini…bu adamın, bu berberin birisini öldürebilecek birisi olmadığını, sadece bir berber olduğumu söyledi.Ben de onlar gibiydim. Kendisine yer olmayan dünyada yaşamaya mahkum sıradan bir adam. Tek suçu, bir katil değil, kuru temizlemeci olmak olan bir adam. İşte bu bizim ikilemimiz. Daha doğrusu, berberin ikilemi. Çünkü o modern bir adam. Ve o sizin bir yansımanız.

Gerçeklere değil, onların anlamlarına bakmalarını söyledi. Sonra da gerçeklerin hiçbir anlamı olmadığını söyledi.”

The Man who Wasn’t There (2001)

Yön. Coen Brothers


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Gülümse ki ölmeyelim…

Edebiyat, tarih ve sinemayla ilgili mailinize haber bülteni tarzında yazıların düştüğü bir servis. Mailinizle kayıt olmanız yeterli.

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