#star vs

here he is. the angry boy

god look at him in his fuckin outfit he’s so fuckin COOL

You Have My Attention, Disney

Isn’t it nice to be excited for a reboot? Or, at the very least, cautiously optimistic? 

Granted, I more than understand the hesitation. I don’t think reboots have ever had a great reputation, and they can take away resources from potential, original properties making their debut (especially in today’s sequel-driven, nostalgia-loving, cinematic-universe-mass-producing market). Which is why the phrase “reboot potential” sounds like execu-speak that leaves you feeling … kind of dirty.

But, if you know me, you know I love another show that was just a reboot made to sell toys because, ultimately, the new team of creatives put in so much thought, love, and creativity into that it became its own thing.

Clearly I’m talking about Voltron: Legendary Defenders.

Oh, alright, and Pony (if you’re ever not sure, just assume I’m talking about Pony again; you’ll be right 90% of the time). And aside from the fans I’m told the franchise had originally, no one was expecting it to be a good show– that’s a case where the reboot surpassed its predecessors and in a huge way.

And, hell, I wouldn’t be doing my job right if I didn’t reference how well the Star Wars franchise is doing again, even after the infamously abysmal prequels! 

Pretty much the entirety of 80s and 90s culture either has or will get some kind of love. Hey! Arnold’s creator Craig Bartlett is finally getting to make The Jungle Movie, Samurai Jack’s getting a 4th season on Adult Swim, Power Rangers are back on the big screen next year, and just about every other property you can think of has something. And if not, they’re probably just saving them for the NickToons movie (which is also a thing that’s happening).

Meanwhile, Millennials just aren’t nostalgically profitable yet, I guess. Seems like all of our properties either get reboots that aren’t marketed towards us at all:

get continuations that get screwed over by the network

(If you’re wondering, that’s official artwork by co-creator Bryan Konietzko; I just felt the need to use it because wow dat’s gay)

or don’t get reboots period, even when the creators express direct interest in making a return.

Or, you know, made a deal with someone and found a way to never leave to begin with.

*Pokemon’s started in the mid-90s, but if you grew up in 2000s, you’d count it, too, it was huge for us.

My point being that while reboots and revivals have troubling downsides, take it from a Millennial whose starved for them: getting a good reboot can still be a thing to be celebrated.

Especially when you’ve got one that looks this intriguing.

Back to DuckTales

So, the voice cast looks like they’re kicking ass. It’s only one element of a show, of course, but whether or not the star-power wows you, the idea that it just might be in good hands may. 

See, Disney XD is sort of a weird channel. If I’m remembering correctly, it’s not included in some number of cable packages, but Disney Channel (prime) is—meaning, this should be where shows go to die.

It’s also technically Disney’s animation channel. Which says a lot about where Disney is now. (If you want some real insight into Disney’s television history, Saberspark made a video about it—“Why does the one of the greatest animations studios of all time struggle to provide animated content for television? It doesn’t make any sense!”)

You 90s kids will remember the Disney Afternoons on the main channel—the program block DuckTales originally thrived in. A lot’s changed since then (the video goes into how and why), and the Disney channels DuckTales is returning to greatly needs its help.

Wander Over Yonder, for all the love it got, suffered the consequences of airing on an off-shoot of the Disney Channel instead of the real deal. Not every show that ends up there is doomed, but for instance, Gravity Falls made the switch to XD early in its lifespan, and OH MY GOD WAS IT JERKED AROUND IN TERMS OF ITS AIRING SCHEDULE. 

We’ve recently seen worse, and it’s not exactly uncommon, but for a show that becamethatpopularthat quickly, it’s shocking to remember just how wonky the airing schedule was.

The remaining survivors on Disney XD are Star v.s. the Forces of Evil, Milo Murphy’s Law, Star Wars Rebels, and Penn-Zero Part Time Hero (… well, okay, and Pickle and Peanut and something called Future Worm). What’s working for them now is a mix between action and comedy—which is what we’ve been lacking in Western cartoons for a while now.

Voltron, which just today released its second season on Netflix, is probably the best example of a classic action cartoon. It’s sort of got an overaching narrative, but each episode focuses the action in an episodic, beat-up-the-baddies and/or solve-this-team-and/or-character-issue vain. 

It’s been traditionally true, on the whole, that Western animation holds its roots in comedy—from Walt Disney himself to Disney XD today. But the rise in action cartoons around the late 70s–late 90s (don’t quote me on that) could sometimes elevate the animation towards more adult themes without it being… well, what we call “adult” animation. 

We know for a fact that any show—whether it’s deceptively cutesy or even downright cheesy—can approach darker and/or mature subject matter nowadays, but that’s partially why the fact that we don’t have a lot of Voltrons (which issuper 80s in a loving we-know-where-our-roots-are kind of way) is a little disheartening.

Plus, action cartoons can choreograph cool fight sequences or chase scenes and I like when the cartoon box makes the booms.

DuckTales, for as silly an idea as it sounds like it would be on paper, apparently rocked. I’ve gotta full-disclosure this bad-boy and admit I was too young to catch the original properly, but from what I can tell, there’s a reason for that nostalgia. And what I’m getting at with all this is that DuckTales 2017 joining the ranks of the other action comedies on Disney XD is absolutely a step in the right direction. 

Who knows what kinds of adventures and subjects it will actually cover, but continually proving that action shows are marketable (especially on a channel that’s only in 68.8% of American households with T.V.s v.s. the 82.7% the main channel enjoys), only welcomes more good action shows in the future.

So, yeah, not only does DuckTales itself have potential to be something fun and awesome, but it has the potential to build off the successes of shows like Star v.s. and show executives people willrespond to this kinda stuff. When you think about what reboots would do some genuine good to bring back, you might not think DuckTales, but who knows?

Here’s hoping all that potential amounts to something.

I’m talkin rainbows, I’m talkin puppies!

yoshimars:

Bi Pride Star! Love that this is canon! <3

Find me on Patreon, Ko-fi, and Deviantart: “yoshimarsart”

nubbybuns:

tis the season for monster/evil AUs eh???

“I feel like Meteora/Heinous was forgiven way TOO easily. I hate when shows will turn avail and back into a “harmless form” and act like that erases all the things they did. Like I don’t care that she was turned into a baby, she still brainwashed girls into mindless rubberstamps, stole their life force to keep herself young, and then went on a rampage and suck the soul out of so many people. I’m not saying she should’ve been killed but good grief she was forgiven way too easily.”

dont think I ever posted this here, so please enjoy some old eclipsa doodles

Star and Marco are still going on adventures right?? And they’re both together on earth still right???