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bethesadboy:normal people vibes

bethesadboy:

normal people vibes


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sallyrooneys:

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connell and marianne ; normal people by sally rooney

You know I love you. And I’m never going to feel the same way for anyone else. I know.
jemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peopjemmafitzsimmons: “How do you go about telling a compelling love story (…) where the end is two peop

jemmafitzsimmons:

“How do you go about telling a compelling love story (…) where the end is two people who made each other better?” — Dan Levy 

LA LA LAND(2016)
FLEABAG(2019)
SCHITT’S CREEK(2020)
NORMAL PEOPLE(2020)


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chalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going tochalamets: Look at me a second. No one is ever gonna hurt you like that again. Everything’s going to

chalamets:

Look at me a second. No one is ever gonna hurt you like that again. Everything’s going to be all right, trust me. Cause I love you, and I’m not gonna let anything like that happen to you again.

Daisy Edgar-Jones and Paul Mescal as Marianne and Connell in NORMAL PEOPLE(2020)


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voyagedansla-lune:

Quotes from Normal People

Novel by Sally Rooney

Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn’t know if she would ever find out where it was and become part of it. She had that feeling in school often, but it wasn’t accompanied by any specific images of what the real life might look or feel like. All she knew was that when it started, she wouldn’t need to imagine it anymore.”

“Her eyes fill up with tears again and she closes them. Even in memory she will find this moment unbearably intense, and she’s aware of this now, while it’s happening. She has never believed herself fit to be loved by any person. But now she has a new life, of which this is the first moment, and even after many years have passed she will still think: Yes, that was it, the beginning of my life.”

“Suddenly he can spend an afternoon in Vienna looking at Vermeer’s The Art of Painting, and it’s hot outside, and if he wants he can buy himself a cheap cold glass of beer afterwards. It’s like something he assumed was just a painted backdrop all his life has revealed itself to be real: foreign cities are real, and famous artworks, and underground railway systems, and remnants of the Berlin Wall. That’s money, the substance that makes the world real. There’s something so corrupt and sexy about it.”

“Last night he spent an hour and a half lying on the floor of his room, because he was too tired to complete the journey from his en suite back to his bed. There was the en suite, behind him, and there was the bed, in front of him, both well within view, but somehow it was impossible to move either forward or backward, only downward, onto the floor, until his body was arranged motionless on the carpet. Well, here I am on the floor, he thought. Is life so much worse here than it would be on the bed, or even in a totally different location? No, life is exactly the same. Life is the thing you bring with you inside your own head. I might as well be lying here, breathing the vile dust of the carpet into my lungs, gradually feeling my right arm go numb under the weight of my body, because it’s essentially the same as every other possible experience.”

“She tries to be a good person. But deep down she knows she is a bad person, corrupted, wrong, and all her efforts to be right, to have the right opinions, to say the right things, these efforts only disguise what is buried inside her, the evil part of herself.”

“Dublin is extraordinarily beautiful to her in wet weather, the way gray stone darkens to black, and rain moves over the grass and whispers on slick roof tiles. Raincoats glistening in the undersea color of street lamps. Rain silver as loose change in the glare of traffic.”

Beautiful beautiful words.

Partly because in your orange shirt you look like a better happier St. Sebastian

partly because of my love for you,

partly because of your love for yoghurt

partly because of the fluorescent orange tulips around the birches

partly because of the secrecy our smiles

take on before people and statuary.

—Frank O'Hara, Having A Coke With You.

I can’t remember if I thought about this at the beginning. How it was doomed to end unhappily.

He nodded looking at me. I did, he said. I just thought it would be worth it.

— Sally Rooney, Conversations with Friends.

literarymessy:

His hand moves over her hair and he adds:

I love you. I’m not just saying that, I really do.

Her eyes fill up with tears again and she closes them. Even in memory she will find this moment unbearably intense, and she’s aware of this now, while it’s happening. She has never believed herself fit to be loved by any person.

Sally Rooney, Normal People.

Marianne told him this thing about her family. He didn’t know what to say. He started telling her that he loved her. It just happened, like drawing your hand back when you touch something hot. She was crying and everything, and he just said it without thinking. Was it true? He didn’t know enough to know that. At first he thought it must have been true, since he said it, and why would he lie? But then he remembered he does lie sometimes, without planning to or knowing why. It wasn’t the first time he’d had the urge to tell Marianne that he loved her, whether or not it was true, but it was the first time he’d given in and said it.

Sally Rooney, Normal People.

He’s not someone who feels comfortable confiding in others, or demanding things from them. He needs Marianne for this reason. This fact strikes him newly. Marianne is someone he can ask things of. Even though there are certain difficulties and resentments in their relationship, the relationship carries on. This seems remarkable to him now, and almost moving.

—Sally Rooney, Normal People.

I know I’m not a great guy, he said. But I do love you, you know. Of course I do. I’m sorry I didn’t tell you before, but I didn’t know if you wanted to hear it. I’m sorry.

I was smiling. My eyes were closed still. It felt good to be wrong about everything. Since when have you loved me? I said.

Since I met you, I would think. If I wanted to be very philosophical about it, I’d say I loved you before then.

—Conversations With Friends, Sally Rooney.

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