#steve englehart
Avengers #105 (Englehart/Buscema, Nov 1972). Seeking Pietro in the Savage Land, the Vision realizes he — unlike his fellow male Avengers — is unaffected by the siren Lorelei. He concludes that he must be incapable of love. I think he’s just such a Wife Guy (Wife Bot?) that seductresses have no affect on him.
Defenders #1 (Englehart/Buscema, Aug 1972). Hulk keeps cool long enough to ask Dr Strange for help rescuing Namor from a necromancer. This team doesn’t make any sense but I’m kinda into that dynamic.
Captain America and the Falcon #156 (Englehart/Buscema, Dec 1972). Steve wonders if, without oversight, he could become the same bigoted nationalist. Sam and Sharon insist on being his teammates, and Steve still wanders away from them to “be alone.” I’ve gotta say, Englehart’s brought a sharper political and psychological perspective so far. Every time I start getting exhausted with a book, a new creator steps in and spruces things up.
Captain America and the Falcon #155 (Englehart/Buscema, Nov 1972). The imposter Cap turns out to be “the Captain America of the 1950s.” It’s neat, ‘cause the MCU has been assimilating the “off-brand” Marvel movies and TV shows into their narrative — and the comics were doing the same thing. This issue even goes so far as to reproduce panels from those 1950s comics. It all becomes canon, it all matters.
Captain America and the Falcon #154 (Englehart/Buscema, Oct 1972). The residents of Harlem and the Avengers rise up to support the Falcon’s fight with the imposter Cap.
Captain America and the Falcon #153 (Englehart/Buscema, Sept 1972). Val’s plan to make Fury jealous works alarmingly well, pitting SHIELD’s ramrod and the First Avenger in a pointless brawl. Finally Val clears everything up, Sharon quits SHIELD, she and Steve go on vacation, and Sam discovers a Cap imposter harassing Harlem. New writer, new status quo.
Defenders #3 (Englehart/Buscema, Dec 1972). The Silver Surfer’s been trapped on Earth for years now, but Doctor Strange thinks a quick detour through the Multiverse can free him. It’s a disastrous, maddening mission. Englehart brings some psychedelic storytelling, but Sal Buscema’s art is way too straightforward for such a trippy tale.
Avengers #106 (Englehart/Buckler & Tuska, Dec 1972). While the Vision broods over his inability to love, Steve receives visions of missions with Rick which never happened. The remaining Avengers seek Pietro, but discover instead a long-forgotten foe.
Defenders #2 (Englehart/Buscema, Oct 1972). Strange, Namor, and Hulk embark on an expedition to find the Silver Surfer.
Avengers #110 (Englehart/Heck, Mar 1973). I’ve been trying to read in six-issue chunks, but it’s getting tricky ‘cause everything’s so intertextual now! Quicksilver’s whereabouts were revealed last month in Fantastic Four, so now I’m ahead of that book. Hawkeye wanders into an issue of Daredevil. And Magneto emerges from the Savage Land to overwhelm the bookless X-Men. Phew! This world’s just not gonna stop expanding now, and I have to accept there’s no correct and fully coherent way to track it.
Avengers #109 (Englehart/Heck, Mar 1973). With Vision and Wanda finally making things official, jealous Clint puts his old purple suit back on and strikes out on his own. Kinda startling to watch him leave — he’s one of the most tenured Avengers now!
Avengers #108 (Englehart/Heck & et al, Feb 1973). The Vision and Captain America concoct a convoluted plan to defeat the Space Phantom and the Grim Reaper. There’s been an almost delirious amount of retconning lately, and it’s an interesting device for the moment — discovering new plots and relationships between the panel margins…
Avengers #107 (Englehart/Starlin & et al, Jan 1973). The Space Phantom and the Grim Reaper conspire to transplant the Vision’s synthezoid brain into Captain America’s body. I truly doubt Vision’s really gonna go through with it, but the suggestion that his lovesick misery might conceivably drive him to it is pretty neat.
Amazing Adventures #16 (Englehart/Brown, Jan 1973). The Juggernaut emerges from his enchanted prison and crashes a party attended by the Beast… and Marvel’s bullpen. I didn’t mind when Stan and Jack inserted themselves as characters into Fantastic Four. They had a relationship with Reed, it helped build the world out, and it was funny. Seeing the next generation of writers at this party struck me as smug and self-congratulatory.
Do you realize what you’ve done?!?