#manhunter

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Here’s another good one, my subscription copy of JUSTICE LEAGUE OF AMERICA #140–so good that m

Here’s another good one, my subscription copy of JUSTICE LEAGUE OF AMERICA #140–so good that my brother Ken bought a second copy for himself, as he did from time to time. This was the first issue of JLA to completely fill the oversized format with a single story, an approach that would last for the next couple of years. This was really only possible thanks to the speed of JLA artist Dick Dillin. Dillin is one of those long-working craftsmen whose work is often overlooked–and for sure, it could become clunky at times, or overcrowded when he was juggling so many super heroes. But he was swift enough to be able to produce a full double-sized book every month, something that was a rarity even in 1976

Writer Steve Englehart had come over from Marvel the issue before, bringing a Marvel sense of characterization to his JLA stories which would continue to develop over the coming issues. To that, with this issue, he added a Marvel sense of continuity–this entire storyline turns upon taking a failed Jack Kirby launch for a new iteration of Manhunter and tying it into the origins on the Green Lantern Corps. It was an effective trick, of a kind that didn’t typically get showcased at DC, where continuity was still an iffy proposition.

The story opens at Bruce Wayne’s midtown penthouse, where Green lantern, Black Canary and Green Arrow happen to be, and where they’re attacked by the aforementioned Manhunter. GA and BC are quickly subdued, and GL gives himself up–and even the appearance of the Batman (who has, no kidding, been standing on the roof all the while this fight was happening) can stop him from making off with the hard-traveling heroes. Manhunter does confirm for Batman that he is related tot he Archie Goodwin/Walt Simonson Manhunter as well, another continuity piece looped together. Superman and Wonder Woman arrive in time for Superman to grab a piece of Manhunter’s teleporting craft, and the Flash is summoned to track its particular vibrational pattern.


Flash is able to track Manhunter’s teleportation to Nepal, which is where the story transitions to next, as Manhunter reveals himself as fallible former prosecutor Mark Shaw before the order’s Grandmaster–no Manhunter up until this time has ever left a trace, so in revealing their existence to the Justice League, he has failed their order. The groggy Green Arrow and Black Canary make a break for freedom but are foiled–and Green Lantern doesn’t help out at all. In fact, his Power Ring is uncharged, and when the Manhunters accuse him of a cosmic crime, his is strangely silent.

Following the trail to Nepal, Superman, Batman, Wonder Woman and Flash are ambushed by the Grandmaster, and imprisoned in a shrinking energy box that even Superman cannot break free of. But in typical JLA style, Superman and Flash combine their speed powers, accelerating Flash past his previous limits of vibrating such that he can slip between the molecules of the deadly cube and then secure their escape. The Grandmaster reveals to the liberated JLA that the order of the Manhunters are agents of justice, bounty hunters who for centuries have plied their trade across the cosmos. And now they have come for Green Lantern, for the gravest crime of all.

And so it’s time for Green Lantern to reveal his crime–a crime for which he intends to resign from the Justice League and give up his badge as Green Lantern. For the previous day, in attempting to protect a planet in his space-sector from a meteor shower, something went terribly wrong, and instead the Lantern’s power-beam was reflected off the target moon and had destroyed the planet Orinda itself and all life upon it. The JLA is skeptical of this account, and the Grandmaster gives them some time to collect evidence of Hal Jordan’s guilt or innocence–but not very much time.

Leaving Green Arrow and Black Canary behind with Green Lantern as hostages, the JLA journeys out into space to the moon of Orinda looking for answers. There, they find a member of the Guardians of the Universe under attack by an angry mob–the Guardians created and oversee the Green lantern Corps, and so the populace of the moon of Orinda blame him for the planet’s destruction. The JLA comes to his rescue, and then the group briefly powwows with Governor Tozad of the moon colony, who reveals to them that the Manhunters are known at the highest levels of government across the galaxy. Together, the group heads out to check out the desert area of the moon, where Green lantern’s power-beam would have struck.

Back on Earth, Green Arrow trades barbs with Manhunter Mark Shaw, until another Guardian appears in the room. This new arrival blasts Shaw into unconsciousness, frees the three JLA members and insists that Green Lantern recharge his Power Ring with the power battery he has brought with him. Despite GL’s protestations, the Guardian insists that more is going on here than GL realizes, and that the trio must escape the Manhunters and avoid their pursuit. Reluctantly, the guilt-stricken Green Lantern blasts his teammates to safety.

Back on the devastated moon of Orinda, the Leaguers find themselves attacked by a mythological creature, a Magnosaurus, and the powers of Superman, Wonder Woman and the Flash prove useless against it. It’s Batman who figures out the game–the Magnosaur isn’t real, it’s just an illusion. What’s more, the fact that the Moon is still in a stable orbit indicates that Orinda must still exist and just be cloaked from view. But who or what could cause that?

It’s the Guardian who provides the answer, by revealing that Governor Tozad himself is one of the Manhunters, whose aim, it seems, is to discredit the Guardians and the Green Lantern Corps. And now that their secret is out in the open, it means open warfare between the Cult of the Manhunter and the Justice League of America. And that’s where this installment ends, in a To Be Continued!

But that wasn’t quite the end of the issue, as after the letters page came the inaugural edition of a new regular feature, showcasing what was going on 100 issues earlier in JUSTICE LEAGUE OF AMERICA. Because I was hugely interested in the history and earlier stories of these characters, this feature was my meat–and this short two-page recap of JLA #40 from ten years previous was simultaneously intriguing and imagination-spurring. I loved these two pages almost more than the rest of the issue, to be honest.


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My second piece for @iasipzine from the episode Manhunter! XD Dee and Charlie got the hunger!

My second piece for @iasipzine from the episode Manhunter! XD Dee and Charlie got the hunger!


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Manhunter v1The Manhunters (alien robots that served as antagonists to the Green Lantern Corps) orig

Manhunter v1

The Manhunters (alien robots that served as antagonists to the Green Lantern Corps) originally appeared in 1977 and were created by Steve EnglehartandDick Dillin.

The ‘Manhunter’ concept actually pre-dates the Manhunters’ first appearance by three decades with Adventure Comics #72 (1942): a character named 'Manhunter’, created by Joe SimonandJack Kirby, who appears similar in appearance to the Manhunters EnglehartandDillinintroduced.SimonandKirby’s Manhunter (aka: 'Paul Kirk’) fell into obscurity around 1944 when various factors, due to a direct result of World War 2, caused DC comics to shorten the length of it’s publications.

The 'Paul Kirk’ Manhunter was revived* by Archie GoodwinandWalter Simonson in a 1973 back-up feature that ran in Detective Comics from issue #437 to #443 and was promptly killed off afterwards.

A new Manhunter (aka: 'Mark Shaw’) was introduced in DC’s 1st Issue Special #5 (1975) by Jack Kirby - but fan reaction did not merit 'Mark Shaw’ recieving his own ongoing series. Mark Shaw re-appeared in 1977’s Justice League of America #140 - #141 (in which EnglehartandDillin introduced the Manhunters) and tied Mark Shaw and Paul Kirk to the whole 'Manhunters’ mythos that Englehart created - a nice example of Englehart incorporating some previous continuity to tie everything together. Mark Shaw appeared in a few issues of Justice League of America in various incarnations during 1977 and pretty much remained in comic book limbo until John Ostrander gave Shaw his big break in the 1987 Suicide Squadseries.

Ostrander was drawn to Mark Shaw and the character’s quest to 'uncover his identity’ and decided to include him in a Suicide Squad story arc dealing with the inter-company Millennium cross-over (Suicide Squad v1 #8 to #10). The issues were well-received by fans and generated renewed interest in the character. It should be noted that the Millennium cross-over event spotlighted the Manhunters across every DC title being published at the time. Also, by this point, Goodwin/Simonson’sManhunter back-up feature from 1973 had achieved cult-like status among fans (and was reprinted as a Baxter edition in 1984). Thus: a combination of the Millennium event, the demand for the Goodwin/Simonson Manhunter reprint and his appearance in Suicide Squad created the 'perfect storm’ of interest to allow this character to receive his own ongoing series. It was originally planned as a 4 issue mini-series, but became an ongoing series thanks to fan response.

While the series *could* be considered an unofficial Millennium spin-off, I’m sure it’s creation had more to do with Ostrander’s treatment of the character in the pages of Suicide Squad rather then the cross-over event itself. This is relevant, since it’s Ostrander and (his wife) Kim Yale’s scripting and writing of the Manhunterv1 series that makes it so enjoyable to read. At the time, Ostrander was writing 3 other DC titles (Suicide Squad,Deadshot, and Firestorm) and it wasn’t unusual to have supporting characters from one series featured in another. For example, the first issue of Manhunter has Mark Shaw apprehending Captain Cold (a Flash rogue) who ends up joining the Suicide Squad in the following month’s Suicide Squad (issue #16). It’s the tight cohesion of these four titles that made these series’ so enjoyable to read - almost like a mini-Ostrander universe (Ostraverse?) that only you are privy to. Another example: shortly after Count Vertigo appears in Manhunter v1 #7 does he become a member of the Suicide Squad in Suicide Squad#24.

TheManhuner series was brilliantly written as a detective/espionage thriller. The premise of the series is: Mark Shaw, in an effort to make money and clear the Manhunter name, decides to use his abilities and powers (a bionic face mask and a high-tech baton) to hunt down and capture escaped super-villains at large. Essentially, Mark Shaw is a soldier of fortune who only targets meta-criminals. This was a great excuse to feature a lot of super-villains from other titles - which Ostrander/Yale take full advantage of - we have appearances from the Penguin, Captain Cold, Catman, Dr Alchemy, Count Vertigo, Kobra, and a thug in a LexCorp battlesuit throughout the series. Mark Shaw *did* have his own personal antagonist named Dumas, but he was killed off at the end of the first four-issue story arc (much to the dismay of the fans). Ostrander/Yale ensured that there were lots of references to the current happenings of the DCU in the series, and the Invasion! inter-company cross-over event played a huge part in this series. This series also played a bit part in the Janus Directive cross-over that ran between a few DC titles in 1989.

For the most part Ostrander/Yale gave the fans exactly what they wanted: when fans requested an issue where the story is told from a villain’s point-of-view, they got it in Manhunter #16. When fans wrote in to request a Mark Shaw/Batman team-up, they received one in issue #17. Fans wanted more integration with Ostrander’sSuicide Squad title, and they received a few cross-overs with the title.

One of the things that really stands out about this series is that it is written in such a way that you get a lot of insight into the thinking of Mark Shaw - which allows the reader to identify him as an 'everyman’ and thus feel some sort of connection with him. My favorite story arcs from this series were issues #10 - #12 (which featured a big 6-way battle with guest stars galore that was laugh out loud funny) and issues #8 - #9 (which tied in with the Flash v2 #21 and #22 in a very unique and clever way).

All 24 issues of Manhunter v1 were written by John OstranderandKim Yale (and often Yale would write an issue on her own). Doug Rice was the regular penciller up until issue #15 when Grant Miehm took over regular pencilling chores. During Rice’s run there were quite a few fill-in pencillers (Kelley Jones, Mary Mitchell, Pablo Marcos) because it took Rice longer than a month to pencil an issue. Back-up features were also included in order to get the issue to print because often the main feature wasn’t 100% completed before deadline. Sam Keith pencilled and inked a back-up feature in issue #12 which, upon closer examination, is probably the precursor to him developing his artistic style that he would end up using in his 1993 The Maxx series (from Image comics).Keith began inking the first few issues of Manhunter, but was quickly whisked away and assigned to work on Neil Gaiman’sSandmanbefore the first four issue story arc was completed.

As previously mentioned, the Manhunter v1 series lasted 24 issues (no annuals and no specials) and, while being a hot concept with lots of fanfare at the beginning of the run, by the second year interest in the title had waned. As a matter of fact, Miehm became the new regular penciller (replacing Rice) completely aware that the series would be cancelled. Unlike most ongoing series’ that are cancelled abruptly, Ostrander/Yale had the luxury of ending Manhunter v1 with plenty of time to conclude the book at their own pace. Due to popular demand, Dumas made a return to the series and was the main antagonist in the 6-part “Saints and Sinners” story arc that was more or less the death rattle of the book. The last 7 issues of the series were spent taking Mark Shaw back to his 'roots’, resolving his romantic life and basically providing a resolution to the series. Mark Shaw would appear a few more times in Ostrander’sSuicide Squad before being killed off in Eclipso #13(1993).

There are a few major themes running through this book, some obvious (ex: Mark Shaw’s search for identity/redemption) and some not so obvious (ex: Ostrander/Yales fixation with masks - allegorical or otherwise), but a theme most people seem to glaze over is the major undertones of Japanese culture predominant in this series. Just to further that last point: the entire series is more or less a 'martial arts’ book, a few adventures take place in Japan, Mark Shaw’s costume/mask/baton appear to be a homage to the costumes Kabuki actors wore and the warrior code of the samurai is a recurring idea that keeps cropping up throughout the series. Most people aren’t aware of this, but OstranderandRice had collaborated prior to this project on a series called Dynamo Joe that was published by First Comics from 1986 to 1988. Dynamo Joe was a 'giant robot’ series (akin to Voltron/Robotech) and it was no secret that Rice was a Japanese magna fan (Manhunter v1 #10 - 12 appear to be a throwback to the Dynamo Joe series, also the fusion of martial arts and high tech devices - bionic mask and high-tech baton - just screams 'japanime’). Ninjas were very trendy in North American pop culture during the 1980s, so this would all tie together. Yale even goes so far as to list the book 'Yakuza’ by David E KaplanandAlec Dubro as a valuable reference for the series.

Great premise, great writer(s), great series. Highly recommended.

*Originally there wasn’t meant to be any connection between the Goodwin/Simonson Manhunter and the Simon/Kirby Manhunter. Apparently, it was a last minute addition made for continuity convenience.


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radwolf76:dr-archeville: This Friday (May 13th, 2022) night at the Carolina Theatre of Durham, a ret

radwolf76:

dr-archeville:

This Friday (May 13th, 2022) night at the Carolina Theatre of Durham, a retro film series double feature:

  • Michael Mann’s Manhunter(1986)
  • William Friedkin’s Cruising(1980)

$10.00 to get in, movies start at 7(-ish).

“Along with the City of Durham, we have made major investments in the Carolina Theatre for the comfort and safety of our guests during our closure,” says Randy McKay, the Carolina Theatre’s President & CEO. “That includes tens of thousands of dollars in new state of the art HVAC upgrades from Global Plasma Solutions (GPS) that remove biohazards, pollen, and other contaminants to make our air as pure — and sometimes purer — than outdoor air.”  The theater has also earned a Global Biorisk Advisory Council® (GBAC) STAR™ accreditation for its cleaning practices to ensure that guests have a safe and enjoyable experience.  “Together, these cleaning practices and advanced air filtration make the Carolina Theatre one of the safest spaces to attend a film or live event in the region,” says McKay.  [source]

Carolina Theatre of Durham
309 W. Morgan St., Durham, NC
http://www.carolinatheatre.org/

Manhunter, one of the first productions, if not the very first, to film at the Atlanta Marriott Marquis Hotel, which had been completed just a year prior to the Thomas Harris novel’s adaptation’s release.

While only in the movie for a few brief scenes, it does show off the building’s signature John Portman and Associates designed atrium which would feature so much more prominently in the Hunger Games sequels and Marvel’s Loki series.

Ooh!


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This Friday (May 13th, 2022) night at the Carolina Theatre of Durham, a retro film series double fea

This Friday (May 13th, 2022) night at the Carolina Theatre of Durham, a retro film series double feature:

  • Michael Mann’s Manhunter(1986)
  • William Friedkin’s Cruising(1980)

$10.00 to get in, movies start at 7(-ish).

“Along with the City of Durham, we have made major investments in the Carolina Theatre for the comfort and safety of our guests during our closure,” says Randy McKay, the Carolina Theatre’s President & CEO. “That includes tens of thousands of dollars in new state of the art HVAC upgrades from Global Plasma Solutions (GPS) that remove biohazards, pollen, and other contaminants to make our air as pure — and sometimes purer — than outdoor air.”  The theater has also earned a Global Biorisk Advisory Council® (GBAC) STAR™ accreditation for its cleaning practices to ensure that guests have a safe and enjoyable experience.  “Together, these cleaning practices and advanced air filtration make the Carolina Theatre one of the safest spaces to attend a film or live event in the region,” says McKay.  [source]

Carolina Theatre of Durham
309 W. Morgan St., Durham, NC
http://www.carolinatheatre.org/


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 Dante Spinotti, 1st AD Herb Gains, Dennis Farina, William Petersen and Michael Mann on the set of M

Dante Spinotti, 1st AD Herb Gains, Dennis Farina, William Petersen and Michael Mann on the set of Manhunter.


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William Petersen as Will Graham in Manhunter (1986) dir. Michael Mann.Edward Norton as Will Graham iWilliam Petersen as Will Graham in Manhunter (1986) dir. Michael Mann.Edward Norton as Will Graham iWilliam Petersen as Will Graham in Manhunter (1986) dir. Michael Mann.Edward Norton as Will Graham i

William Petersen as Will GrahaminManhunter (1986) dir. Michael Mann.

Edward Norton as Will Graham in Red Dragon (2002) dir. Brett Ratner.

Hugh Dancy as Will GrahaminHannibal (2013-15) dev. Bryan Fuller.


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Manhunter (1986) / Hannibal (2013-15)CAP: “You came here to look at me, to get the old scent back agManhunter (1986) / Hannibal (2013-15)CAP: “You came here to look at me, to get the old scent back agManhunter (1986) / Hannibal (2013-15)CAP: “You came here to look at me, to get the old scent back agManhunter (1986) / Hannibal (2013-15)CAP: “You came here to look at me, to get the old scent back ag

Manhunter (1986) / Hannibal (2013-15)

CAP: “You came here to look at me, to get the old scent back again, didn’t you?“ / "That’s the same atrocious aftershave you wore in court.”


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William Petersen as Will Graham in Manhunter (1986) dir. Michael Mann.Hugh Dancy as Will Graham in HWilliam Petersen as Will Graham in Manhunter (1986) dir. Michael Mann.Hugh Dancy as Will Graham in H

William Petersen as Will Graham inManhunter (1986) dir. Michael Mann.

Hugh Dancy as Will Graham inHannibal (2013-15) dev. Bryan Fuller.


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scene-on-the-screen:Manhunter (1986)
filmswithoutfaces:Manhunter (1986)dir. Michael Mannfilmswithoutfaces:Manhunter (1986)dir. Michael Mannfilmswithoutfaces:Manhunter (1986)dir. Michael Mannfilmswithoutfaces:Manhunter (1986)dir. Michael Mannfilmswithoutfaces:Manhunter (1986)dir. Michael Mann

filmswithoutfaces:

Manhunter(1986)
dir. Michael Mann


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