#takato yamamoto

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pixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “Hpixography:Takato Yamamoto ~ “Heisei Esthiticism”Japanese artist Takato Yamamoto’s self described “H

pixography:

Takato Yamamoto ~ “Heisei Esthiticism

Japanese artist Takato Yamamoto’s self described “Heisei Esthiticism” style casts figures reminiscent of the work of Victorian pornographer Franz von Bayros in their creative positioning and playful use of space within their scenarios.  As with a lot of Japanese art, there is a blatant sexual and often sadistic undertone that sees his subjects restrained, wounded, gagged and bound yet unblemished, posed and beautiful.
His recurring use of objects like skulls and skeletons, eyeballs and severed heads as ornaments in fabulously detailed and intricately opulent and patterned backgrounds reveal a fascination with sex and violence as beautiful aesthetic phenomena rather than topics of morality and he depicts these themes as subjects of sophisticated titillation. These are not problematic, shallow cartoons of sinister pornography. They are staggering and complex visual records of voyeuristic and psychological fascination drawn from an eclectic range of culturally significant sources.
Human suffering is not the point-beauty in pain/pleasure and child-like curiosity in the sinister and the grotesque is the focus of Yamamoto’s sumptuously detailed paintings.  Exquisitely illustrating themes of bondage, seductive darkness, metamorphosis and death, Yamamoto’s rich work adorns the covers of novels and magazines and nourishes a side of our minds that is often denied and repressed.  
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hellwatermelon: 「Moonlit Vampire Ⅱ」 2021年「Strigoica-Spring Night」 2021年 山本タカト  / Takato Yamamotohellwatermelon: 「Moonlit Vampire Ⅱ」 2021年「Strigoica-Spring Night」 2021年 山本タカト  / Takato Yamamoto

hellwatermelon:

「Moonlit Vampire Ⅱ」 2021年

「Strigoica-Spring Night」 2021年

山本タカト  / Takato Yamamoto


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ancient-hoe:

Afterglow of Pleasure Ⅱ, by Takato Yamamoto, 2003.

Illustrations by Takato Yamamoto from grass labyrinth by Kyōka Izumi.

Androgynous, by Takato Yamamoto, 2008.

Moonlit Vampire I, by Takato Yamamoto, 2021.

Afternoon Playroom, by Takato Yamamoto, 2003.

Sweet Time, by Takato Yamamoto, 2005.

Apparition Ⅴ, by Takato Yamamoto, 2017.

Alice’s Nightmare, by Takato Yamamoto, 2008.

Thoughts of Forgotten Time, by Takato Yamamoto, 2018

kinasin:

Takato Yamamoto

Takato Yamamoto “The Vampire Awakening…”

Takato Yamamoto “The Vampire Awakening…”


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danielwamba:Takato Yamamoto

danielwamba:

Takato Yamamoto


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redlipstickresurrected:Takato Yamamoto 高遠山本 (Japanese, b. 1960, Akita Prefecture, Japan)  Drawings

redlipstickresurrected:

Takato Yamamoto 高遠山本 (Japanese, b. 1960, Akita Prefecture, Japan)  Drawings


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Hi, I know I’m gone.

but I come here to tell you that adolescence is a fucked up phase. Everything has been confusing, there are so many feelings involved.

  yes, I’m liking a man, we’ve had something, it marked me, but we’ve moved away and it’s been hurting.

I’m fine at school, I’m going on a trip and I need to spend some time outside.

I hope you are fine! Thank you for accompanying me while I’m offline.

xoxo,VAMP

hi! it’s my birthday

give me some luv

april 4

my imaginations too creative

they see Cain and i see Abel

feeling used

I look at the sky trying to get used to coming home without you alone with the sea

So I have some things to say but I know that absolutely no one cares. let’s say I have to say these things to feel good.

I have been through quite a few moments of “new experiences”. I do not know very well to define it all but it’s as if I’m living an adventure … this should be common for a teenager of my age but somehow I feel that I need to talk about this …

I’m not good with words, but I can say that I’m feeling something like happiness but I do not know what bothers me ….

I feel like this is all so clichéd, superficial and I do not know what ….

I do not know very well what I plan of life, I have felt mt alone ….

I do not know what I need to improve ….

I got lost in what I was talking about … but that’s it .. I’m a waste of time, I’m just a shallow, shallow kid.

I do not know why they’re talking about this … I feel surrounded by robots when I enter the tumblr .. I wanted to talk … I do not know what the fuck this is

immaterial boy

i’m coming for you!

-vamp

sexxx

hold on to the memories, they will hold on to you

The course of being in love; PT IV (final)

I do not feel anything for him anymore. END

this world can hurt you

it cuts you deep and leaves a scar

things fall apart

but nothing breaks like a heart

a time to breathe.

I think I’m finally clean.

hey, I just hit the 4K mark of followers here and this is really a great personal achievement.

None of this would be possible without your help (okay, this is cliche).

Thank you from the bottom of my heart for accompanying me and I can share my admiration for Takato Yamamoto!

Takato Yamamoto at his “Nosferatu” exhibition opening at Tower Records Shibuya; via @akatako

:)

Lord, save me from the profane things of this world.

EVIL SPIRIT

i come back stronger than a 90’s trend

why she’s crying?

i’m always here

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