#thegogglette

WHEN my mother said Going Home, she meant yew hedges,
And peacocks on the lawn, and mullioned windows,
And the scent of dried lavender and dried rose-leaves
In china bowls on delicate lacquer tables;
And the butler bringing in the mahogany tea-tray
(Set with massive silver and miniature victuals),
Treading quietly over the bee’s-waxed floor.
–And if you wanted more, you rang for more.

When I said Going Home–that is, in the old days–
I meant the paved street from the nearest bus-stop
To the little house with the pointed iron railings,
The children waving out of the nursery window,
The narrow hall with the letters on the table
(Bills, unpayable–open them tomorrow),
The gas-fire safe behind the brass-edged fender;
And, an hour later, the sound of familiar footsteps
And another latchkey, opening the same front door.
–That was my Going Home before the war.

But now, for a thousand days, for more than a thousand,
It has been a phrase with many different meanings.
It has meant the steep stairs to a New York walk-up;
Another walk-up; then an elevator apartment.
It has meant the passageway to a hotel bedroom,
A hundred hotel bedrooms in a hundred cities,
Always the same–the bed, the stand for luggage,
The desk, the cuspidor and the Gideon Bible;
With different air coming in when you open the window–
Snowy New England air, dry air of Texas,
A cold fog blowing off the Lake in Chicago,
Or the humid breath of the Lower Mississippi.
It has meant the path back to the tourist cabin
(Cabin of wood or stone, of brick or adobe)
After a stroll in the woods or a stroll in the desert
To stretch the legs, and take the cramp from the fingers,
The vibration out of the spine from a long day’s driving.
It has even meant the walk, the slow, uneven,
Lurching walk from the diner back to the Pullman,
Shoving the obstinate doors, both elbows rubbing
Along the walls, through cars with names like music–
Kayenta, Sinyala, Tesuque, Moencopi–
To a berth with a number embossed on its thick dark curtains.
On a three-day journey, Home is Lower Four
–And you hope that the man in the Upper doesn’t snore.

It matters little. It matters very little.
You must leave many things out of a travelling suit-case,
And one of them’s self-pity: it is heavy and useless.
Besides, I own none. Wandering, I have discovered
Much treasure on my way, and none more precious
Than the meaning of Going Home, the real meaning.
One traveller said: “Home’s where I hang my hat.”
Well, there’s some truth, but not all truth, in that.
Add two more letters–then, instead of part,
You’ll get the whole: “Home’s where I hang my heart.”

Home is the inner core, the core of the spirit,
The triple core, where Past and Present and Future
Are braided into one, where things remembered,
And things now here, and things anticipated,
Grow indistinguishable and inseparable.
Here are the stone mullions and the area railings,
The hotel bedroom and the tourist cabin,
And some new, half-imagined post-war dwelling
(With a flat roof, maybe for the helicopter).
Gloucestershire, London, New York, San Francisco
Are here, and all the places in between them,
And all the friends that I have made in a life-time
(Living or dead), and the transient train-acquaintances,
And all the shadowy friends that are still to be met with.

This is a home that’s well-equipped and lasting:
When the peacock-lawns have been sold for death and taxes,
And the bombs fall on the city, or the lease is ended–
Then these invisible walls remain, inviolate.
This inner place is Home: and going there
Is easy as flight of thistledown on the air.
I do not have to walk, or climb a stair,
Or push a bell, or knock,
Or turn a key in a lock.
I need not even draw two curtains apart
To reach this Home, where I have hung my heart–
This core, this inner core,
Which holds the Now, the After, the Before,
–Rest for the restless, peace in the midst of war.

by Jan Struther