#true true

andtheywerelawyers:

darealsaltysam:

actually if u don’t like the apollo justice game ur just wrong. skipping forward 7 years with no context, seeing this homeless dude and finding out its PHEONIX, and then finding out he has a DAUGHTER is such a good way to start a game

idk maybe im just a slut for big time skips and seeing how characters and dynamics have changed and evolved but i just really really like rediscovering and relearning about these characters i already sort of know but finding out new things about them. like phoenix changes so much and yet is still the same guy. 

yes hes out of character but tbf hes had major depression for like seven years maybe the personality change is kinda deserved

and COME ON like in that first case when the judge and payne are talking about phoenix’s disbarment and how far hes fallen and how apollo hints at phoenix being an idol of his and being so distressed but you know NOTHING isnt that so fun isnt that so mysterious and excting

not to mention how nice the art style change is AND how good the characters and cases are. like yes the trilogy is the best of the games but 

maybe i just love being out of the loop who knows

I wouldn’t even say phoenix is out of character ngl, he always seems weird, we’ve just always been clued in to his internal monologue, but he mostly just keeps everything to himself. this is just showing that when he does that, he looks CRYPTIC AS SHIT when he’s actually just winging everything

we actually see this in turnabout succession, as soon as we’re back to his pov it feels not that different from trilogy phoenix once we can hear his thought process again

aredhel-of-doylkien:

The fact that Fox and the Corrie Guard are hated by a large part of clone wars fans on any other website but here we’ve decided they’re our over-worked best friends and they’re just like us. Best social media site.

polyhexian:

the more time that passes between the last big transformers hit that had ppl posting frequently and the next the funnier fandom space gets. it slowly whittles down to only the most obsessive with extreme niches. everyone left on tumblr is like The X Person. thats the drift person. thats the zeta prime person. thats the idiot that wrote 48 cywhirlgate fanfics. thats the one with the seals. and there reaches a criticality point where everyone is forced to know each other even if you dont like each other because no one else is posting so whether you give a shit about zeta prime or not you are GOING to see that goddamn meta

“Reason has always existed, but not always in a reasonable form.”

Karl Marx

andrewminyqrd:

yall so upset about percy and annabeth’s hair but in reality they only time we should be upset about their hair is if rick doesnt put the iconic matching gray streak from holding the weight of the world ok

chadthemusicdad:

Genuinely nobody would be upset if they got rid of Johnny Depp and just put Colin Farrell in his place. Nobody.

badass-magizoologist:

HTTYD would be nonexistant if Hiccup wasn’t a total freak. Like the kid really had a dragon throw up a half-digested fish in his lap, gesture for him to eat, and he went “alright why not”

onesweetworld18:

Harry having a pretentious music festival forced to sing and listed to “What Makes You Beautiful” a song and fan base that has been constantly disparaged and overlooked by music snobs and executives is probably the best and biggest flex ever.

secsualtarot:

“I hAtE fUtuRe SPouse ReaDings caNt taRot rEaDers FoCus on ShaDow wOrk and SelF iMprovement toPics InstEad??”

Not everyone wants to be your part-time unpaid therapist, Susan.

obscuravalentini:

Not to be that person but Collin’s is literally the cutest 

aveotardis:

lazylittledragon:

lazylittledragon:

lazylittledragon:

maybe it’s time i watch the gay pirates

oh this is like GAY gay i thought we were all just fantasising again

i’m not the same person anymore

the three stages of OFMD.

hanzajesthanza:

honestly it’s funny that in baptism of fire, geralt’s company gains a guy that they find sealed in a coffin. and it’s. not the vampire who also ends up joining their company. who is a completely separate guy.

not saying that vampires legally have to appear in coffins. just saying that, if there was a guy in the friend group who was found in a coffin, i would expect that guy to be the vampire in the friend group. but no. different guy

gay-and-tiredaf:

Do you think Jesus ever got many carpenter requests after he started preaching? Like did anyone ever go up to him and be like; “My Lord! My Lord!” And the disciples are all: “The Master won’t do anymore miracles today.” But obviously Jesus is like; “Yes, my child?” And they just ask what his basic rate is to fix their door.

adamarinayu:

Coming in during my break just to announce a sudden thought;

Donald would totally enter a PK lookalike contest in his actual suit, and somehow lose. Like “not even top three” lose.

tehwitch:

toshio:

linkin park was right. i’ve become so numb

Linkin Park was right about everything

princesssarisa:

That bad article that @cto10121 shared, which accused West Side Story of being more racist than it really is, made an interesting complaint about the ending of the musical.

Among other things, it complained about the fact that Tony’s death is given more dramatic weight than Riff and Bernardo’s deaths or Anita’s sexual assault, arguing death of “the noble white man” is portrayed as the ultimate tragedy.

I think the levels of wrong in that statement could take a while to pick apart. But it does raise a question: why does Tony’s death drive the Jets and the Sharks to reconcile when Riff and Bernardo’s deaths had no such effect?

It makes perfect sense for Tony’s death to be given the most dramatic weight because, at least technically, he and Maria are the protagonists. Even if Bernstein, Sondheim and co. did care more about the gang warfare and social commentary than they did about the love story, this musical is still a Romeo and Julietadaptation.

But in-universe, why does Tony’s death draw the two gangs together? In Romeo and Juliet, the two fathers make peace in the end because the feud has caused the deaths of their only children. But the Jets and the Sharks aren’t Tony and Maria’s parents. Tony’s death is no more shattering a loss to the Jets than Riff’s was; less so, in fact. He wasn’t even a member of the gang anymore. And Maria doesn’t die, but even if she had, what did she matter to the Sharks? She was just Bernardo’s sister.

So is the ending unconvincing? When the gangs reconcile by carrying Tony’s body together, is it more of a forced echo of Shakespeare than a natural conclusion for the characters?

I don’t think so, and I think the answer is easy: the transformative moment isn’t Tony’s death, in and of itself, but Maria’s speech.

After Riff and Bernardo’s deaths, the two gangs were able to just blame each other. But Maria’s monologue of rage after Tony’s death forces them to face the truth: that they’re all to blame for all three of the deaths. Maria tells them plainly that they all killed Tony andBernardoand Riff with their hate. It’s not that “the noble white man’s” death matters more than the deaths of the Latino man or the less noble white man. It’s that a homicidally angry Latina girl gives everyone a harsh wakeup call about why these tragedies happened, and then breaks the cycle of violence when she can’t bring herself to use the gun after all, setting an example for the others.

I won’t argue that it’s an entirely realistic ending (or that Romeo and Juliet’s ending is, for that matter), but I don’t think that article’s complaint about it is valid either.

screamingay:

the only fun part abt jericho being here is watching eddie come out of nowhere at least once a week to beat the shit out of him

uchitiddy:

Happy pride month! The only person Sasuke has canonically kissed is Naruto!