#urban context

LIVE
MVRDVYpenburg, 2005The Hague, NetherlandsImage © MVRDV Winy Maas, Jacob van Rijs, Nathalie de Vries

MVRDV
Ypenburg, 2005
The Hague, Netherlands
Image © MVRDV Winy Maas, Jacob van Rijs, Nathalie de Vries


Post link
#housing    #urban housing    #typology    #architecture    #architectural form    #archdaily    #netherlands    #social housing    #design    #artwork    #urban context    #juliaknz    #material    #structure    #density    #living    #photograph    #horizontal density    
MVRDVDIDDEN VILLAGE,2006Rotterdam, NetherlandsImages © MVRDV Winy Maas, Jacob van Rijs, Nathalie de MVRDVDIDDEN VILLAGE,2006Rotterdam, NetherlandsImages © MVRDV Winy Maas, Jacob van Rijs, Nathalie de MVRDVDIDDEN VILLAGE,2006Rotterdam, NetherlandsImages © MVRDV Winy Maas, Jacob van Rijs, Nathalie de

MVRDV
DIDDEN VILLAGE,2006
Rotterdam, Netherlands
Images © MVRDV Winy Maas, Jacob van Rijs, Nathalie de Vries


Post link
#didden village    #courting the crown    #housing    #netherlands    #architecture    #urban context    #vertical density    #design    #artwork    #artist    #minimal    #architectural form    #archdaily    #dezeen    #juliaknz    #theclassyissue    #classics    
Philharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, inPhilharmonic Hall SzczecinSzczecin, Poland2007 - 2014The building emerges from its urban context, in

Philharmonic Hall Szczecin

Szczecin, Poland

2007 - 2014

The building emerges from its urban context, influenced by the steeply pitched roofs and the verticality of the city’s buildings, by the monumentality of the upright ornaments of its neo-Gothic churches. With an expressionist mindset, we have aimed to use geometry to give shape to a new rhythmic composition that conveys feelings by balancing massiveness and verticality. The use of glass as the exterior cladding material highlights how the building contrasts with the conditions of its surrounding environment. It creates a bright, transparent and upstanding object. The building’s interiors are simple. The symphonic hall differs from these in that it is a sculpted object embedded into a barely outlined mineral-like space.

By Barozzi Veiga Architects


Post link
Museo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present iMuseo Jumex “With this project, the questions were always: How does a foundation like this present i

Museo Jumex 

“With this project, the questions were always: How does a foundation like this present itself to the public? What type of space works best for the art? How does it relate to the city? Then you also have to consider how to do a project in Mexico – how to optimize the light, make it suited to the climate and so on – it’s a case of putting all those things together. From the beginning I was very interested in the fact that Mexico City has a climate that allows you to explore the possibilities of opening and closing a building in a much more radical way than you could in northern Europe for instance.” – David Chipperfield

México

By David Chipperfield

Photos by Iwan Baan


Post link
loading