#virgil finlay

LIVE
redlipstickresurrected:Virgil Finlay aka Virgil Warden Finlay (American, 1914-1971, b. Rochester, NY

redlipstickresurrected:

Virgil Finlay aka Virgil Warden Finlay (American, 1914-1971, b. Rochester, NY, USA) - Hepcats of Venus from Fantastic Stories of the Imagination by Randall Garrett, Interior Illustration, January 1962, Drawings: Ink on Paper


Post link
Let’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opiLet’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opi

Let’s backtrack from Wrightson to an early titan of fantasy art, Virgil Finlay. It is my general opinion that Finlay does not get enough love or credit. To my knowledge, Far Beyond (1994) and a second collection from Underwood/Miller (Strange Science, 1992) are the most recent collections of his work. That’s a travesty, man.

Finlay is the king of the pulp era. His clean line work, occasional stippling and graphic sense is really the bedrock of fantasy art from the late 30s through the 50s. His approach to science fiction just reverberates through people’s brains, man — his rocket ships, his robots. It’s all very atomic age in its vibe, and glorious. His horrors are suitably awful, too, a dab hand at a grotesque face. He seems to delight in using graphic elements to create unsettling or hypnotic effect in the viewer — he’s one of the earliest and most effective artists to attempt to illustrate things like mind control and psychedelic visions. And no matter how strange he gets, his line work is relentlessly legible. There is no difficulty reading his work; the imagery is clear though the meaning is often obscure.

More Finlay, please. The Underwood/Miller books are fine for black and white reproduction, and that is probably what Finlay is best known for, but the color reproduction is lackluster. Considering the long shadow of his influence (which is self-evident, looking at his work) a definitive collection of Virgil Finlay’s art is long overdue.


Post link
His fingers had found Flug’s nullified switch

His fingers had found Flug’s nullified switch


Post link
“The cat — was in my bedroom”

“The cat — was in my bedroom”


Post link

Art by Virgil Finlay for the front cover of Galaxy magazine (Oct, 1962)

Virgil Finlay ‘The Ice Maiden’ (1966)

Virgil Finlay (1914-1971), an American pulp fantasy, science fiction and horror illustrator

Virgil Finlay (1914-1971), an American pulp fantasy, science fiction and horror illustrator


Post link
Virgil Finlay, 1948

Virgil Finlay, 1948


Post link
akalpiace:Virgil Finlay Art for the 1949 Memorial Edition of The Ship of Ishtar by A. Merritt

akalpiace:

Virgil Finlay

Art for the 1949 Memorial Edition of The Ship of Ishtar by A. Merritt


Post link
Virgil Finlay for “The Man Who Mastered Time” by Ray Cummings, Fantastic Novels v.3, #6, 1950.“She s

Virgil Finlay for “The Man Who Mastered Time” by Ray Cummings, Fantastic Novels v.3, #6, 1950.

“She stood, a great scarlet moth, hovering before flight….”


Post link
loading