#wiremesh

By Alyn Darnay

Directed by: Autumn De Wilde 
Screenplay by: Eleanor Catton
Based on: Jane Austen’s beloved comedy novel EMMA

Cast:Anya Taylor-joy, johnny Flynn, josh O'connor, Callum Turner, Mia Goth, Miranda Hart, Bill Nighy

There’s something unique, beautiful, and visually stunning about the way that British filmmakers try to recreate a certain era of their history. I’m referring to the Georgian/Regency era when big manor houses dotted the countryside and the polite society of upper-class nobility lived a charmed and somewhat jaded existence. It’s an historic period that Jane Austen wrote about with a deft pen, a Wiley sense of humor, a heartfelt understanding of, and a not so hidden love for.

EMMA, probably the tamest of Austen’s novels, has been brought to life many times, four movies, of course a BBC series, and also as a pop musical featuring hit songs by legendary girl groups. Perhaps the most interesting film interpretation for our times was Clueless, the witty comedy set in Los Angeles starring Alicia Silverstone and the late Brittany Murphy. The thing about EMMA that makes the story so timeless is its sensibilities toward love, kindness, forgiveness, empathy, and generosity amid the humorous antics of its broad cast of oddly driven characters.

Unfortunately, this film came out in February, just as the COVID-19 pandemic was escalating, and its release was cut short before it could find a broad audience. Now, however, on a new digital release and on streaming networks it will finally get a chance to transport its viewers to a beautifully envisioned time when matters of the heart reign supreme.

Here’s the storyline…

EMMA, written in 1815, is one of Jane Austen’s most beloved books. It’s a comedy/drama about love within a tangled web of woe-begotten relationships and everyone’s attempts at finding their own happy ending. 

Twenty-one year old Emma Woodhouse (Taylor-Joy), whose charmed life and social leadership has led her into a series of misguided and meddlesome matchmaking efforts, has to constantly find ways out of the entanglements she herself has wrought.

As travails descend upon her from a myriad of directions, she finds herself drawn into the matchmaking fray, when her own sense of desire rears its head, and Emma discovers she also needs love and affection. 

This film version of the story, visually sumptuous as it is, and it is a real treat for the eye, is a bit too long for its own good. At over two hours the story tends to drag in several places. It also lacks some of the book’s humor, which fans have come to love about it.

What is terrific though, is the total recreation of the period. The smallest detail is painstakingly and meticulously placed in front of your eyes. Each scene is its own painting of the bygone era. It’s as if a museum came to life. And it didn’t stop with the scenery. Under the watchful direction of Autumn de Wilde, the actors themselves did a brilliant job of recreating the verbiage of the times, the walk and movement of the era, even the mannerisms or reactions expected of people of that time.

My take… EMMA is a treat for the eye. However, if a story doesn’t grab me in the first four minutes, then it takes me a while to get into the film. That’s the problem here. This film caught and held me with its visual content; unfortunately, the story never reached the level of the novel.

EMMA

Rating: 3.5 Stars (out of 5)
Rated: PG (for brief partial nudity)
Running Time: 2 hours & 12 minutes

Alyn Darnay is a film critic; feedback is encouraged at [email protected].

This was originally published in Wire Magazine Digital Issue 6.2020

Happy Holidays everybody! 

After doing our one to one mock-up of the columns, we took some time to evaluate its appearance. Over the past few weeks through drawing iteration after iteration we have decided to shift away from our previous screen design. We kept trying to make our columns smaller and smaller and realized that maybe it would be a good idea to just get rid of them! 

We hit the Fabrication Pavilion and started playing with other shapes of steel and welded wire steel panels. 

We welded a combination of steel angles vertically and connected them together to test their deflection.

We did the same thing with steel pipes.

We found cattle and horse panels at our local Farmer’s Co-op, which are welded wire panels typically used horizontally. They’re sixteen feet long and there isn’t a break big enough anywhere close by, so in order to bend them we have to do it our own way!

We’ve made some big changes in the design, but we’re feeling inspired by this new direction we’re taking!