#african american studies
Credit:George McCalman
The content we consume and its authenticity are called into question on a daily basis. But just 50 years ago, this was far from a common way to engage with art, culture and literature. That all changed with Barbara Christian.
From a young age, Christian was an avid reader, questioning why there were no African American or Afro Caribbean women included in the books she read. Born and raised in the U.S. Virgin Islands, she dedicated her life to changing ideas about race, gender and class, particularly around the representation of black women in American literature, ultimately asking, “who gets to tell their stories?”
While pursuing a graduate degree in literature at Columbia University, Christian became friends with Langston Hughes and was introduced to the works of many black writers. Her exploration of these writings would be realized later in her career — she was one of the first scholars to bring the works of Toni Morrison and Alice Walker to the attention of academia.
In 1972, two years after graduating from Columbia, Christian became an assistant professor at UC Berkeley. She was pivotal in creating the university’s African American studies department and, in 1978, was the first African American to be granted tenure. “She was a path-breaking scholar,” said Percy Hintzen, chair of the UC Berkeley department of African American studies. "Nobody did more to bring black women writers into academic and popular recognition.”
For so long, the majority of representations of black women in literature were crafted by white writers. Christian wanted to change that. Her theories provided a foundation for black women to assert control over their own image in American literature. Her 1980 study, “Black Women Novelists: The Development of a Tradition,” was the first of its kind to look at black feminist literature from the nineteenth century to contemporary times. In her lifetime, Christian truly pioneered the birth of black women’s literary criticism and theory.
“I can only speak for myself. But when I write and how I write is done in order to save my own life. And I mean that literally,” she noted. “For me literature is a way of knowing that I am not hallucinating, that whatever I feel/know is.”