#annie abrahams

Utterings

a live networked audio performance for Audioblast #8 (February 22nd 2020, 4.30PM GMT+1)

more information here

Duration: 30 minutes
Livestream (during the festival’s dates) here 

Utterings is a project by Annie Abrahams (FR) and Daniel Pinheiro (PT) with Constança Carvalho Homem (PT), Curt Cloninger(US),Nerina Cocchi (BE) and Derek Piotr (US) as invited artists and collaborators and with technical assistance by Jan de Weille.

Utterings is a sound-only networked performance experiment where six artists commit to a 30 min long exchange across distance. The artists gather online and, while blindfolded, they engage in utterings as communication, building on solo’s, duo’s, chorales and silence, creating an on the fly “new” language that forwards attention, trust and affects above rationality. Six sound streams (no instruments used) are interlaced and entangled in one single polyphonic composition shared live in the audioblast program. The protocol for this performance will be written collectively in the week before the performance and will be available here.
Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.

Protocol for connection and more information here

Distant Feeling(s) is a project which aims at, once a year, bringing together different interested people, joining from their different locations in the world and share ‘15 minutes’ of togetherness across the network. Resorting to the internet as a common communication channel/medium and to video-conferencing software, everyone is invited to join and remain silent and with eyes closed during the duration of the experiment. 

The usual human tools used for communication - sound and vision, commonly applied in video-conferencing - are taken out from the equation while going against everyday (technological) restlessness and enabling other senses to carefully tune into the presence of others. Distant Feeling(s) becomes an intimate portrait of people actively producing a meditative state where the screen becomes a shared and common space for all. A globally dispersed community materializing a relational system, a networked topology that not only represents the network itself, but that discusses the fragile situation of us being together while apart.

Watch video [here]

Distant Feeling(s) is a project by Annie Abrahams ( @e-stranger), Lisa Parra ( @parralis) and Daniel Pinheiro. An online [open to all] yearly reconnection, a ritual of contemplation on our situation of being together while being separated. An ever-changing re-enactment of our intra-action with and through machines.

more info:
bram.org/distantF/
landproject.tumblr.com/distantfeelings
LAND PROJECT: Placelessness (October, 2015) collaboration with Annie Abrahams: aabrahams.wordpress.com/2016/01/27/placelessness//youtu.be/tc3nxu-4nno)

// Previous sessions //

Video - Distant Feeling(s) #1 (raw version) [online, private session]: https://vimeo.com/158351502
Video - Distant Feeling(s) #2 [reSense [movement, performance, technology, art] Festival, Berlin, online, July 26th - 9h45pm - 10h45pm (GMT+2)]: https://youtube.com/watch?v=Hu8HDnXh960
Video - Distant Feeling(s) #3 [VisionS in the Nunnery, London, online, November 24th 2016 - 6h30pm (GMT)]: https://vimeo.com/193158145
Video - Distant Feeling(s) #4 [first of a yearly reconnection, online, December 1st 2017]: https://vimeo.com/245530528
Video - Distant Feeling(s) #5 [second of a yearly reconnection, online, December 19th 2018]: https://vimeo.com/308709859

Online En-semble - Entanglement Training

a live networked performance by Annie Abrahams in collaboration with Antye Greie(DE/FI),Helen Varley Jamieson(NZ/DE),Soyung Lee(KR),Huong Ngô(HK/USA),Daniel Pinheiro(VE/PT),Igor Štromajer (SI/DE), and the students from the School of Art, Design & Media, Singapore. All connecting from remote locations.

Aiming to investigate how-to’s of being together in a connected world Annie Abrahams developed a conversational environment where the performers seek to negotiate the limits of their own agency by collectively interacting and creating a space through the sum of the relationships between between objects, sounds and phrases.

​Thursday 29 of March 2018, 7am-10am CDT / 8am-11am EDT / 2pm-5pm CEDT / 8pm-11pm SGT. (Performance will take place around 9.30pm SGT)

This performance was part of the Art of Networked Practice Symposium - Social Broadcasting: an Unfinished Communications Revolution - a collaboration between the School of Art, Design & Media at Nanyang Technological University, Singapore; LASALLE College of the Arts, Singapore; and The School of the Art Institute of Chicago, Department of Performance, USA.

Symposium Chair: Randall Packer (Associate Professor of Networked Art; Nanyang Technological University (NTU), School of Art, Design and Media, Singapore)

Relevant links:

Disentangling the Entanglements article on our preparations by Randall Packer.

A promise of internationalism. Randall Packer introduces Maria Chatzichristodoulou’s keynote.

Training Entanglement with whom? Blog post by Annie Abrahams where she introduces the performers

+

on “Online En-semble - Entanglement Training” by Annie Abrahams reflecting on the performance made during ‘Art of the Networked Practice Online Symposium - Third Space Network’:

co-creating between/with each others and with/through machines, building a common space of shared practice and practicing it in a distributed manner. A distributed intelligence simultaneously activated between its agents (performers and active viewers - engaging on producing textual content).

to (re)think the network through these experiments towards the production of a collectiveness as we evolve to a futurity where regulations endanger the promises of distributed agency through this space.

Are we at the moment where these networked environments, these topographies of networked experience, are not just an option but a way to reflect on the changes that are happening? - Daniel Pinheiro

distributed intelligence on the fly? Blog post by Annie Abrahams after watching the video recording of the performance.

“It felt as closely observing a test tube in an internet ecology experiment. (…) I would love to do a follow-up, to continue this entanglement training. I propose to keep this messy never ending unperfect strange conversation going …. it would be an example, a test tube for developping our empathy muscles over distance, to exercice in distributed intelligence. … Séoul, Singapore, Ljubljana, Hailuoto, München, Montréal, Cassis and Montpellier and all the cables and machines in between” - Annie Abrahams

//

For more information:
http://bram.org/en-semble/

http://daniel-pinheiro.tumblr.com/en-semble

Distant Feeling(s) #7 | December 7^th, 6PM GMT+1

Distant Feeling(s) 7^th, activated on December 7^th, 2019, was the third annual activation of the Distant Feeling(s) project, inviting all interested to participate in a shared moment of togetherness across a distance.

Using the internet’s potential of connectivity as a means to reflect on the constraints and limitations of that precise quality, DF has become (since its first iteration in 2015*) a participatory event in which through silence and provoking an inwards movement by the closing of the eyes while connected, which aims to highlight the relational aspect that is (supposedly) intrinsic to the idea of network. Throughout its various activations, from a closed environment between the artists Annie Abrahams, Lisa Parra and Daniel Pinheiro – where the main focus was to attempt sensing the existence and presence of the others while being physically distant, without speaking and with eyes closed – to it becoming a practice shared with an audience, and transforming into an open event since 2017, the project has addressed, cumulatively, the characteristics of the medium/infrastructure to reflect upon them, producing an archive of documentation of the various moments where each one and all work as a visual metaphor of the condition(ing) of connectivity as it is installed in our lives.

A silent, yet sentient, relational encounter, materialized as a telematic embrace where nothing seems to happen and where the lack of apparent action has transformed into the transposition of the concept of agency and a potential way for fighting alienation.

In the more recent activations of the project, a common fact has been the awareness of how machines and the surrounding environments from the different remote locations become present* while the bodies perform a sort of absentia while electricity powers this moment of communion. Where and how are we (always) while the network is functioning?

As it continues to develop, iteration after iteration, whether it is through the annual re-activations or in specific contexts it becomes clear that it is a form of researching togetherness through the internet as a way to counter its fallacy, the promise of a interconnected world where concepts of time and physical space dissipate** (an ubiquitous spatio-temporal unity), which in fact drives today the (im)possibility of collective strength/power. It is a provocation to the role of networked conversations as a practice for activism emptied from specific purpose, again, assuming the role of symbolizing a situation of engaging in different possibilities of triggering collective agency.

Can we find novelty in an already established system, and act from within, towards (an)other purpose(s)?

Distant Feeling(s) highlights in its genesis and continuity the need to feel/sense presence and suggests a pragmatical approach for reshaping a consciousness on kinship resorting to available technological tools which have been transforming its meaning.

“Silence is hard to find…” Camille Renarhd mentions at the end of DF#7 and it is through this quest for silence where machines, responsible for allowing the connection across a distance, “speak” louder and the contemporary restlessness is confronted in this model of interaction between humans and machines. It is not a proposition for a revolution nor a resolution for an evident relational crisis, it is an experience on connectivity and its fundamentals.

The relational revolution is already far along. 

At the same time, it is clearly in crisis. – Time Reborn p. xxix

Distant Feeling(s) is a project initiated by Annie Abrahams, Lisa Parra and Daniel Pinheiro 

Participants of Distant Feeling(s) #7: Camille Renarhd, Daniel Pinheiro, Muriel Piqué, Annie Abrahams, Bérénice Belpaire, Nicolaas Schmidt, Christine Develotte, Sandra Sarala, Alan Sondheim, Paul Hughes, Nerina Cocchi, Frans Van Lent, Ariane Cassimiro, Frédérique Santune, Camille Bloomfield, Jonathan Chomko, Csenge Kolozsvári, Sabrina Kwong, Ienke Kastelein, Molly Hankwitz, David Cox

How does it feel to share an interface with eyes closed and no talking?

I felt light, as if I were in a field of light, changing, living light, not with human beings, and probably because that frightened me I tried to visualize you both, to imagine, how, where you were, I tried to make something I could understand of what I felt. As if you were familiar to me - I never met you, but still, apparently you became reassuring, close. (…) Dissolved I felt. Maybe even empty. Certainly destabilized. – Annie Abrahams @e-stranger

This is where I feel that this is not about being mindful, or meditating and rather about sensing and embodying and being present. And in this state of being present we may feel connected to others or we may not– if we are not, then what happens in that isolation? – Lisa Parra @parralis

The “silence” gave space to the sounds of animals, objects and machines. Close to the end I felt that had actually entered the space that us three were sharing together with others. (…) By closing our eyes we’re stripped to just ‘being’, following the rules of not speaking and not looking we are left in a place of communitary lonesomeness that continues to define our everyday world of infinite information and surveillance. – Daniel Pinheiro @daniel-pinheiro

Distant Feeling(s) #3 is part of the encounters between Annie Abrahams, Lisa Parra and Daniel Pinheiro. The 15minutes experiment took place online and was exhibited as part of Visions in the Nunnery. Participants were invited to join either at The Nunnery gallery (London) or remotely using the conference meeting software zoom.us.

As the world grows into a larger networked system, allowing ourselves to share a moment of intimacy with strangers is becoming less probable as we find ourselves immersed in a culture where the sense of time is shifting towards an invisible fastness. It was about acknowledging that system, that fabric, the technological nervous system that became present through the silence of those participating. 

Being in space means to establish diverse relationships with the things that surround our bodies. - Deleuze

As distributed digital entities we become part of an intertwined body that is whole by combining different parts of our extended selves. Telematic culture means, in short, that we do not think, see, or feel in isolation (Roy Ascott) and therefore this electronic communion is built out of the relationships that are established when we are ‘together’ and this ‘togetherness’ comes out of a suspension of disbelief*, that in this digital sphere can be the capacity extending proprioception itself – the way that we recognize and position ourselves within this context.

LAND PROJECT: Placelessness
Lisa Parra & Daniel Pinheiro
with: Hannah Bastos & António Matos
collaboration with: Annie Abrahams & Mateo Galindo Torres

October, 2015 CAAA - Centre for Art and Architecture Affairs, in Guimarães (Portugal)

In the darkness,

We move forward,

in an unknown territory,

a territory devoid of references,

without meaning.

As we move ahead,

as we go through the surface,

through the edges,

as we follow the contours,

we intersect shapes and elements.

In that space,

it becomes…

impossible to perceive what we intersect.

We resort to memory,

to reproduce what we think

we are in fact intersecting.

We resort to memory,

of things we already know,
so we can name the things,

and make that space,

somehow recognizable.

In that space,

where distance is impossible to measure,

we try…

that opacity becomes lesser…

where are you when you’re not here?!