#art in paris

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© Bohnchang Koo. Série « Gobdol », Mingeikan, Tokyo, 2010VIES SILENCIEUSESExhibition from Mar 31 to

© Bohnchang Koo. Série « Gobdol », Mingeikan, Tokyo, 2010

VIES SILENCIEUSES

Exhibition from Mar 31 to May 21, 2016 at CAMERA OBSCURA, Paris Fair Exhibitor

268, boulevard Raspail, 75014 Paris
[email protected]
T +33 (0)1 45 45 67 08
www.galeriecameraobscura.fr

Galerie Camera Obscura is pleased to present “Vies silencieuses”, an exhibition of photographs by Bohnchang Koo (b. 1953, Seoul) and paintings by Stefano Bianchi (b. 1964, Bologne).

Read more at http://po.st/vies-silencieuses


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The Waiting Game © Txema Salvans, courtesy in camera galerieTXEMA SALVANS, THE WAITING GAMEExhibitio

The Waiting Game © Txema Salvans, courtesy in camera galerie

TXEMA SALVANS, THE WAITING GAME

Exhibition from Mar 10 to Apr 16, 2016 at IN CAMERA, Paris Fair Exhibitor

21, rue Las Cases, 75007 Paris
[email protected]
T +33 (0)1 47 05 51 77
www.incamera.fr

in camera is pleased to present a solo exhibition by catalan artist Txema Salvans (born in 1971, Barcelona).

The Waiting Game is made of two parts. One illustrates the waiting through
the representation of prostitutes along the roads in Spain, and the other one
through fishers.


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Marla and Darren Sumner’s house, New Orleans, Louisiana, 2011 © Joakim Eskildsen, Courtesy Galerie T

Marla and Darren Sumner’s house, New Orleans, Louisiana, 2011 © Joakim Eskildsen, Courtesy Galerie Taik and Polka Galerie

JOAKIM ESKILDSEN: AMERICAN REALITIES

Exhibition from Apr 20 to May 21, 2016 at Galerie Polka, Paris Fair Exhibitor

12, rue Saint-Gilles, Cour de Venise, 75003 Paris
[email protected]
T +33 (0)1 76 21 41 30
www.polkagalerie.com

Galerie Polka presents American Realities by Danish photographer Joakim Eskildsen (born in 1971 in Copenhagen).

“One in every six Americans lived below the official U.S. poverty line when Kira Pollack, Director of Photography at TIME Magazine, commissioned me to capture the growing crisis. During thirty-six days spread over seven months in 2011, and mostly accompanied by reporter Natasha del Toro, I traveled through New York, California, Louisiana, South Dakota and Georgia, visiting places that according to census data have the highest poverty rate.

The approximately 50 million poor Americans are a heterogeneous population from very varying backgrounds. Some are newly poor, some are immigrants who have come from humble conditions, dreaming of the American possibilities. Of course, U.S. poverty differs from poverty in developing countries. People living below the poverty line can have physical goods, even work but they are mired in debt, many homes are in foreclosure, and most often, being poor also implies having to resort to the cheapest, most unhealthy and risky lifestyle. Any unexpected occurrence may jeopardize the fragile system and find people living on the streets.

(…) The myth of the American Dream is very strong in the U.S., and it seems people are disillusioned with the fact that it is so difficult to get by today. They said there is no American Dream anymore. This, they said, was the American Reality.”


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Arnaud Claass, Sans titre, Paris, 2008/2012, 1/10, Série Heure locale 2005-2008. Impression pigmenta

Arnaud Claass, Sans titre, Paris, 2008/2012, 1/10, Série Heure locale 2005-2008. Impression pigmentaire sur papier Hannemühle Fine Art Baryta, contrecollé sur aluminium, 33 x 22 cm, sous passe-partout 50/40 cm © Arnaud Claass, Courtesy galerie michèle chomette, Paris

ARNAUD CLAASS, ATTACHED PIECES — PHOTOGRAPHS

Exhibition through June 4, 2016 at GALERIE MICHELE CHOMETTE, Paris Fair Exhibitor

24, rue Beaubourg, 75003 Paris
[email protected]
T +33 (0)1 42 78 05 62

galerie michèle chomette is pleased to present “Pièces Jointes / Attached Pieces”, a solo exhibition by French photographer and writer Arnaud Claass (born in Paris, 1949).

“I take photographs in order to apprehend the irregularities of daily life, and the resonances they create in us. My preferred subjects are the distinctive and the unexpected. The way I practise the act of recording – immediate or premeditated – is as literal as possible. The idea is that my photographs should be approachable.” …


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