Time after time I think “Oh, Lord, what’s the use?”
Time after time I think it’s just no good
’Cause sooner or later in life, the things you love you lose
But you’ve got the love I need to see me through
- You’ve Got The Love by Florence + The Machine
⟨don’t repost. click for better quality. reblogs appreciated ⟩
[ID: A four panel comic in simple black and white of the same scene. Joe sits cross-legged in front of a blank easel and surrounded by cans of paint. The easel and paints shrink from disproportionately enormous and his bare back relaxes as Nicky comes into scene and cards his fingers through Joe’s curls. In the last panel, Joe has his head inclined towards Nicky and his right hand raised to start painting. End ID]
five times Joe and Nicky tried to pull off the ‘pretending to pick each other up badly’ and it got interrupted by well-meaning strangers, and one time it actually worked out like it did in their heads
The behind the scenes video provided me with some new pose reference material, plus I have been watching a lot of regency media, sooo naturally I needed to draw this
nicky, many years later: yusuf, do you remember that time you lost your shit at me just outside jerusalem? what were you saying? joe:UH,,
(joe probably spoke at least some sort of pidgin merchant language like sabir BUT the idea of extreme language barriers + nicky’s weird eyesandweirder vibes is like catnip to me)
Greg says he has no idea about the deleted scenes and its all on netflix to give them to us. He fully supports us hounding them for them.
Also when talking about deleted scenes:
“There’s a scene where you watch Joe arriving in Goussainville, and he drives in and he parks the car and he gets out with the groceries, and he checks the perimeter, and a jet flies overhead, and he looks at the jet. And then you cut to the church and it’s day, and Nicky’s on post, and he[Joe] knocks, and its this beautiful wordless scene they did (…) Joe enters, Nicky closes the door, locks it, and they look at each other, and there’s no dialogue– and there’s a forehead touch. “I’m glad you’re back.” that’s it. And it’s this silent little moment, and then they go off to the rectory.”
