#bilateral symmetry

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Beyond Descartes - Part 4
Directional Locatives

image

Double-compound-pendulum

(continued from here)

Descartes derives his directional locatives from considerations of human anatomy, as does most of Western culture. The descriptive terms generally used for orientation purposes include left/right;up/down; and forward/backward.[1] The first two sets have been extended also to refer to the cardinal directions, North/South and East/West.

To the degree that they conform to Cartesian coordinates, mandalic coordinates adhere to this schema as well.  However, mandalic geometry and the Taoist I Ching upon which it is largely based constitute a system of combinatorial relationships that is rooted mainly in  radial symmetry rather than bilateral symmetry. For mandalic coordinates, the principal directional locatives can be characterized as  divergentandconvergent, and the principal movements or changes in position, as centrifugalandcentripetal.[2]

One of the important consequences of this alternative geometric perspective is that the frame of reference as well as the complex pattern produced are more integrative than in the method of Descartes. Looked at another way, Descartes is most enamored by specification of location of individual points whereas mandalic geometry is more concerned with relationships of parts - and the overall unification of the entire complex holistic system.[3]

From this one seemingly small difference an enormous disparity grows in a manner reminiscent of chaos theory.[4] Cartesian coordinates and mandalic coordinates can be made commensurate, but remain after all two exclusive systems of spatial awareness,  leading to very disparate results arising out of what seem small initial differences.[5]

(continuedhere)

Image (bottom): Animation of a double compound pendulum showing chaotic behaviour. By Catslash (Own work). [Public domain], via Wikimedia Commons.[6]

Notes

[1] Such terminology is of little use, despite its biological origins, to an amoeba or octopus,  not to mention those  extraterrestrials  who have been blessed with a second set of eyes at the back of their heads. (We wuz cheated.)

[2] To be more correct, the radial symmetry involved is of a special type. It is not simple planar radial symmetry, nor even the three-dimensional symmetry of a cube and its circumscribed and inscribed spheres. It is all of those but also the symmetry involved in all the different faces of a six-dimensional hypercube and the many relationships among them.

[3] To be fair, Descartes eventually gets around to relating his points in a systematic whole we now know as analytic geometry (1,2).  But as great an achievement though it might be,  Cartesian geometry  lacks the overarching cosmographical implications which characterize mandalic geometry and the I Ching. Descartes’ system is purposed differently, arising as it does out of a very different world view. To paraphrase George Orwell,

“All geometries are sacred, but some geometries are more sacred than others.”

[4] Chaos theory was summarizedbyEdward Lorenzas:

“When the present determines the future, but the approximate present does not approximately determine the future.”

[5] An example of one unique result of mandalic coordination of space is the generation of a geometric/logical probability wave of all combinatorial elements that occur in the 6D/3D hybrid composite dimension specification of the system. I envision this as offering a possible model at least,  if not an actual explanation, of the  probabilistic nature  of quantum mechanics.  Extrapolating this thought to its uttermost conclusion, it is not entirely inconceivable, to my mind at least, that probability itself might be the result of composite dimensioning. (And for such a brash remark I would almost surely be excommunicated from the fold were I but a member.)

[6] Starting the pendulum from a slightly different initial condition would result in a completely different trajectory.  The double rod pendulum is one of the simplest dynamical systems that has chaotic solutions. [Wikipedia]

© 2015 Martin Hauser

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