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Rihanna for British VoguePhotography by Steven KleinRihanna for British VoguePhotography by Steven KleinRihanna for British VoguePhotography by Steven Klein

Rihanna for British Vogue

Photography by Steven Klein


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duckie thot for british vogue

#hf fashion    #high fashion    #fashion    #models    #modeling    #vogue britain    #british vogue    #fashion magazine    #aesthetic    #beautiful    #beauty    
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Gaga for British Vogue

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#lady gaga    #gaga art    #fan art    #sketch    #vogue magazine    #vogue italia    #british vogue    #beauty    #art style    #portrait    #artwork    #digital art    #drawing    #illustration    #digital painting    #digital portrait    #concept art    #character    

There is a phase in our lives where everyone seems asexual and almost everyone seems aromantic. It wasn’t until puberty kicked in that platonic relationships seemed to take a backseat. My peers stopped wanting to play together and started wanting to ‘date’ each other. That was when I started to realise that there was something different about me. I didn’t seem to be experiencing the same urges as those I was around. I chose to go to an all girls school in the hopes that – in the absence of boys – everyone would stop caring about sex and dating. It actually had the opposite effect. There was a sense of deprivation in the air and the heightened desire to project their sexuality onto anything and everything.  

Therefore, my lack of interest became even more obvious, and it became a not-so-fun game to work out the source of what should be troubling me, but hadn’t been until that point. Having a sexual orientation isn’t just natural, it’s essential. It’s part of being a fully-functional human being. And to be romantically love and be loved by another is the ultimate goal. It’s part of being normal, which made me both abnormal and puzzling. When your asexual, people think there’s something wrong with your body. When you’re aromantic, they think there’s something wrong with your soul. Even for a teenage girl who internalised all of Disney Channel’s “be yourself” messages, it’s never nice to have people publicly debate your supposed physical and psychological flaws.  

My nickname in school was “hollow and emotionless.” I was a joker with a decent amount of friends, but I was lacking something crucial, the kind of love that really mattered and the kind of lust that made life exciting…so I was practically Lord Voldemort with braids. I sat through the regular DIY sexuality tests, having my peers show me graphic sexual imagery, have very sexual conversations in my presence, and ask me inappropriately intimate questions to gauge how far gone I truly was. These tests lead to the development of theories, most centred around me having some kind of mental problem. After a while, you start to wonder if everyone knows something you don’t.

When they said that I must have been molested as a child and “broken” by the trauma, I wondered if I had somehow forgotten about sexual abuse that actually hadn’t happened. I looked at some of my own relatives with suspicion, the same people who would later ask me if I didn’t experience sexual attraction because I was a pedophile. It was suggested that I was “suffering” from my “issues” because I was socially anxious and insecure. The suggestion that my ‘issue’ was pathological stayed with me for a long time, but not as much as the widely accepted theory that I was mentally slow. Unfortunately, that one stuck. I was referred to as “stupid” and I started to believe that was the case. It would impact my experience in education for the next eight years, long after I realised that there was a word for what I was.

Asexual.

I first heard the word during one of the near-daily sexuality tests that I was subjected to. I was asked if I was gay, to which I said that I wasn’t interested in anybody like that – men or women. At fifteen, I was asked, “Maybe you’re asexual or something?” but it wasn’t quite a lightbulb moment. How could it be when I had never heard the word outside of biology class? After an evening of Google searching, I realised that there were many people with my exact same experience, complete strangers whose stories sounded so strangely similar to mine. I also stumbled across the word ‘aromantic,’ but at the time, I didn’t understand the need for it. “Wouldn’t all asexual people be aromantic? A romantic relationship without sex is just friendship with rules,” I thought.

Either way, my discoveries showed me that I wasn’t alone, but that only half helpful. I now had an identity that no one had heard of or understood. Most didn’t believe that being asexual or aromantic was a real thing, and I doubted it to. I had been taught to after years of armchair pathologisation. If asexuality was real, why did no one tell you that being sexually attracted to nobody was an option? What if it was just an internet identity made up to comfort people with all of the issues that had been attributed to me? I didn’t have to go far down the rabbit hole to realise that asexuality, like many non-heteronormative identities, had been medicalised. What I had experienced as just the tip of the iceberg. As someone who hadn’t been prescribed drugs I didn’t need or subjected to unnecessary hormone tests, I was one of the lucky ones.

My activism would be my gateway to the community. Despite being the ugly friend at school, I ended up becoming a model while in university. I decided to use the platform I had gained through my career to raise awareness for asexuality and aromanticism. It gave me the opportunity to encounter a range of asexual and aromantic offline, it was then that I learned the significance of having an aromantic identity. There are many asexual people who still feel romantic attraction, as well as aromantic people who still feel sexual attraction. They have their own range of experiences, their own culture, their own flag, and like the asexual community, I was relieved to see that they are just normal people. These intersecting communities are not stereotypes. They weren’t just thirteen year old, pink haired kids making up identities on Tumblr to feel special. They were parents, lawyers, academics, husbands, girlfriends, artists, black, white, young, old, with differing feelings towards the many complex elements of sexuality and intimacy. Most importantly, they were happy.

I am proud to be part of both, and I know that while being asexual and aromantic, I am a complete person and I can live a perfectly fulfilling life. Since meeting members of my communities, I’ve become more open about my identities in real life, and a reaction I’m often met with is sympathy. “You must feel like you’re missing out,” “I can’t imagine being like that,” “It must be hard for your family,” “Do you worry no one will want you?” “How do you handle being so lonely?” “You’re so brave and strong,” “What will you do with your life now?” Even in 2021, a woman who isn’t romantically loved or sexually desired by their “special someone” is perceived as being afflicted with some kind of life-limiting condition.  

Asexuality doesn’t make undesirable or unable to desire others. It is a unique experience of sexuality, not a deprivation from it. Even if it was, there is so much more to life than what turns us on and what we do about it. Romantic love is just one form of love, neither superior nor inferior to any other. Being aromantic doesn’t mean that you can’t love or be loved, it does not mean you are void of other emotions or capabilities. I am not lonely with my friends, family, co-workers and supporters. I feel confident not when someone wants to date me but when I meet my goals and form worthwhile connections with others. My success isn’t determined by whether someone will want to marry me someday. What we want out of life is our decision alone, our sources of happiness should not be defined by our ever-changing, culturally relative social standards. The love of a romantic partner won’t complete me because I was born complete. Feeling sexual attraction to others won’t liberate me because my liberation is not dependent on other people.

Valentine’s Day is on the horizon. It’s an occasion that amps up the focus on (and the pressure to achieve) a very specific type of love and sexual expression, one that is actually alienating for people inside and outside of the asexual community. During a pandemic where many relationships have been strained, tested, formed or distanced, it’s important to keep the diversity of romantic and sexual feelings in mind. Many expect me to feel annoyed or lonely during this time of year, but I actually feel empowered and excited by the way sex, romance and love are discussed more deeply around this time. These conversations are constantly expanding to become more inclusive for everyone, and that’s what we need to see all year round.

https://www.vogue.co.uk/arts-and-lifestyle/article/asexuality-and-aromanticism

Anya Taylor-Joy for British Vogue (April, 2022)

Photography by Craig McDean

Styling by Kate Phelan

SOURCE:Vogue

Rafael Pavarotti [IG] photographs ‘Brand New Ancients’, starring Adut Akech, Akuol Deng Atem, Aliet Sarah, Nyaueth Riam, Nyarach Ayuel, and Shanelle Nyasiase, Kate Phelan styles the spring 2021, bold-looks fashion story against a backdrop of modern hieroglyphs for British Vogue’s February

Adut Akech by Emma Summerton for British Vogue june 20’

Karlie Kloss wearing RUNWAY FALL 2019 MARC JACOBS for British Vogue Photographed by Steven Meisel, S

Karlie Kloss wearing RUNWAY FALL 2019 MARC JACOBS for British Vogue 

Photographed by Steven Meisel, 

Styled by Edward Enninful


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Cara Delevingne photographed by Mario Testino for the September 2016 issue of Vogue.Download the iss

Cara Delevingne photographed by Mario Testino for the September 2016 issue of Vogue.

Download the issue here to see the shoot in full, and read our exclusive interview with Cara


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Kate Moss photographed by Mario Testino for the October 2009 issue.Vogue Archive: Mario Testino

Kate Moss photographed by Mario Testino for the October 2009 issue.

Vogue Archive: Mario Testino


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#kate moss    #london    #fashion    #mario testino    #british vogue    
Gwyneth Paltrow photographed by Mario Testino for the February 1998 issue.Vogue Archive: Mario Testi

Gwyneth Paltrow photographed by Mario Testino for the February 1998 issue.

Vogue Archive: Mario Testino


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Shanelle Nyasiase and Nyaueth Riam wearing Fendi and YSL photographed by Rafael Pavarotti for British Vogue February 2021

Adut Akech wearing Maison Valentino photographed by Rafael Pavarotti for British Vogue February 2021

Some iconic British Vogue covers:

Gisele wearing Versace photographed by Raymond Meier, August 1998.

Adwoa Aboah, Dec 2017.

Kate Moss photographed by Corinne Day, March 1993.

Linda Evangelista wearing Michael Kors photographed by Patrick Demarchelier, August 1991.

Adut Akech wearing Marc Jacobs photographed by Steven Meisel December 2018.

Kaia Gerber wearing Valentino photographed by Steven Meisel, October 2019.

Adut Akech in Alexander McQueen Fall 2018 rtw by Anton Corbijn for British Vogue September 2018

Illustration by [ McQueen of the world]

luna bijl by glen luchfordstyled by jane how

luna bijl by glen luchford

styled by jane how


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no1cowboy:

been looking sad in all the nicest places

 Gisele Bündchen photographed by Steven Meisel for Vogue UK, June 2022.

Gisele Bündchen photographed by Steven Meisel for Vogue UK, June 2022.


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STILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers ModSTILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers ModSTILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers ModSTILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers ModSTILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers ModSTILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers ModSTILL LIFE | British Vogue | December 2013 Photographed by Josh Olins Styled by Lucinda Chambers Mod

STILL LIFE |British Vogue | December 2013

Photographed by Josh Olins

Styled by Lucinda Chambers

Models Sam Rollinson, Anna Ewers and Ashleigh Good


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Daliah Lavi photographed by David Bailey, 1964

UK VOGUE • JUNE 2020 ‘MIGHTY APHRODITE’

Photographer: Alasdair McLellan

Stylist: Kate Phelan

Hair: Ryan Mitchell

Makeup: Lynsey Alexander

Model: Kaia Gerber

#kaia gerber    #vogue uk    #editorial    #magazine    #british vogue    #beauty    #models    #editorials    #fashion editorial    #fashion    #photography    

VOGUE UK • FEBRUARY 2020 ‘CASTLE ON A CLOUD’

Photographer: Craig McDean

Stylist: Benjamin Bruno

Hair: Sam McKnight

Make-Up: Peter Philips

Models: Fran Summers & Olivia Vinten

#vogue uk    #british vogue    #fran summers    #olivia vinten    #models    #fashion    #beauty    #fashion editorial    #editorials    #editorial    #photography    #photoshoot    

VOGUE UK • MARCH 2020 ‘SUPERS 6’

PHOTOGRAPHER: ALASDAIR MCLELLAN

MODELS: FRAN SUMMERS, IMAAN HAMMAM, VITTORIA CERETTI, HYUN JI SHIN, ADUT AKECH BIOR, UGBAD ABDI

#beauty    #vogue beauty    #vogue uk    #british vogue    #fashion editorial    #editorials    #editorial    #models    #vittoria ceretti    #adut akech    #imaan hammam    #fran summers    #ugbad abdi    #hyun ji shin    

VOGUE UK • FEBRUARY 2020

Photographer: Craig McDean

Fashion Editor: Grace Coddington

Hair: Jawara

Makeup: Francelle Daly

Models: Adut Akech & Rianne van Rompaey

#adut akech    #rianne van rompaey    #vogue uk    #british vogue    #fashion editorial    #editorials    #editorial    #fashion    #models    #beauty    

UK VOGUE • JUNE 2018 ‘HIGH FLYERS’

Photographer: Venetia Scott

Stylist: Poppy Kain

Hair: Ali Pirzadeh

Make-Up: Miranda Joyce

Models:

Giedre Dukauskaite

Frederikke Sofie Falbe-Hansen

Oumie Jammeh

Vanessa Moody

Credit: UK Vogue Digital Edition

distantvoices:

Maty Fall by Sarah Piantadosi for British Vogue June 2022

#maty fall    #british vogue    
british vogue
atelierethical: Danielle LaraDanielle Lara is a UK based luxury fashion and eveningwear label, desigatelierethical: Danielle LaraDanielle Lara is a UK based luxury fashion and eveningwear label, desig

atelierethical:

Danielle Lara

Danielle Lara is a UK based luxury fashion and eveningwear label, designing ethical women’s wear inspired by dance, nature, love and seduction. All collections are Made in the UK using fairtrade and eco-friendly luxury fabrics such as organic peace silk and silk hemp that are traceable back to source and support artisan communities around the world.

The fall 2016 collection features romantic hand printed roses and vintage Valentino lace, combining classic styling with artistically unique detailing to create elegant, trans-seasonal clothing to wear and treasure for years to come.

www.daniellelara.com


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How have the past few months been for you? I know you’ve been at home in Los Angeles with your children.

AJ: I think that like most families, we have had this bigger thing happening with the pandemic. But of course you also have these life markers.

I’m looking forward to my fifties – I feel that I’m gonna hit my stride in my fifties. Though we were on the trampoline the other day, and the children said, “No, Mom, don’t do that. You’ll hurt yourself.” And I thought, “God, isn’t that funny?” There was a day I was an action star, and now the kids are telling me to get off the trampoline because I’ll hurt myself.

© British Vogue

 British Vogue December 2017: Edward Enninfuls First Issue

British Vogue December 2017: Edward Enninfuls First Issue


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#british vogue    #adwoa aboah    #steven meisel    #fashion    
“I’m at the intersection of marginalised communities, I don’t have a choice but to fight for myself.“I’m at the intersection of marginalised communities, I don’t have a choice but to fight for myself.“I’m at the intersection of marginalised communities, I don’t have a choice but to fight for myself.

“I’m at the intersection of marginalised communities, I don’t have a choice but to fight for myself. My existence is at the mercy of the thoughts and opinions people have of me. My rights are compromised because I don’t experience gender in a uniform way.” - Indya Moore for Ralph’s Lauren’s Pride Campaign in British Vogue (2020)


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