#children
I know this is a long sho but my husbands been out of a job for 8 months now and weve run iut of savings and having to sell belongings. So necessities and essentials are getting hard to pay for. Especially with our children. My husband and i are already only eating once a day so theres more food for the kids.
If youd go and purchasing something from this amazon list I made of essentials and foods id be eternally grateful.
Why not the U.S.?
In the cold dark midwinter the royal families of Caer Dathyl and Caer Fflam often travel to spend yuletide together. Uncle Fflewddur’s nightly bardic recitations are a highlight; though his own brood is familiar with his repertoire of the glorious accomplishments of their predecessors, the presence of their “cousins” makes all the old tales seem new again. Though admittedly they might get more out of these histories if they were not oft-disrupted; the serious heir to the throne of Fflam makes himself such a stuffily easy target for the teasing from his little sister and her best friend, the irrepressible Crown Princess of Prydain.
(For those wondering why Fflewddur is still in Prydain, let alone raising children, I refer you to this excellent piece of AU-literature: https://www.fanfiction.net/s/13588015/1/The-Scion)
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Jean Geoffroy (1853-1924), “L'Œuvre de la goutte de lait” au dispensaire de Belleville (triptyque), 1903, oil on canvas, 254 x 548 cm. Petit Palais, musée des Beaux-arts de la Ville de Paris
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Eugène Carrière (1849-1906) was a French Symbolist painter, lithographer, and sculptor known for his atmospheric, monomchromatic style of domestic intimacy scenes and for his portraits of distinguished literary and artistic personalities.
The misty appearance of Carrière’s work was prized by contemporaries tired of precisely detailed and realistic paintings. A critic once compared Carrière’s style to that of his colleague Auguste Rodin, writing, “Rodin paints in marble and Carrière sculpts with shadow.”
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Mysterious Art Century
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James Jebusa Shannon (1862-1923), Jungle Tales, 1895, oil on canvas, 87 x 113.7 cm. The Metropolitan Museum of Art
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“Jungle Tales” portrays the artist’s wife reading to their daughter, Kitty, shown in profile, and another child. The painting’s title and date and its London origin suggest that the little group is captivated by Rudyard Kipling’s Jungle Book, which had appeared in 1894. The intensely realistic faces contrast with the decorative patterns of the dottedmuslin and lace costumes and the elaborate design on the brilliant blue backdrop.
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Mysterious Art Century
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Ethics and Moral values in art
Many people love art for the freedom it provides through expression — it is often said that “a picture can paint a thousand words.” With many mediums at an artist’s fingertips, the creative possibilities are endless. Art can be produced around any subject matter, but it is debatable whether some topics shouldn’t be permitted. With such liberty, should there also be moral responsibility?
“Myra” by Marcus Harvey is an interesting example of blurred lines within ethics. This large painting was created in 1995, resembling a greatly magnified version of a photographic image. The woman displayed on the canvas is Myra Hindley (the person held accountable, as well as her husband, for The Moors murders). The victims consisted of five children, which the painting boldly comments on through thousands of tiny handprints, layered to portray one big visual. These small handprints are reminiscent of an “innocent child”, which the artwork consciously juxtaposes through the large canvas portrayal of the “depraved world of adults”.
Understandably, this is a very controversial piece with much to be said about it. Some people support it, describing it as the single most important painting in the show: “a very, very cathartic picture… It is an incredibly serious and sober work of art that needs to be seen.” Others saw it as glorification and were angrily provoked, causing the press and public to comment before the opening of the exhibition: “Myra Hindley is to be hung in the Royal Academy. Sadly it is only a painting of her”.
This is of course only one example, but clearly demonstrates the diversity of thought. Morally dubious artworks have always been, and will always continue to be produced. Due to differing opinions, people will always have dissimilar views regarding what is and isn’t acceptable to be published. Personally, I do believe that it is appropriate for the artist to consider their audience and what they are publishing in the world. There is a fine line between art that handles a sensitive subject matter to spread awareness, or to just glorify and promote disturbing matters. Ultimately, an artist is still a human being and a part of the social, moral world. This would therefore suggest that actions as either an artist or ordinary human is not to be exempt from following the same guidelines or moral scrutiny.
[ Sources:
-https://en.wikipedia.org/wiki/Myra_(painting)
-https://en.wikipedia.org/wiki/Moors_murders]
Such a cutie patootie!
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Those baby blues! ♡
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My beautiful niece ♡
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One of my all time favorites ♡ Daughter’s in their mother’s wedding dress ♡
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