#christina rossetti

LIVE

Little book haul, got them all for £6 at the very well stocked charity shop nearby

I’ve read The Western Wind before but it’s so great I wanted to own a copy- it’s kind of a mystery but set in a 15th century village. So well researched, there’s no feeling of getting a history lesson, you just live the story through the villagers and end up understanding so much about what it might have been like to be alive then.

Today’s installment of: If you give a Victorianist photoshop…More of Well-I-think-I’m-funny. I prese

Today’s installment of: If you give a Victorianist photoshop…

More of Well-I-think-I’m-funny. I present: a further mashup of #BetterBookTitles AND OUP-style book covers made by yours truly:

Christina Rossetti’s “Girls Eat Free and Never Leave” (and other poems)

image

[Background image: Dante Gabriel Rossetti’s second edition frontispiece to “Goblin Market” (1865). Inspired by this incredible video by our lady of the V, Janelle Monáe, “PYNK”! Thanks to Caroline Framke for the screencap from the music vid.]

image

See more of my OUP-style book covers here!


Post link
Christina Rossetti, from Seasons in “The Complete Poems Of Christina Rossetti“

Christina Rossetti, from Seasonsin “The Complete Poems Of Christina Rossetti“


Post link

Illustrations by Florence Susan Harrison and Kinuko Y. Craft

suzetteshea:

SHE SAT AND SANG

She sat and sangalway 

By the green margin of a stream,

Watching the fishes leap and play

Beneath the glad sunbeam. 

I sat and weptalway 

Beneath the moon’s most shadowy beam,

Watching the blossoms of the May

Weep leaves into the stream. 

I wept for memory;

She sang for hope that is so fair:

My tears were swallowed by the sea;

Her songs died in the air.


~  Christina Rossetti, (1830 - 1894) 

“She Sat and Sang” is reprinted from Goblin Market, The Prince’s Progress and Other Poems. Christina Rosetti. London: Macmillan 1879.

bebemoon:

“Golden head by golden head,
Like two pigeons in one nest
Folded in each other’s wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one nest.”


—christina rossetti, excerpt from “the goblin market”

image

goblin market illustration by kinuko y. craft .

previews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuri

previews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuring the work of elizabeth siddal, christina rossetti, evelyn de morgan, fanny eaton, and other women from the pre-raphaelite movement, the exhibition runs at the national portrait gallery until 26 january 2020. you can purchase the catalogue here.


Post link
dante gabriel rossetti’s woodcut for the frontsipiece from the 1862 first edition of “goblin market

dante gabriel rossetti’s woodcut for the frontsipiece from the 1862 first edition of “goblin market and other poems” by christina rossetti


Post link
loading