#cinemabreak

LIVE
The Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frightenThe Elephant Man (1980)Directed by David LynchCinematography by Freddie Francis “People are frighten

The Elephant Man (1980)

Directed by David Lynch
Cinematography by Freddie Francis

“People are frightened by what they don’t understand.”


Post link
 Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)Directed by Chantal AkermanCinematograph

Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)

Directed by Chantal Akerman
Cinematography by Babette Mangolte

“Did you wash your hands?”


Post link
Wild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were liWild Strawberries (1957)Directed by Ingmar BergmanCinematography by Gunnar Fischer “When you were li

Wild Strawberries (1957)

Directed by Ingmar Bergman
Cinematography by Gunnar Fischer

“When you were little you belived in Santa Claus, now you belive in God.”


Post link
Alice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arouAlice in the Cities (1974)Directed by Wim WendersCinematography by Robby Müller “When you drive arou

Alice in the Cities (1974)

Directed by Wim Wenders
Cinematography by Robby Müller

“When you drive around America, something happens to you. The images you see change you.”


Post link
Once Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert RichardsonOnce Upon a Time in Hollywood (2019)Directed by Quentin TarantinoCinematography by Robert Richardson

Once Upon a Time in Hollywood (2019)

Directed by Quentin Tarantino
Cinematography by Robert Richardson

“Don’t cry in front of the Mexicans.”


Post link
Marriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came aliMarriage Story (2019)Directed by Noah BaumbachCinematography by Robbie Ryan “I never really came ali

Marriage Story (2019)

Directed by Noah Baumbach
Cinematography by Robbie Ryan

“I never really came alive for myself; I was only feeding his aliveness.”


Post link
Pain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not enoPain and Glory (2019)Directed by Pedro AlmodóvarCinematography by José Luis Alcaine “Love is not eno

Pain and Glory (2019)

Directed by Pedro Almodóvar
Cinematography by José Luis Alcaine

“Love is not enough to save the person you love.”


Post link
Ali: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “BAli: Fear Eats the Soul (1974)Directed by Rainer Werner FassbinderCinematography by Jürgen Jürges “B

Ali: Fear Eats the Soul (1974)

Directed by Rainer Werner Fassbinder
Cinematography by Jürgen Jürges

“But when we’re together, we must be nice to each other. Otherwise, life’s not worth living.”


Post link
The Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wiThe Lighthouse (2019)Directed by Robert EggersCinematography by Jarin Blaschke“Should pale death, wi

The Lighthouse (2019)

Directed by Robert Eggers
Cinematography by Jarin Blaschke

“Should pale death, with treble dread, make the ocean caves our bed, God who hears the surges roll deign to save our suppliant soul.”


Post link
Scenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not inScenes from a Marriage (1974)Directed by Ingmar BergmanCinematography by Sven Nykvist“We were not in

Scenes from a Marriage (1974)

Directed by Ingmar Bergman
Cinematography by Sven Nykvist

“We were not in love. On the contrary, we were sad.”


Post link
Us (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can geUs (2019)Directed by Jordan PeeleCinematography by Mike Gioulakis “If you wanna get crazy, we can ge

Us (2019)

Directed by Jordan Peele
Cinematography by Mike Gioulakis

“If you wanna get crazy, we can get crazy!”


Post link
Rope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “TRope (1948)Directed by Alfred HitchcockCinematography by William V. Skall and Joseph A. Valentine “T

Rope (1948)

Directed by Alfred Hitchcock
Cinematography by William V. Skall and Joseph A. Valentine

“The power to kill can be just as satisfying as the power to create.”


Post link
The Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I woThe Seventh Continent (1989)Directed by Michael HanekeCinematography by Anton Peschke“Sometimes I wo

The Seventh Continent (1989)

Directed by Michael Haneke
Cinematography by Anton Peschke

“Sometimes I wonder what it would be like if instead of head we had a monitor so everyone could see what we thought.”


Post link
Mistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lovMistress America (2015)Directed by Noah BaumbachCinematography by Sam Levy “I need someone I can lov

Mistress America (2015)

Directed by Noah Baumbach
Cinematography by Sam Levy

“I need someone I can love, not keep up with.”


Post link
Terms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “ImpatientTerms of Endearment (1983)Directed by James L. BrooksCinematography by Andrzej Bartkowiak “Impatient

Terms of Endearment (1983)

Directed by James L. Brooks
Cinematography by Andrzej Bartkowiak

“Impatient boys sometimes miss dessert.”


Post link
La Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weakLa Ciénaga (2001)Directed by Lucrecia MartelCinematography by Hugo Colace“Mercedes always had a weak

La Ciénaga (2001)

Directed by Lucrecia Martel
Cinematography by Hugo Colace

“Mercedes always had a weakness for useless men, too bad I realized late.”


Post link
Trois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “PerhTrois Couleurs: Rouge (1994)Directed by Krzysztof KieslowskiCinematography by Piotr Sobocinski “Perh

Trois Couleurs: Rouge (1994)

Directed by Krzysztof Kieslowski
Cinematography by Piotr Sobocinski

“Perhaps you’re the woman I never met.”


Post link
Trois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “ThatTrois Couleurs: Blanc (1994)Directed by Krzysztof KieslowskiCinematography by Edward Klosinski “That

Trois Couleurs: Blanc (1994)

Directed by Krzysztof Kieslowski
Cinematography by Edward Klosinski

“That was a blank. The next one’s real.”


Post link
Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I Trois Couleurs: Bleu (1993)Directed by Krzysztof KieslowskiCinematography by Slawomir Idziak “Now I

Trois Couleurs: Bleu (1993)

Directed by Krzysztof Kieslowski
Cinematography by Slawomir Idziak

“Now I have only one thing left to do: nothing. I don’t want any belongings, any memories. No friends, no love. Those are all traps.”


Post link
Baby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelingsBaby Driver (2017)Directed by Edgar WrightCinematography by Bill Pope “The moment you catch feelings

Baby Driver (2017)

Directed by Edgar Wright
Cinematography by Bill Pope

“The moment you catch feelings is the moment you catch a bullet.”


Post link
loading