#jean-louis trintignant
So Sweet So Perverse (1969, Umberto Lenzi)
The Conclusion of the Three Colors Trilogy
Victo Ngai
‘Red’, the last of the Three Colors Trilogy silkscreen poster, will be on sale 3pm UK time from @blackdragonpress tomorrow (Friday 3/17), and you can still pre-order the whole set before that.
“[on Red] This is a film about communication that disappears. We have better and better tools and less and less communication with each other. We only exchange information.”— Krzysztof Kieślowski
Here’s a snippet from my interview with Chris from the Eviltender on ‘Red’:
‘Red’ is actually my favorite film from the trilogy. It may have fewer visual hallmarks but I think it has a very clear thread running through it — the human connection, whether it’s visible or hidden, and that’s what I decided to focus on.
Unlike the swimming pool in ‘Blue‘ and Poland in ‘White,’ there’s no significant locations in ‘Red’ that plays an active and symbolic role in the film’s storytelling. The locations in ‘Red’ are merely stages for the human dramas, the story can happen in another place and still remain intact. Therefore ‘Red’ differs from the other two posters that its characters are not framed in an actual space, but rather tangled in a web of telecommunication cables, which was shown in the very beginning of the film, as telephones connects and brings all of them together.
Big thanks to James Park from @blackdragonpress for having me on such a cool project and all the creative freedom, also kudos to Whiteduck silkscreen for always doing a marvelous job with these prints.
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“If I had to go through this again, what would I do? Is there anything else I could do? To see her for months on end as a pal. What happens? You end up being pals, maybe. She wired, ‘I love you.’ Admit it boy, you just don’t understand women.”
Un Homme et Une Femme (1966), Claude Lelouch
“I don’t claim to be original. You meet someone, marry, have a baby. It happens all the time. What can be original is the man you love.”
A Man and a Woman (Un Homme et Une Femme) (1966), Claude Lelouch
Trois Couleurs: Rouge (1994)
Directed by Krzysztof Kieslowski
Cinematography by Piotr Sobocinski
“Perhaps you’re the woman I never met.”
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Un Homme et une Femme (1966)
Directed by Claude Lelouch
Cinematography by Claude Lelouch
“Between art and life, I would choose life.”
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Jean-Louis Trintignant e Maurice Ronet sul set - “La lunga marcia” (La longue marche), 1966
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“And I took her down to the river, believing she was a girl but she had a husband!”
Il Sorpasso, 1962
Cinematography by Alfio Contini
Directed by Dino Risi
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RIP Jean-louis Trintignant (11 December 1930 – 17 June 2022)
