#james stewart

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davidlynch: Jimmy Stewart, Cary Grant, & Katharine HepburnThe Philadelphia Story (1940) dir. Gdavidlynch: Jimmy Stewart, Cary Grant, & Katharine HepburnThe Philadelphia Story (1940) dir. Gdavidlynch: Jimmy Stewart, Cary Grant, & Katharine HepburnThe Philadelphia Story (1940) dir. Gdavidlynch: Jimmy Stewart, Cary Grant, & Katharine HepburnThe Philadelphia Story (1940) dir. Gdavidlynch: Jimmy Stewart, Cary Grant, & Katharine HepburnThe Philadelphia Story (1940) dir. G

davidlynch:

Jimmy Stewart, Cary Grant, & Katharine Hepburn
ThePhiladelphiaStory (1940) dir. George Cukor


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lars134:Jimmy Stewart, circa 1936

lars134:

Jimmy Stewart, circa 1936


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The prairies, and wind leaning on the tall grass, lazy streams down in the meadows, angry little midThe prairies, and wind leaning on the tall grass, lazy streams down in the meadows, angry little midThe prairies, and wind leaning on the tall grass, lazy streams down in the meadows, angry little midThe prairies, and wind leaning on the tall grass, lazy streams down in the meadows, angry little mid

The prairies, and wind leaning on the tall grass, lazy streams down in the meadows, angry little midgets of water up in the mountains. Cattle moving down the slope, against the sun. Campfires and snowdrifts. Everybody ought to have some of that, sometime in his life.

Mr. Smith Goes to Washington (1939) dir. Frank Capra


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itsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beautiesitsrinanoir:Romantic scenes of Jimmy Stewart with all these beauties

itsrinanoir:

Romantic scenes of Jimmy Stewart with all these beauties


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Grace Kelly & James Stewart - Rear Window (1954)

Grace Kelly & James Stewart - Rear Window(1954)


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Why, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behWhy, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, beh

Why, I’ve never even thought of marriage. Well, it would mean giving up a whole way of thinking, behaving… a whole existence. I don’t know if I could. But I wish I could… Oh, I wonder, I wonder. I wonder if I could.
KIM NOVAK andJAMES STEWART inBELL,BOOKANDCANDLE(1958)


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You see, boys forget what their country means by just reading “the land of the free” in history bookYou see, boys forget what their country means by just reading “the land of the free” in history bookYou see, boys forget what their country means by just reading “the land of the free” in history bookYou see, boys forget what their country means by just reading “the land of the free” in history bookYou see, boys forget what their country means by just reading “the land of the free” in history book

You see, boys forget what their country means by just reading “the land of the free” in history books. Then they get to be men, they forget even more.
JAMES STEWART inMR. SMITH GOES TO WASHINGTON (1939)


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Vertigo (La donna che visse due volte)


Regia/Directed by: Alfred Hitchcock

Sceneggiatura/Screenplay by: Alec Coppel, Samuel Taylor

Montaggio/Edited by: George Tomasini

Fotografia/Cinematography: Robert Burks

Rotten Tomatoes: 94%

Metacritic: 100

IMDb: 8,3

Anno/Year: 1958


#vertigo #ladonnachevisseduevolte #alfredhitchcock #hitchcock #jamesstewart #jimmystewart #kimnovak #sanfrancisco #frisco #psychologicalthriller #rottentomatoes #metacritic #imdb #moviemaking #movielover #cinematography #film #movie #saulbass #movieposter #hollywood #bernardherrmann #barbarabelgeddes #dollyzoom #vertigoeffect #hithcockmovies #georgetomasini #robertburks #cinematografia #editing

citizenscreen:

James Stewart and Kim Novak behind the scenes of Alfred Hitchcock’s VERTIGO (1958)

mydailyvintagephotos:

Remembering James Stewart on his Birthday

Hitchcock and Jimmy Stewart reading the script for Rear Window (1954) Copyright Universal Pictures

Hitchcock and Jimmy Stewart reading the script for Rear Window (1954) Copyright Universal Pictures


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Jimmy Stewart with Humphrey Bogart and Alfred Hitchcock

Jimmy Stewart with Humphrey Bogart and Alfred Hitchcock


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Jimmy hanging out with Henry Fonda and Hitchcock behind the scenes of The Wrong Man (1956) Copyright

Jimmy hanging out with Henry Fonda and Hitchcock behind the scenes of The Wrong Man (1956) Copyright Warner Bros.


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James Stewart and his wife Gloria

James Stewart and his wife Gloria


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wehadfacesthen:James Stewart on the set of Mr. Smith Goes to Washington (Frank Capra, 1939)

wehadfacesthen:

James Stewart on the set of Mr. Smith Goes to Washington (Frank Capra, 1939)


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“ It’s true we’re in the same room but we’re not same the planet “

The Shop Around the Corner (1940)

Director:Ernst Lubitsch

 Anatomy of a Murder (1959)This scene where the men were struggling to find another word for panties

Anatomy of a Murder (1959)

This scene where the men were struggling to find another word for panties was just too comical that I had to replay it three times.
Mr. West, “I never heard my wife call them anything else.”
Mr. Biegler, “I’m a bachelor, Your Honor.”
Mr. Dancer, “I was overseas during the War, Your Honor… I, I learned a French word. I’m afraid that it might be slightly suggestive.”


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Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10Some Favorite Films Noir:Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)3:10

Some Favorite Films Noir:

Nightfall (1957, Jacques Tourneur; Anne Bancroft and Aldo Ray pictured)

3:10 to Yuma (1957, Delmer Daves; Glenn Ford and Van Heflin pictured)

Witness for the Prosecution (1957, Billy Wilder; Marlene Dietrich and Charles Laughton pictured)

Anatomy of a Murder (1959, Otto Preminger; Lee Remick, Eve Arden, and James Stewart pictured)

The Crimson Kimono (1959, Samuel Fuller; Victoria Shaw and James Shigeta pictured)


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