#fabrizio de andre
[ID. An edited graphic featuring the actor Luca Marinelli holding a microphone and wearing a shirt that reads: “Pen Paper Peace.“ Above the frame are the words “lmzine 2022 - charity zine” in gradient font, and to the right a gradient font that reads “update.” The background is blue hues of watercolor splashes, and a vector of blue torn paper. END ID.]
We just wanted to share a quick update: since we’ve gone live four days ago, we’ve already had several sign ups - including merch artists - as well as soft commitments from a few more.
In the application form, our content creators are asked which top three Luca characters they would like to work on and here are some of the replies - some characters definitly had more than one request ;)
- Nicky from The Old Guard
- Primo from Trust FX
- Cesare from Don’t Be Bad
- Guido from Every Blessed Day
- Walter Dorian from Diabolik
- Martin Eden from Martin Eden
- Fabrizio de Andre from Fabrizio de Andre
- Pietro from The Eight Mountains
- Lui from Ricordi?
- Gabriele from Waves
So there will definitely be some variety for the digital zine in October On Monday I’ll be sharing a digital mock up of a potential merch bundle we will launch with the kickstarter campaign in the fall - and until then, if you’re interested please feel free to browse through the following links at any time.
Introduction•FAQ•Applications
“Kieran is not yet twenty. Only a boy.”
This line reminds me of Geordie, a song that comes from an ancient british ballad and has a lot of adaptations. In Italy the version sung by Fabrizio De Andrè is really famous even though it has something like 50 years, and I connect it to this scene in LoS since the first time I read it because I always though that Gwyn loved Kieran like a father in his own way -at least, he loved him more than Kieran’s own father did- and for years I have been sure the lady of the song was Geordie’s mother instead of her lover/wife (don’t ask me why, I still do not understand the reason) so the parallelism between her and Gwyn wanted to save their sons was istinctive and inevitable.
In case someone do not know what the song tells, that’s basically the story of a woman weeping because her lover, a very young man no more than a teen, would have been executed soon by hanging for stealing some of the king’s deers. A boy who reminded me a lot of Kieran, both their actions guided not by selfishness but by hunger, by fear, by the desire to take care of their loved ones and do not lose them.
The woman went to London to pray the king to spare Geordie (the only thing she could do as she was powerless was rely in someone else who had the will and the power to save him, similar with Gwyn, who loved both boys and could only hope his words would convince Mark to save Kieran) and moved the crowd with her words, especially when she said “Save his lips, save his smile/ He doesn’t have twenty years yet/ Winter will fall on his face too/ You can hang him then”.
Contrary of Kieran’s, Geordie’s story does not have an happy ending -well, since I have not finished QoAaD yet, I don’t know if Kieran will have a happy ending (or even if he will survive), but at least he wasn’t executed by his own father.
Even though his lover’s prayers moved everyone, king included, the laws could not and must not change (“Although they will mourn him with you/ The Law cannot change”), just as the Law of Shadohunters and the Fairy Folk.
