#gestural
HEAD & HEART 22. I am exhilarated by the visual dance between the figurative and abstract. My body of work fulfills my natural, uninhibited desire to scratch the surface in a gestural, painterly manner toward accuracy, offering more information with less detail. I realize the principles that govern each piece of my art will not be applicable in the next. Each is a journey unto its own. This series celebrates my learned concepts and techniques as well encourages instinctive moves. In this series of abstract landscape art, I am using my unique voice, striving for harmony of color and rhythm in each composition, offered from both my head & heart.
Some characters from the 60′s - 70′s in Italy. Had a lot of fun with these ones !
And I just thought the last 3 were making a nice composition. Wasn’t on purpose:)
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Very honored to be included in 440 Gallery online “Blue” exhibition, 54x24”. Contact 440 Gallery. https://www.artsy.net/artist/yeachin-tsai #kinetics #markmaking #wave #blue #abstractpaintings #modernart #contemporaryart #fineart #interiordesign #symbolism #eternalcircles #modernasianart #spiritualinart #artcollectors #artsy #artconsulting #workoncanvas #gestural #abstractexpressionismpainting #asianart
https://www.instagram.com/p/B0y_vM-F09g/?igshid=3kwxxrbesis8
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![EMILIO VEDOVA / “UNTITLED” / 1989[relief print on paper | 107.5 x 142.4 cm.]](https://64.media.tumblr.com/b5fa14ad6247cbe64fb336dada3da32d/cf9b6b6f54c5a6c7-61/s1280x1920/3ae100cfc58881fbaf2ec110857cd9f312c5fa52.jpg "EMILIO VEDOVA / “UNTITLED” / 1989[relief print on paper | 107.5 x 142.4 cm.]")
recently opened, thru July 29:
“Painter, 1957 – 1967”
Philip Guston
Hauser & Wirth Gallery, 511 W18th St., NYC
Featuring 36 paintings and 53 drawings, the exhibition explores a pivotal decade in the career of the preeminent 20th century American artist.
‘I do not see why the loss of faith in the known image and symbol in our time should be celebrated as a freedom. It is a loss from which we suffer, and this pathos motivates modern painting and poetry at its heart.’
– Philip Guston, 1958
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