#goddess diana

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Roman Diana and Minerva my beloveds

 “Bath of Diana” and “Bath of Ateone” -  on the grounds of the Caserta Royal “Bath of Diana” and “Bath of Ateone” -  on the grounds of the Caserta Royal

Bath of Diana” and “Bath of Ateone” -  on the grounds of the Caserta Royal Castle in Italy. postcards, c. 1910s.


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hildegardavon:Max Švabinský, 1873-1962Diana of the hunt, 1912, mezzotint, 86.36x57.79 cmPrivate Cohildegardavon:Max Švabinský, 1873-1962Diana of the hunt, 1912, mezzotint, 86.36x57.79 cmPrivate Co

hildegardavon:

Max Švabinský, 1873-1962

Diana of the hunt, 1912, mezzotint, 86.36x57.79 cm

Private Collection (1stDibs)


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hildegardavon:Max Švabinský, 1873-1962Diana of the hunt, 1912, mezzotint, 86.36x57.79 cmPrivate Cohildegardavon:Max Švabinský, 1873-1962Diana of the hunt, 1912, mezzotint, 86.36x57.79 cmPrivate Co

hildegardavon:

Max Švabinský, 1873-1962

Diana of the hunt, 1912, mezzotint, 86.36x57.79 cm

Private Collection (1stDibs)


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hildegardavon:Lucien Charles Edouard Alliot, 1877-1967 Diana the huntress (Diane chasseresse), ca.

hildegardavon:

Lucien Charles Edouard Alliot, 1877-1967

Diana the huntress (Diane chasseresse), ca.1920/30, bronze

Carnegie Museum of Art,  Inv. 2016.18.8


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hildegardavon:Lucien Charles Edouard Alliot, 1877-1967 Diana the huntress (Diane chasseresse), ca.

hildegardavon:

Lucien Charles Edouard Alliot, 1877-1967

Diana the huntress (Diane chasseresse), ca.1920/30, bronze

Carnegie Museum of Art,  Inv. 2016.18.8


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hildegardavon:Italian School, 17th Century Diana, the goddess of the hunt, n/d, oil on canvas, 75.

hildegardavon:

Italian School, 17th Century

Diana, the goddess of the hunt, n/d, oil on canvas, 75.5x62 cm

Private Collection


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hildegardavon:Italian School, 17th Century Diana, the goddess of the hunt, n/d, oil on canvas, 75.

hildegardavon:

Italian School, 17th Century

Diana, the goddess of the hunt, n/d, oil on canvas, 75.5x62 cm

Private Collection


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hildegardavon: Pietro Menozzi, 1813-1878, Carlo Raimondi, 1809-1883 and Paolo Toschi, 1788-1854Diana

hildegardavon:

Pietro Menozzi, 1813-1878, Carlo Raimondi, 1809-1883 and Paolo Toschi, 1788-1854

Diana sul cocchio (da Correggio), n/d, acquarello su carta avorio incollata su tavola, 35x29 cm

Galleria Nazionale (Parma), Inv. 618/1


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hildegardavon: Pietro Menozzi, 1813-1878, Carlo Raimondi, 1809-1883 and Paolo Toschi, 1788-1854Diana

hildegardavon:

Pietro Menozzi, 1813-1878, Carlo Raimondi, 1809-1883 and Paolo Toschi, 1788-1854

Diana sul cocchio (da Correggio), n/d, acquarello su carta avorio incollata su tavola, 35x29 cm

Galleria Nazionale (Parma), Inv. 618/1


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hildegardavon:Emil Wolff, 1802-1879 Diana resting after hunting, n/d, marble, 150 cm Hermitage Mus

hildegardavon:

Emil Wolff, 1802-1879 

Diana resting after hunting, n/d, marble, 150 cm 

Hermitage Museum


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hildegardavon:Emil Wolff, 1802-1879 Diana resting after hunting, n/d, marble, 150 cm Hermitage Mus

hildegardavon:

Emil Wolff, 1802-1879 

Diana resting after hunting, n/d, marble, 150 cm 

Hermitage Museum


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hildegardavon:Alejandro Ferrant y Fischermans, 1843-1917Diana hunting, ca.1900/17, oil on panel, 2

hildegardavon:

Alejandro Ferrant y Fischermans, 1843-1917

Diana hunting, ca.1900/17, oil on panel, 27x17 cm 

Museo de Bellas Artes, Córdoba              Inv. CE2066P


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hildegardavon:Alejandro Ferrant y Fischermans, 1843-1917Diana hunting, ca.1900/17, oil on panel, 2

hildegardavon:

Alejandro Ferrant y Fischermans, 1843-1917

Diana hunting, ca.1900/17, oil on panel, 27x17 cm 

Museo de Bellas Artes, Córdoba              Inv. CE2066P


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hildegardavon:thefugitivesaintRobert Burns, 1869-1941Diana, tempera panel, “The Studio”, 1925S

hildegardavon:

thefugitivesaint

Robert Burns, 1869-1941

Diana, tempera panel, “The Studio”, 1925

Source

Robert Burns was a Scottish painter, limneranddesigner, of the Art nouveau and Decorative arts.


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honorthegods: Procession of children honoring a statue of the goddess Diana  Fresco, 3rd century CE,

honorthegods:

Procession of children honoring a statue of the goddess Diana  Fresco, 3rd century CE, Ostia Antica. Collection of the Vatican Museums. Photo: Musei Vaticani via Flickr (X). License: Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0)

Today, August 13, is the dies natalis (anniversary) of the dedication of  temple of Diana on the Aventine Hill in Rome in the 6th century BCE.

This date also marks the first day of the three-day Nemoralia(Festival of Torches)held in honor of Diana at her temple near Lake Nemi, 30 km/19 mi south of Rome. Worshipers wearing flowers in their hair assembled with torches and candles, bringing votive offerings of bread or terracotta in the shape of stags, children, and of body parts in need of healing. Prayers written on ribbons were tied to trees in the sanctuary. Women and slaves were free of their duties during this festival and enjoyed equality with men and slave-owners. Dogs joined in the celebration, too, adorned with flower crowns. The hunting of animals was forbidden during the Nemoralia in deference to the goddess of the hunt.

Dies natalis also means “birthday”. Members of the College of Antinous and Diana at Lanuvium, 32 km/20 mi southeast of Rome, celebrated the birth of Diana, their patron goddess, and the founding of their society on this date with a feast. 


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honorthegods: Procession of children honoring a statue of the goddess Diana  Fresco, 3rd century CE,

honorthegods:

Procession of children honoring a statue of the goddess Diana  Fresco, 3rd century CE, Ostia Antica. Collection of the Vatican Museums. Photo: Musei Vaticani via Flickr (X). License: Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0)

Today, August 13, is the dies natalis (anniversary) of the dedication of  temple of Diana on the Aventine Hill in Rome in the 6th century BCE.

This date also marks the first day of the three-day Nemoralia(Festival of Torches)held in honor of Diana at her temple near Lake Nemi, 30 km/19 mi south of Rome. Worshipers wearing flowers in their hair assembled with torches and candles, bringing votive offerings of bread or terracotta in the shape of stags, children, and of body parts in need of healing. Prayers written on ribbons were tied to trees in the sanctuary. Women and slaves were free of their duties during this festival and enjoyed equality with men and slave-owners. Dogs joined in the celebration, too, adorned with flower crowns. The hunting of animals was forbidden during the Nemoralia in deference to the goddess of the hunt.

Dies natalis also means “birthday”. Members of the College of Antinous and Diana at Lanuvium, 32 km/20 mi southeast of Rome, celebrated the birth of Diana, their patron goddess, and the founding of their society on this date with a feast. 


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hildegardavon: Holme Cardwell, ca.1813/15-1895Diana, 1862, white marble, on a grey marble base, figuhildegardavon: Holme Cardwell, ca.1813/15-1895Diana, 1862, white marble, on a grey marble base, figu

hildegardavon:

Holme Cardwell, ca.1813/15-1895

Diana, 1862, white marble, on a grey marble base, figure 187cm, base 42cm

Private Colection 


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hildegardavon: Holme Cardwell, ca.1813/15-1895Diana, 1862, white marble, on a grey marble base, figuhildegardavon: Holme Cardwell, ca.1813/15-1895Diana, 1862, white marble, on a grey marble base, figu

hildegardavon:

Holme Cardwell, ca.1813/15-1895

Diana, 1862, white marble, on a grey marble base, figure 187cm, base 42cm

Private Colection 


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Diana (For Sarah), 2015

Diana (For Sarah), 2015


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