#i still shoot film

Light at the end of the station. 

Traveling by train is a lost art, at least in the U.S., but it’s one of my favorite ways to get around. There’s something so soothing about flying down the tracks, everything rushing by on the outside but calm on the inside, immersed in but disconnected from the passing scenery… So good. 

(Pentax K1000 | Kodak GC400)

Forbidden Staircase.

[Location withheld]

(Pentax 67 | 105mm | Portra 400)

The Lighthouse. 

Fukui, Feb 2022 [instagram]

Ishikawa, Mar 2022 [instagram] [singles]

Sakai, Fukui, Feb 2022 [instagram]

Sakai, Fukui, Oct 2019 (Mongolians, rescan)
[instagram]

Akasaka, Fukui, Apr 2020 (rescan) [instagram]

Sakai, Fukui, Jan 2020 (rescan) [instagram]

Fukui, Jan 2020 [instagram] (rescan)

Kanazawa, Ishikawa, Jan 2020 [instagram] (rescan)

Fukui, Feb 2019 [instagram] (rescan)

Okazaki, Kyoto, Jan 2020 [instagram] (rescan)

Jan 2022 [instagram]

Sakai, Fukui, Mar 2020 (rescan) [instagram]

Sakai, Fukui, Dec 2019 (rescan) [instagram]

Christmas at the Salton Sea

I’ve been too busy organizing support for a proposed homeless shelter in Koreatown to post any photos, but here are some beautiful medium format photos taken by a really cool neighbor and friend I made! 

He’s an old-school 70s punk who hasn’t lost his sense of rebellion even now. I’m so honored to have these protests documented with real black and white film. Check out his photobook project:

https://www.instagram.com/onehundredyears_co 

Onlookers | June 2017

tokyo by film I, 2016

“the metro”

kodak retina s | 50mm f2.8
fuji c200