#intermezzo

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 1714 “Da Vinci, ex-Seidel” Stradivarius, The violin is part of Antonio Stradivari’s “golden period” 1714 “Da Vinci, ex-Seidel” Stradivarius, The violin is part of Antonio Stradivari’s “golden period” 1714 “Da Vinci, ex-Seidel” Stradivarius, The violin is part of Antonio Stradivari’s “golden period” 1714 “Da Vinci, ex-Seidel” Stradivarius, The violin is part of Antonio Stradivari’s “golden period” 1714 “Da Vinci, ex-Seidel” Stradivarius, The violin is part of Antonio Stradivari’s “golden period”

1714 “Da Vinci, ex-Seidel” Stradivarius,

The violin is part of Antonio Stradivari’s “golden period” of production, which spanned from 1710 to 1720. For nearly four decades in the 20th century, it belonged to the Russian musician Toscha Seidel, who used it during his long career in Hollywood.

The violin is slightly more refined than other instruments from the same time period. Its edges and purfling are narrower and its corners are less blunted. Additionally, it features a gorgeous one-piece maple back, although Stradivari was known for making more two-piece backs during the 1710s.

Seidel bought this specific violin in the 1920s for $25,000, which would be more than $400,000 today. The sale was front-page news, with Seidel telling The New York Times, “We precisely suit each other, and I am convinced it is one of the finest examples of the famous violin maker.” 

The violinist would go on to play the Strad during countless performances, most notably in the film scores for The Wizard of Oz and Intermezzo.

Courtesy of Tarisio


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Cupid, Death and the Beyond from Intermezzos, Opus IV (1881) Etching Max Klinger (1857 - 1920)

Cupid, Death and the Beyond from Intermezzos, Opus IV (1881)

Etching

Max Klinger (1857 - 1920)


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The latest instalment in my ‘Movie Classics’ poster range is for the 1980 film ‘Raging Bull’. Martin

The latest instalment in my ‘Movie Classics’ poster range is for the 1980 film ‘Raging Bull’. Martin Scorsese’s inspired use of the operatic classic ‘The Intermezzo from Cavalleria Rusticana’ by Italian composer Pietro Mascagni works beautifully. Used in the opening scene of the movie, it has quite rightfully become one of cinema’s most iconic moments. https://etsy.me/2PDMuVt


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Everybody - and I mean everybody -  loves a kitten. Truths of life and death

Everybody - and I mean everybody-  loves a kitten.

Truths of life and death


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