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When it came to reimagining Belle’s blue dress, “l wanted to show more to it, more than

When it came to reimagining Belle’s blue dress, “l wanted to show more to it, more than simply the blue outline of the animation,” Durran says. So for that frock (and all of Belle’s simple village-wear, including the red number in the next slide), she took the basic idea of animated Belle’s clothing and infused it with 18th-century French period details, like delicate lacing on the bodice.

“We decided to take inspiration from there and enrich the world using historical details,” she says. “For instance how that works for Belle (played by Emma Watson) is Belle has the pockets hanging on the outside of her [blue] costume. The pockets are historical, people tied pockets around their waist, obviously we changed it a bit and put them on the outside and they became part of the kind of reinterpretation of Belle as an active heroine who does things and gets things done. The pockets act as a sort of toolbelt where she keeps all the things useful to her in her day to day life, those are the two elements we really looked for.” The pant-like bloomers Durran and her team added underneath the classic blue outfit were Watson’s favorite addition.“They’re nice, as you can tell,” says Durran. “But also again they were part of her being able to be more active, so that you don’t feel restricted by wearing a skirt because you can just pull it up and then just do whatever you were going to do.”

Now onto the Belle’s red costume:

Belle’s red costume, which she wears outdoors for her snowball fight with Beast (Dan Stevens), turned out to be Durran and her team’s most unique challenge in that it was eco-friendly.

“Because Emma is so interested in sustainability and fair trade, eco fabrics and eco fashion, we applied those criteria to making a costume from head to toe,” she says. “That [red] costume was made entirely from sustainable fabrics. We dyed it in vegetable dyes in our workroom, we had shoes made with eco leather and we did the whole thing from top to bottom to be as thorough as we could. People learned different skills in the work rooms to be able to do it, so they dyers learned to dye with strange vegetable dye. Sometimes it took two weeks to dye something because you’d have to leave it in there for that long to get a rich color, it really was a learning curve for all of us, I’d certainly never done that before.”